In How to Read Literature Like a Professor, Thomas C. Foster teaches readers the meanings behind commonly used symbols, themes, and motifs. Many readers of all ages use this book as a guide to understanding messages and deeper meanings hidden in novels. The deeper literary meanings of various symbols in Margaret Atwood’s The Handmaid’s Tale are explained in How to Read Literature Like a Professor. By using Foster’s book, readers can better understand the symbols in The Handmaid’s Tale.
In the introduction of “How to Read Literature Like a Professor” , Thomas C. Foster focuses on the grammar of literature and the qualities of a professorial reader. He asserts that practise is crucial to learn how to read literature in a more rewarding way. In addition, he defines main elements of the context such as pattern , symbols, and conventions. The purpose of Foster appears to be informing students who is beginning to be introduced to literature. Although Foster’s style is slightly condescending, he utilizes the conventions of literature quite well, and mentions the arbitrariness of these conventions in a sensible way.
As Stated by the author of How to Read Literature Like a Professor For Kids, by Thomas Foster, authors use certain varieties of weather conditions in order to set a mood in the story that’s relevant to the scenario present. Foster explains this action as saying, “But an author doesn't have a quick shower of rain, or a flurry or snow, or a flood or a blizzard, for no reason at all (Foster, 59).” What the author is trying to remark is that authors don't put unnecessary weather unless it contributes to the plot or the mood, sometimes even using it as means of ivory. One example of weather being used in the movie clip from Toy Story is rain. The rain didn't start until Sid was just about the release a rocket outside with Buzz attached, which
In the beginning of Chapter ¬15 of How To Read Literature Like A Professor, Thomas C. Foster first introduces the very known fact that humans cannot fly. So if a human is able to in a piece of literature, it belongs to the categories he lists later on. However, the categorization is an superficial analyzation of flying. He introduces the history of flying and how humans have strived to defied the laws of gravity forever. Foster analyzes Morrison’s Song of Solomon and explain how when Solomon flew off to Africa it is an act of returning “home” and “casting off the chains of slavery on one level”(Foster 92).
How to Read Literature like a Professor Literature has been a widely debated topic throughout centuries all over the world. In addition, reading literature properly is an emulated skill within the English community. Once the trade of understanding literature is mastered, reading become a beautiful experience. How to Read Literature like a Professor is a guide that shortens the pathway through reading and understanding. This meritorious literary selection provokes an aesthetic response because it challenges the reader to remember novels are not original, meaning, and structure.
Frances Ellen Watkins Harper, born on September 24, 1825, was a leading African American poet, author, teacher and political activist. Although she was born to “free” parents in Baltimore, Maryland, she still experienced her share of hardships. She lost her mother at the tender age of three, was raised by her aunt and uncle, and fully employed by thirteen. Though all odds seemed against her, she triumphed over her obstacles, publishing her first book of poetry at the of age twenty and her first novel at the age of sixty-seven. Outside of writing books, she was a civil rights leader and a public speaker in the Anti-Slavery Society.
Analysis: Compare chapter 1:How to Read Literature Like a professor-“Every Trip is a Quest(Except When it’s Not) ” to part one of The fountainhead. At the beginning of chapter 1 of The Fountainhead, we meet are most important characters, Peter Keating and Howard Roark. Both of these characters want something different in life, they don’t want similar things. As Foster says in How to Read Literature Like a Professor, a quest consists of a place to go and a reason to go there.
Reading and Writing are Important Stephen King's "Reading to Write" (72) give details about King's methods on becoming a better writer. To become a better writer, you must read a whole heap of books. There are so many other things you can read other than books like magazines, newspapers, labels on food, and papers. As a student in college, I understand Stephen King's methods. Reading and Writing will help me further my college education, and it will help me get to my goal.
In How to Read Literature Like a Professor, Thomas C. Foster claims that all literature stems from other literature and in fact all literature is a part of one large work. A large amount of authors borrow ideas from other literary works. Of course, the seemingly most obvious author to borrow from being William Shakespeare. On the contrary, Foster believes that most of the exceptional Shakespeare quotes are overused and referencing Shakespeare can lead to something which Foster calls the “high brow” effect which means that referring to Shakespeare can make the author seem pompous. Other authors and literary works can be borrowed from as well, but many are not as widely known or are well-known now but won’t be for long.
The interlude of Thomas C. Foster’s How to Read Literature Like a Professor captures theories that I find myself identifying with at large - that there is only one story. When Foster writes this, he speaks of literature and the idea that originality is impossible because we are all retelling the same human experience. While I would agree, I would even go as far to say that it is because experiencing something that no one else has is so rare. It’s so unlikely that the experiences that our lives consist of are truly our own and that is displayed in the lack of originality in storytelling. Foster goes on to explain how archetypes are hidden throughout literature and it can also be seen in the clichés found throughout life.
Chapter seventeen of How to Read Literature Like a Professor focuses on how authors employ sex in their writing as a way to encode other things. For example, in the 2015 romantic comedy film, Trainwreck, Amy Schumer plays a young woman with a liking for booze, sex and drugs. The film begins with a scene where Gordon Townsend is explaining his reasoning for why monogamy isn’t realistic to his two little girls. The film then flashes twenty three years forward, directly into a sex scene featuring Amy and a one night stand. The scene is fairly short and it is obvious that the attraction on Amy’s side is limited, for she pretends to fall asleep soon after walking in the door.
In the first chapter of How to Read Literature Like a Professor, Thomas C. Foster introduces the readers to the idea of a literary quest. After giving two examples, he outlines the criteria: a quester, a place to go, a stated reason to go, challenges and trials en route and a real reason to go. Careful consideration has shown that the 2013 film Frozen, includes a quest that meets Foster’s criteria. When the ice princess, Elsa, becomes angered at her younger sister, Anna’s hasty decision to marry a man she just met, her powers are revealed and she is declared a monster. Elsa flees and inadvertently unleashes winter on the kingdom.