An engaged reading of Frankenstein raises the question: What can our sympathy or lack of sympathy for the monster say about the ourselves? A survey of scholarship on Frankenstein provides insight on this question. In her essay “A Critical History on Frankenstein”, Joanna Smith provides a summary of the criticism of the novel since its publication. Percy Shelly and those of the early 19th century critiques of Frankenstein highlight who is to be responsible for the monster’s behavior and the moral impression on the audience. In the second half of the 20th century, criticism shifted from the focus on the low culture aspect of the novel to the high culture sphere. Critics emphasized Shelly’s political and philosophical views while others turned to the literary aspects of the …show more content…
The answer to this question is twofold: if a person feels sympathy for the monster, then that says the person is more understanding but if the person does not feel sympathy then that reveals he or she is more focused on justice. The people that feel sympathy for the monster view Frankenstein’s creation as human and similar to a child. Frankenstein had an obligation to his creation just as mothers have obligations to their children. These people blame Frankenstein for the monster’s actions because the monster was acting out in the only way it knew how to, similar to how children misbehave to receive attention. Those who lack sympathy for the monster are focused on it’s wrongdoings and the effect it had on others. The creature knew about the human laws and was intelligent enough to recognize its crimes as wrongdoings. The creature had choice and still chose to commit crimes rather than leave his creator, who clearly did not want him, alone. Feelings of sympathy or a lack of sympathy for the monster can reveal personal characteristics about the
Accompanying feelings of horror and terror, Frankenstein “feels the bitterness of disappointment” once he realizes the outcome of his ghastly concoction (Shelley 49). His one major mistake, the monster, catches up with him, driving him full of revenge and turning him ill (Shelley 190-193). Sadly, these selfish New Age-like characteristics lead to Frankenstein’s
The Creature’s Unjustified Morals of a Monster Frankenstein’s horror tragedy leaves the reader with a dilemma about Victor’s creature guiltiness and moral responsibility. This dilemma arises due to the irresponsible care from his creator and general hatred received from the human species; contrasted by his unjustified actions towards innocents and commitment of murders as the catharsis from his problems. It is true that this being was inattentively abandoned in the most fundamental stages of its life and that circumstances may have corrupted his initial good benevolence. However, in this essay, I argue that the actions, motives, and values expressed by the unnamed creature in Shelley’s story make him solely responsible and, because of their
The Moral Ambiguity of Frankenstein’s Monster When it comes to moral to put it simply there is no black or white, morals are on a spectrum of gray. This theory stands true in the story of Frankenstein and his monster. Awareness of actions also play a heavy role in this novel, Frankenstein didn’t know the monster he would create, as the monster wasn’t aware of how the world was and even death. Throughout Frankenstein, the monster can’t be defined under the terms “good’ or “bad”, for the monster show qualities for both and cannot be defined by either term, Mary Shelley’s portrayal of the monster as a morally ambiguous character shows the significance of the work.
Mary Shelley's Frankenstein is a classic novel that explores the consequences of cruelty, both towards oneself and others. Through the course of the story, the theme of cruelty functions as a crucial motivator and major social and political factor, driving the plot and the development of the characters. This essay will analyze how cruelty functions in the work as a whole, the impact it has on the characters, and what it reveals about the perpetrator/victim relationship. One of the most striking examples of cruelty in the novel is the treatment of the creature by his creator, Victor Frankenstein.
The emotional responses to the Creature’s condition that the novel evokes are illuminated when cast in psychoanalytical light. This article traces how shame and disgust, as theorized by Silvan Tomkins, operate in the novel, and how these responses disrupt or undermine the function of sympathy, as described by Adam Smith. In doing so, the article attempts to show that ethical readings of the novel – readings which participate in both Enlightenment ideas of sympathy and Romantic ideas of the “Other” – remain problematic because of the enduring presence of shame and disgust throughout the novel. The novel remains as powerful as it is partly because of the irreconcilability of the affects of shame and disgust with the ethical operation of sympathyhttp://www.tandfonline.com/doi/full/10.1080/10509580701844967 Works Cited Sympathy In Frankenstein. "
The crimes were done by the creature due to the revenge he sought out for towards Victor. The creature cannot be to blame for his behavior, Victor Frankenstein is the only one at fault for the murderers and wrong doings of his
The gothic fiction novel Frankenstein by Mary Shelley centralizes on humanity and the qualifications that make someone human. The content of the novel Frankenstein depicts a monster displaying human traits that his creator Victor does not possess: empathy, a need for companionship, and a will to learn and fit in. Throughout the novel Shelley emphasizes empathy as a critical humanistic trait. The monster displays his ability to empathize with people even though they are strangers. On the other hand Victor, fails to show empathy throughout the novel even when it relates to his own family and friends.
