Evolution and Revolution in Hip-hop
As hip hop began to gain popularity, it started to include people beyond poor urban neighborhoods. As this occurred, new members of the hip hop generation struggled to define themselves beyond the slums. Although it was the birthplace of hip hop, it was dangerously misleading to allow society to continue to perceive hip hop as the child of neglect, poverty, and suffering. Though by no means an collective response to outsider views, songs attempting to define hip hop began to appear. From “We Rap More Mellow” to “Damn it feels good to be a gangster, 13 years pass (1979-92), but the ideology expressed in the lyrics remains thematically the same, in hoping to redefine hip hop and what it means to be member of
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Ness, Rahiem, Cowboy, and Kid Creole. Each artist has their own verses, but they also complete each others’ lines and even rap some lyrics in sync. The backing track is a constant loop of drums, shakers, bass, e-guitar, claps and bongos. The MC’s rap over the loop for their verses, and alternative loops play during their portions where they exchange lines. This is most likely to stress the importance of the lyrics over the music during each of the MC’s raps. The alternative loops exist for a different reason, not to distract from the lyrics in these sections, but to further differentiate them from the rest of the rap. It is in these portions that the MC’s share common lines, representing unity across their group, the hip-hop community, and likely any gangs that they were affiliated with.The intro builds up the beat, first with the drums, then bongos, shakers,and claps are inserted, followed by the bass, and then finally the electric guitar. This is a technique very similar to that used in pre-hip hop music, such as James Brown’s “Give it up or turn it loose” from 1970. Although the artists had declared this new form of music to be distinctly rap or hip hop, it still was heavily influenced by funk artists from earlier in the decade. This is …show more content…
Other definitions in the piece describe “gangsta’s” as charitable members of society and corrupt politicians. In short, the variety of definitions these piece offers serves the idea that there is no true definition of a “gangsta,” and because of that, a “gangsta” is anything the hip hop community wants it to be. Though this song fails to describe hip-hop culture, it insists on an image that is open to interpretation, allowing for future generations of MCees to carve out their own
According to Orejuela, “Hip hop includes four related art forms – Djing, MCing, breaking (b-boying), and graffiti – that are the product of a unifying ideology” (2). Therefore, one can understand that there is more to hip hop than meets the eye and Orejuela felt passionately
As Can’t Stop Won't Stop continues to progress to the 1970’s, Jeff Chang addresses the developments, changes and increasing influence of hip-hop. Hip-hop’s influence and popularity seemingly spread globally overnight. Hip-hop culture took on new aspects and the motives for expressing the art continued to grow and change for artists. Throughout the chapters, Chang highlights the evolutions of hip-hop, hip-hop’s new audiences and the increase in drugs and violence in hip-hop during a rebellion ear. In the late 1970s, many citizens in the Bronx began to see a dramatic change in hip-
Nas is one of the many rappers that without a doubt challenges various messages in alternative music genres by exposing and addressing the issues faced by those living in the ghettos. This song directly speaks to those of authority and vividly paints a picture of the harsh realities of certain individuals. Nas asks these people to imagine that they were living in such conditions and circumstances and how that would make them feel. Thus, this song truly addresses issues of poverty and discrimination, in which most alternative forms of entertainment do not touch upon.
Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.
In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.
Very similarly to rhythm and blues, rock and roll and the Civil Rights Movement inspired hip hop in a variety of different ways, as African American artists worked to find a space for themselves in the music industry. Not many people find a correlation between African Americans and Rock and Roll, but there’s surprisingly a deep history, and it’s not just white people who developed this specific genre, but there was African American-centered and ghetto-centered versions of rock and roll. “There are enough similarities between, for instance, rock & roll and commercial rap, especially rock rap, to make a case for critically engaging them as interracial arenas where black and white youths, among others, put forward messages and advanced ideals that have been not only informed by the Civil Rights Movement and the Hip Hop Movement, respectively, but in turn, even if only implicitly, have influenced the rhetoric, politics, and aesthetics of these movements” (Rabaka 99). There was a strong transition from this type of “rock rap” music being labeled as ghetto music, into universal music that people of all races and ethnicities would listen to.
All of these techniques are fundamental parts of hip-hop. As the years progressed, more elements contributed to hip-hop. Hip-hop formed as a result of the harsh and tiring conditions of the South Bronx. This new movement combatted “the violence...and the negativity that come out of gang cultures” (Swanson, 2010). This makes sense because the people living in the South Bronx had to live through such harsh conditions and needed a break from this stressful life.
Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.
The block parties, graffiti art, rapping, disc jockeying and diverse forms of dancing built Hip Hop by the black youth. They expressed their feelings, thoughts, but most importantly the problems they had to face, which were related to their race, gender and social positions. The rights that were given to black people during and after the Civil Rights Movement left the following generations at a lack of how to continue the fight for black rights. Hip Hop gave them this platform and with the usage of black nationalism, Hip Hop can explore the challenges that confront American-Americans in the post-Civil Rights Movement era. In the 1990’s Hip Hop lived its prime, sub genres started to appear and famous groups, MCs led the whole community, providing a voice to a group of people trying to deliver their message.
Graffiti Breakdancing DJing Rap is when a person is MCing or rhyming, it is considered a form of poetry, and it focuses mainly on the flow, delivery and lyrical content that is being said by the MC. MCing is a form of expression that
What seems to us now as excessive violence and misogyny in hip hop stems from a culture that has been consumed in a continuous battle against social and economic oppression since its early days. In the beginnings of hip hop, there was an explosion of defiance against the subjugation these artists had to experience on a daily basis. For many artists, rapping about guns and gang life was a reflection of daily life in the ghettos and inner-city housing projects. Not only did rap provide an outlet to voice the struggles of black youth, it also gave them a sense of pride. Before major hip hop groups such as NWA arrived on the scene, people would refuse to admit they were even from Compton.
The Impact of Hip-Hop Ever since its birth in the 1970s in West Bronx, Hip Hop has been known as “Gangsta” music and most commonly associated with black culture. Since its creation it has become a fast growing genre of music and has growing fame all over the world. The popularity of it has increased to all races, age and gender. However the growing popularity of hip hop has come with several controversies among scholars. Some scholars argue that the growing popularity of the genre is very helpful to low income families who can use this as their outlet into going to Universities, on the other side some believe associating the genre to black culture is bad for the culture as a whole and they should not be associated together.
Some of the main cores of Beat Street are the music, dancing, and graffiti art works – all of which are part of hip-hop culture. Scholars note that hip-hop as a movement originated in roots from African American traditions and are mainly used to express their culture as well as identity (Blanchard 24). Rap music, for example, comes from West Africa’s “nommo.” This idea refers to the power to deliver words to act upon objects and to bring it to life. The historical and traditional underpinning of rap, therefore, becomes representative of the rich and distinctive culture of African Americans.
Even though my parents listened to KRS-One and Public Enemy, while my sisters engaged in Kanye West and OutKast, both eras of the hip hop genre purpose were to discuss economic problems and push people toward the right path of life. In Yan Dominic Searcy’s article, he says, “Many rappers grew up amid violence, police harassment, poverty, drugs and promiscuity. Rappers will tell you they rap about what they know. If the community wants to change rap lyrics, the community must change reality.” (Searcy)
“Beyond Beats and Rhymes” Summary This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this. Some of the most prominent issues discussed in the film were the over-sexualization of women, gun violence, and anti- homophobic attitudes. Hunt would ask those involved in the industry about why they think these themes are so prevalent.