On the 10th of July, 1994, Alan Cantwell jr. issued a statement about the graffiti problem in California. In California, officials did not crack down on graffiti early enough and it began to run a muck. Not only were the consequences for graffiti slim, but also Cantwell explained how people partaking in graffiti were rewarded by people, “...publicizing, popularizing and glorifying...”(Cantwell) graffiti. Over time the Graffiti took over the cities of Los Angeles and San Diego as more and more people enjoyed the thrill of breaking rules and damaging other people's property. People doing graffiti craved power to damage others property just as the kids in the Lord of the Flies, by William Golding, craved power to inflict harm. In both cases the lack of consequences lead to complete chaos. Graffiti plastered every wall and train in Los Angeles and the island civilization shattered with blood plastered on …show more content…
Roger killed Piggy by a boulder when, “High overhead, Roger, with a sense of delirious abandonment, leaned all his weight on the lever,”(180) and after the boulder fell, “... the conch exploded into a thousand white fragments and ceased to exist”(181). The end of civilization on the island was symbolized by both Roger’s murder of Piggy and the destruction of the conch. At first Roger threw pebbles around Henry to test the consequences of their island civilization and over time, when he learned that there were none, he crushed Piggy with a much larger pebble. Roger’s motives stemmed from a lack of respect for basic human morals because ignoring them allowed him power over others, meat and safety, whereas following them lead to malnutrition and a fear of the beast. Because Jack gave Roger the authority to defend against those who would “sneak” in, Roger with “delirious abandonment” became crazed with the ability to kill Piggy and acted on that intense
Roger chose to torture the boys, and eventually he chose to kill Piggy. The experience of the island pulled something ugly out of him specifically, but in all the ways that matter, he was fully aware and in control of his choice to murder another person. The other murder, Simon’s, is different in that no one person chose to kill the boy. No one in particular summoned the malice to beat him to death, but the group as a whole lost their individual values and assimilated into the group. Chapter 2 of Opening Skinner’s Box explains that people abandon their core beliefs in order to satisfy some primal need to conform.
1. The fall of man on the uninhabited, peaceful, and pure island represents how man is inevitably entropic and anthropocentric. Man is centered on humankind being the most important element of existence which is a threat to the surrounding nature. Jack and his team symbolize the arrogance of man and "mankind 's essential illness," which is the evil inside of us. Hence the creation of anarchy where the boys have the temptation to conquer everything.
However, he become savage at the end of the book. For example, When Roger and Jack get tired of hearing Piggy complain and lecture them, Roger is standing above Piggy and acts as executioner. “High overhead, Roger, with a sense of delirious abandonment, leaned all his weight on the lever” (180). Golding emphasize how Roger transforms from a choir boy to a vicious murderer. Golding's belief that human nature will delegate into barbarity without the restraints of
Roger, though a minor character in the novel, plays a leading role in the evil doings on the island. Demonstrating his twisted mind in little ways by smashing sandcastles and throwing rocks at the other boys, he gains a special authority, one brimmed of threats and fear. He is eventually the one to murder Piggy, rolling a boulder onto his head, though he shows no compassion after this dead. The witnesses of Piggy’s death go into an uproar, however, and when “ yelling ceased, Samneric lay looking up in quiet terror. Roger advanced upon them as one wielding a nameless authority” (182).
“Although hundreds of thousands of individuals and groups promoting peace and justice now work across the world, the successes of the global peace network are rarely noticed.” (Wood) Additionally, the public who promote peace and justice are rarely noticed for their input to society. In the photograph titled, “Street Art with Graffiti in Copenhagen” by Shepard Fairey, follows the promotion of global peace and the protest against wars in the world. The image shows a painted mural, a former site of a youth culture center, on a seventy-foot-high wall with a dove in flight above the word "peace" and the figure "69". Also, at the bottom of the mural was graffiti painted over with "no peace" and "go home, Yankee hipster" by angry individuals, the youth culture center, who saw it as a propaganda provocation paid for by the city who tore down the youth culture center.