I cannot personally have the death of someone who is innocent be my fault because I refused to tell the truth. Also that is simply the right thing to do, Victor Frankenstein created the monster and angered it by neglecting it, now he should pay the price. I believe that Victor Frankenstein is truly upset about what happened and he feels bad. Frankenstein never intended to murder people with his creation he made, and also the fact that his creation is showing some "defects" upsets him greatly. The issue with Frankenstein's guilt and remorse though is if he feels like this he should have told the public about the true murderer instead of keeping this a secret.
Since Frankenstein rejected the monster and was frightened by its appearance, several other people felt the same way and rejected the monster as well. This made the monster feel like an outcast and irrelevant to the world that surrounded him. Since he gained knowledge on his own, he was able to set up revenge plans against his creator. He begins killing each and every one of Frankenstein’s loved ones. Furthermore, the monster admits, “I have murdered the lovely and the helpless; I have strangled the innocent as they slept,” (page 1970).
In Mary Shelley’s Frankenstein, Victor Frankenstein brings his creation to life and has to endure the repercussions of his actions. While Victor is in fact human, the question of whether the creature or Victor is more human still stands. Humanity is demonstrated as compassionate in the book and monstrosity is the opposite. The creature is more human because of his developed personality and desire to be human. Victor, although born into a humane family, evolved into everything bad about humanity; he developed obsession, resentment, and manipulated life to conform to his idealities.
Mary Shelley’s Frankenstein presents important social criticism. Shelly focuses, in particular, on importance of forgiveness, betrayal, acceptance in society. Learning to forgive yourself and others is an important thing to know how to do or you’ll be holding on to useless hatred and pain all of your life; the same way the monster, Frankenstein, was doing. “Forgive me. Everywhere I go, they hate me”.
In Philip Pullman’s adaptation of Mary Shelley’s ‘Frankenstein’ , it clearly shows that he encourages the audience to feel more sympathy for the Monster and not Frankenstein. This is because of the way people describe the Monster and say extremely violent things to him, such as death threats. The Monster states things in the story so the other people understand the hardships he has had but not everyone believes that it is worth feeling sorry for because of the way he is different to man. So it makes the audience have sympathy for him because they know what the Monster has been through and they know he has had gone through more exclusion from the public than what Frankenstein has.
Mary Shelley’s novel Frankenstein, is one of the most important and popular novels in the Romantic genre to this day. The novel was originally controversial because it touched on many fragile subjects such as the human anatomy and the development of science. The structure of Frankenstein begins as an epistolary, narrative story told by Robert Walton to his sister in England. Walton’s letters tell us that he is exploring, searching for what lies beyond the North Pole, and he eventually connects with Frankenstein. Shelley creates the protagonist, Dr. Victor Frankenstein, who has a fascination with life and death.
In the novel Frankenstein,by Mary Shelley, the mysterious and unnatural origins of the character of Frankenstein’s monster are an important element. The Monster, having been created unethically and haphazardly, is at odds throughout the novel, resulting in his alienation from society and prolonged feelings of anger, desertion, and loneliness. Shaping his character, his relationships with other characters, and the meaning of the work as a whole, the Monster’s origins are what define him. The Monster faces rejection and violence every time he attempts to make contact with the new, foreign world he has been thrust into.
However, this novel by Mary Shelley is a very entertaining piece of work that painstakingly resembles modern day society. “From our expectations having been raised too high beforehand by injudicious praises; and it exhibits a strong tendency towards materialism.” (Anonymous, 1998) The first critique that was published in the Literary Panorama, and National Register strongly critiques that the development of the monster is entirely unrealistic and based upon the sense of greed that comes with materialism. The whole basis of this novel is fantasy.