Jose Rodriguez created the art piece of the "Crown" in 1997, inspired by the Yoruba culture. Rodriguez was influenced by various practitioners of the Yoruba rituals that he met in his travels from Cuba, New York, and Puerto Rico. His most well-known piece, the Crown, is made from the materials of beads, feathers, wood, thread, shells, and fabric. In the Yoruba culture, power can be bestowed inside a crown and the person wearing it. According to the article “Yoruba & Cultural Traditional Renaissances” it states that “the beaded crown was not simply regarded as a symbol of the divine nature of the oba but was believed to be, by virtue of elements of its design, an instrument of power by which the oba was able to intercede with the spirit world, …show more content…
The crown gives him respect and authority; however, the crown having a bird on it signifies the illusion that he is a liminal figure or a diviner. In the journal article “The Sign of the Divine King: An Essay on Yoruba Bead-Embroidered Crowns with Veil and Bird Decorations” written by Robert Farris Thompson, he mentions that “we have seen there are probably active power concealed in the crown with fringes and it might be added that on ceremonial occasions skulls are mounted on staffs to deflect evil from the King of Benin” and adding a bird emphasized the Oba with witchcraft. The crown gives the Oba magical powers that he would typically not have, and because of this reason, he resembles a God-like figure. He has the power to hurt one if they are disobedient or acting up and can connect with the spirits demanding them to destroy one. Also, depending on the numbers of birds on the crown indicates how strong the Obas power is (Thompson 77). Though on this crown it only has one bird, demonstrating that the Oba has a strong supernatural power but is not to the full potential. Within the crown it lies the Obas future, because “it is believed among the people of Yoruba that if the king looks into the crown, it will lead to his own destruction” (Yoruba Style Crown). This explains why a woman and or his wife, are to be the only ones who can look into without causing harm. Although, if the Oba does or creates any demolition, then he is forced to look into the crown, wishing death upon himself. The crown has a magical power that posses the Oba, which is why the king should always cherish it. The crown can take the Obas life away if he does not have the country in his best interest. If this does occur or if the Oba suddenly passes away then the crown is to be kept in a shrine for
The family of Luis Rodriguez, like many Mexican Americans in the border regions from the 1950’s to the 1960’s, faced much disparity in the social and economic realm of their new homes and communities. Living in the United States, they believed, would allow for growth and opportunities not possible in Mexico. In their quests to lead a better life, the heads of many households had to work hard and long hours in order for the sustainment of their livelihood and in Luis Rodriguez’s case, both of his parents worked long and hard hours. Rodriguez’s parents wanted better for their family, but their journey to Los Angeles would forever change the trajectory of the life they envisioned for their family and, namely, for Luis Rodriguez. Born in El Paso, Texas, the Rodriguez family moved back and forth between the border and the region of Chihuahua, Mexico.
The book I, Juan de Pareja took place during the 17th century in Spain, where Juan de Pareja was a slave. This was during the Renaissance where art was becoming more popular. Everyone at this time, then started to believe science and how everything works and focusing on themselves even more(humanism). Juan was enslaved for about 45 years but was then freed by his master Diego because he felt remorse he did not free him sooner. Another reason was that he developed sympathy and mutual affection for Juan and his master had an opportunity and a chance to free him from slavery .
Tejano music which also is known as Tex-Mex it refers to the style of Mexican-American music, which it is born in the South Texas region from a Chicano community that evolve from different styles of music on the late 19th century. These lead to the early years where in the south regions this music evolve from a group of farmer people community that start creating corridos which born from an European music style such as waltz, polkas and ballads. This music adapts the stylishness of narrative nonfiction music by the year of the 1803, we find he introduction of verses in the polkas corridor music. In other words from that time the music start evolving into other genres, such as rock and roll, pop, rancheras, Mexican cumbias, conjunto and tejano music. In the late 20th century we can find many artists that make this genre so popular on the Southern Texas region, tejano music gave birth to a great artists such as La mafia, Emilio Navaira, Gary Hobbs, Jennifer Peña, Jay Perez, La Sombra, and finally Selena Quintanilla.
After the Civil War, the second Industrial Revolution swept the US and the country began to flourish. Baring the economic prosperity, many Americans grew the urge to expand overseas. In the late nineteenth and early twentieth centuries, foreign policy was the hot topic among citizens and government officials. There were two sides to the argument; some Americans pushed for the aggressive foreign policy while others favored for the US to keep their nose out of foreign affairs. Notable figures in government took bold stands for and against foreign affairs.