“Out in street, inspected defaced building: silhouette picture in doorway, man and woman, possibly indulging in sexual foreplay.” (Watchmen, 5, 11, 5). As the main character Rorschach describe the graffities on the street. In Watchmen by Alan Moore and Dave Gibbons, these graffities are shown in the panels while the story develops Rorschach characteristic. The special bond between Rorschach and the graffities are mysterious and unusual.
(Golding 4) This shows that Roger demonstrates his desire to abandon civility for savagery. Later on in the book he turns more into an inhuman person because he ends up dropping a big rock and piggy and kills him. It states that “Roger, with a sense of
(Golding 180-181) At this point in the story, Roger is acting on his primitive instincts and becoming the biggest savage on the island. Speaking about his savagery, Roger kills Piggy with a huge boulder, which not only kills Piggy but destroys the conch into smithereens. Savagery has overtaken Roger, and his murder of Piggy symbolizes savagery and the destruction of their civilization. This quote shows that Jack's cruelty is rubbed off on his people.
When Piggy was trying to reason with Jack to give him back his glasses, Roger lets loose a boulder that “struck Piggy a glancing blow from chin to knee […] Piggy, saying nothing, with no time for even a grunt, traveled through the air sideways from the rock, turning over as he went […] Piggy fell forty feet and landed on his back across the square red rock in the sea” (163). Piggy’s death was ironically cruel and barbaric during what was supposed to be a civilized, orderly plead to Jack showing that the innate evil of human nature will always overcome any attempts to remain civilized. Sadly, Jack tries to justify this and make a scapegoat out of Piggy by wildly screaming, “‘See? See? That’s what you’ll get!
When Piggy died at Castle Rock the novel states, “Roger with a sense of delirious abandonment, leaned all his weight on the lever” (180). Roger had the choice to not push the boulder but his urge to hurt and kill made him push the lever to kill Piggy. He has became as savage as Jack has, he also does this to show how powerful their tribe is. Roger leaned all his weight on a huge rock and caused the rock to fall which smashed Piggy. Roger also disliked Piggy, Roger said “Piggy is different compared to the rest” him being different made Roger dislike him, which led to Roger killing Piggy.
So far the worst thing Roger has done is torture a pig, but he soon will take it up a notch and make his biggest act of cruelty: murder. In the middle of a stand off, Roger, “...[leans with] all his weight on the lever. … The rock struck Piggy a glancing blow from chin to knee…” (180-181) By committing murder, Roger has completed a heartless act, making him the most savage person on the island and revealing how his morals are wrong.
For ages now, strain has been lingering and bubbling under the surface between the graffiti writers and street artists. The majority of passers-by merge and confuse one with the other. Unquestionably, there are notable distinctions between them. Most people that carry out graffiti are not coached or shown how to and are constructed mainly on words, usually names or foul language scribbled on the walls. Graffiti has arisen for teenagers as a way to express themselves.
Graffiti not only defaces property, but also causes millions of dollars in repair. The question “When does graffiti become art?” has only one answer: Never. The law haas and always will consider graffiti as vandalism because of its harsh effects. Sure, as many believe, graffiti can bring life to a public place and certainly some of the most famous pieces of graffiti, such as Michael.jh and Deuce 7, grace the streets of cosmopolitan cities (Friedman). Also,
Graffiti is art I believe that graffiti is art because it takes a lot of time and it is not easy to do. It involves vibrant colors and pictures of things that the artists think of. People can get paid for street art if they put it on a canvass and sell it as art in a gallery and not vandalism. If you have permission to draw on a wall it is considered art.
I believe graffiti is art because it takes a lot of time and skill to be able to do these kind of things especially when you're doing it with spray paint. You have to have a lot of experience to be able to do these extraordinary things. Not just anyone can go somewhere on the street with a can of spray-paint and just put a cool little tag. That does not make you and artist that just makes you a criminal. You have to have value behind it and you need to have something to back up your reason that you made this art its not just an everyday thing some people can do.