Where Jacobson works with animalistic symbolism, Morrisseau expresses the Ojibway worldview within his work through the use of narratives. Morrisseau’s grandfather Potan was known as a Midewinini and Jissakan, a shaking tent seer, and was well versed in the traditional stories and teachings of his people. One aspect of the Ojibway world view is the importance of narrative, which was told by the elders of the community. These narratives “were instrumental in teaching about history and morality. The Ojibwa narratives were used to pass on knowledge,” (Wobodistch, 15)
Antonio Lopez de Santa Anna had many leadership qualities he was literally a leader, he served as a Mexican politician and general. He significantly influenced early Mexican politics and government, he was a skilled soldier and clever politician. He gained power in Mexico, throwing out the Mexican constitution and declaring himself dictator. Santa Anna did not have a specific ideology. The federalists gave him the opportunity to come back to the country, to take power, and to defend Mexico.
Macbeth and Ozymandias are two different stories that shares a similar theme. Both tales are about power that ended presumptuously and resulted into downfall. The two texts also shares a story of two kings, once very powerful, failing with their ambition. In the poem Ozymandias, it shows a "powerful king" in emptiness.
Instead of converting the Aztecs to Christianity, Hernan Cortes committed genocide. Originally he traveled with an army of six hundred men to Tenochtitlan, to introduce the Aztecs to Christianity. In the end, he was a murderer in the eyes of the Aztecs and conquered the Aztec Empire. Hernan Cortes was a villain because, he was ignorant, manipulative, and ambitious. He slaughtered a nation and destroyed a magnificent city.
Juan de Oñate: The Last Conquistador Your name Name of the University Juan de Onate: The Last Conquistador Juan de Onate, described as the last conquistador was a great person who led hundreds of families to settle in one of the oldest European colonies in the United States in search of unimaginable wealth. Juan de Onate was born in 1550 to aristocrats Cristobal de Onate and Catalina de Salazar in Vera Cruz, Mexico. Cristobal and Catalina were wealthy Spanish colonists and proud owners of a silver mine in Zacatecas, which is currently located in the north central Mexico. Juan involved himself in safeguarding his father’s silver mines right from an early age.
I, Juan De Pareja Leela Ramey A boy named “Juan,” has been a slave ever since he was a child. He is from African descent, but now lives in Spain with his mother. Early in the book, his mother soon dies, leaving Juan all by himself, since his father was not there to support him.
Miguel Cabrera is a well known painter from the 18th century who painted From Spaniard and Mulatta, Morisca in 1763. This painting is from the caste series Miguel Cabrera did during his life in the Colonial Spanish Americas (Arana). A caste series is a set of sixteen paintings that trace racial mixing. In the painting, a family of a Spanish man and a Mulatta women are depicted with their children whom contain attributes of both of their parents. This painting of a multicultural family shows much of the social, economic, political, and historical time period of Latin America.
Catching an eagle and obtaining the feathers was a great reward.(firstpeoplesofcanada.com pg.n) It symbolizes honor, strength, and power. If they were given a feather it was treated as a gift and taken care of, if hidden, it would be a sign of disrespect. An Indian warrior’s sacred possession would be their warrior shield.
The mostly represents that they stand out more. Both kings look upright and with a strong character and personality. From looking at the statue he seems very powerful, respected and obeyed by others. From what I read in the wall text he had a lot of followers that looked up to him and advised him when he needed it.
Hernán de Pulgar, the Catholic monarch’s chronicler, wrote “Although they are monarchs, they are human beings”. Ferdinand and Isabella was very ambitious leaders who had many goals they wanted to achieve in their reign. Having recently gotten power by uniting their countries, they were still an unstable, and both external and internal threats were coming towards them. To strengthen their power, Isabella and Ferdinand expelled all Muslims and Jews from Spain, spreading Catholicism and getting the money that exiled people were forced to leave behind. Their Catholicism, ambition and the new idea of nationalism led them to create a completely unified Catholic Spain.
The first piece of artwork I critiqued was the famous Virgin of Guadalupe. The Virgin of Guadalupe is currently exhibited in the Basilica of Guadalupe in Mexico City. The piece of art is not solely a painting, but an enconchado. It was made into wood, and it essentially creates a reflective surface that appears as moving. Also, I like how they explain their theory on the woman of the apocalypse and how it relates to this piece of art.