Human Flaws In Othello

Iago, during the play, displays a notable lack of remorse or guilt for the many horrendous deeds he commits. This is seen twice in the scenes where Iago is confronted about his devilish plan. (2.) After Othello kills Desdemona and reveals to Emilia that it was Iago who convinced him about the affair. This causes Emillia to start to realize her husband’s plans. (3.) As Iago enters the scene of the murder, Emilia openly asks Iago if he told Othello that Desdemona was cheating on him; Iago responds thusly: “I told him what I thought, and told no more than what he found himself was apt and true” (V.II.212-213). (4.) Iago is stating that Iago just told Othello what he knew and what made sense (which is obviously not true). The fact that he could so blatantly lie about what had occurred when it resulted in the death of an innocent person goes to show how unremorseful he was about his actions and about taking an innocent life. (3) Later, when Iago is promptly caught after fleeing the scene, he is interrogated by Othello about his scheme. Iago arrogantly responds with the following: “ Demand me nothing. What you know, you know. From this time forth I never will speak word. (V.II.355-356).(4.) Iago is, for as unusual as it is for a Shakespearean villain, refusing to reveal his motives for his evil plan. This final act of defiance does nothing

Untruths and misdirection’s are normal in the public eye, and numerous people veil their actual goals with a lacquer. In Shakespeare 's play Othello, the character Iago is the same as those tricky people. Behind his façade as a dependable ensign and companion, Iago is a multilayered, tricky and manipulative scalawag, coming up with disarray and bringing about setbacks toother characters for requital. Iago utilizes his deft and shrewd key demonstrations of control to undermine each character’s shortcomings. He misuses Roderigo’s love for Desdemona, Cassio under the appearance of companionship, and toys with Othello’s mind by playing on his self-question. Clearly, Iago controls the general population around him by utilizing their shortcomings:

In conclusion, there might be many reasons why Othello behave in the story like an honorable men to a despicable human being, but we can take into account that the grudge Iago had against Othello, the loss of one of his trusted man Cassion and finally the fact that he “prove” that Desdemona was a whore it what makes Othello’s character is so malleable and easy to influence by a negative force that is what brought end to

Jealousy and envy are not only two very powerful emotions but can also be seen as two influential forces that can dictate the actions of an individual. These emotions assist in igniting and fanning the fire that motivates people to seek out their desires. In the Shakespearean tragedy, Othello written by William Shakespeare, Iago utilizes his emotions of jealousy and envy as a catalyst to commence his plan of achieving the highest level of military and political influence while also destroying Othello’s social reputation. The development of the character, Iago throughout the play, happens very seamlessly and in a very gradual fashion, with the help of the writing and rhetorical strategies of bestial imagery, dramatic irony, and pathos. Furthermore,

First of all, the character Othello’s love for his wife Desdemona is soiled by Iago putting false images into Othello’s head that his wife is being unfaithful to him which ultimately leads him to kill his own wife because of his vulnerability and insecurity towards the pure love he had for her. Othello starts to feel things that he has never felt before towards his wife, “I had rather be a toad/And live upon the vapor of a dungeon /Than keep a corner in the thing I love/For others' uses. Yet 'tis the plague of great ones” (3.3.311-14). Iago is planting the seeds for Othello’s relationship with Desdemona to crumble by putting images into Othello’s head about women and generalizing all women saying that they all act upon their temptations with no remorse. In these lines said by Othello, he is showing how someone’s deceit (having to do with his love for his wife) can really go as far as to make him criticize a whole entire gender based on one idea that his Desdemona has been unfaithful—and he does not even have proof that this accusation is true. Secondly, Iago successfully alters Othello’s pure and true love for Desdemona so much that his once fulfilling

Iago uses very clever methods of persuasion and manipulation aimed to use Othello’s hamartia against him, pointing out that “ “She (Desdemona) did deceive her father, marrying you,” so much so that Brabantio “thought ’twas witchcraft”. Through this, Iago is subtly raising the issues of Othello’s cultural differences with Desdemona; a root cause behind Othello’s insecurities with his wife – along with inadequacy due to race, degree of sophistication and age. As Iago prompts Othello to think the worst, his utterances are short and uneasy, revealing the beginning to his downfall, whilst Iago’s dialogue is at length highlighting his growing power of

The cruelty Iago is able to incite in Othello and Roderigo reveals their deep passions and overwhelmingly trusting natures. The fact that Othello is so vulnerable and susceptible to Iago’s poisoning sheds light on his lurking insecurities about age, race and appearance, which Othello is ultimately unable to ignore. Likewise, Roderigo’s willingness to sacrifice all money and morals by Iago’s bidding reflects his naive passions and an overall lack of personal strength. In stark contrast with Othello and Roderigo, Desdemona, the primary victim of Iago’s cruelty and yet the only one who dies completely unaware of it, turns out, somewhat ironically, to be the only one whose inner self is completely unaffected by Iago. On the eve of her death, even after being horribly mistreated by Othello, she firmly upholds her values of loyalty and obedience, and her belief that no woman would ever wrong her husband. This reveals in part her naivety to the point of foolish ignorance that she met her downfall with, but more importantly, the incorruptible purity and innocence that Desdemona

Othello starts off as a strong leader who loves his wife. Iago begins to plant lies in his head, and shortly after, his mind is corrupted by jealousy and revenge, which turns him into a monster. Othello wants revenge on Desdemona for being unfaithful as Iago has been telling him. At night Othello goes into her chamber to murder her saying “Yet she must die, else she'll betray more men/ put out the light and then put out the light “. He is so corrupted that he truly believes he is doing a good deed by keeping others from being deceived by Desdemona.

The play of Othello is a tragedy that exposes the characters in several ways, causing conflict and envy, eventually leading to a tragic end. To achieve this tragic end, Iago uses manipulation in order to change the views of, and bring out multiple personalities in the characters.

Othello’s first action of weakness shows when he turns jealous. Iago, his ensign, convinces him that his wife, Desdemona, has been having an affair with his lieutenant, Cassio. This is Othello’s response to Iago’s mortifying news, “She’s gone, I am abused, and my relief / Must be to loathe her. Oh, curse of marriage / That we can call these delicate creatures ours / And not their appetites!” (3.3.308-11). In this quote, Othello says that there is nothing more to do than hate Desdemona, wives cannot truly belong to their husbands. This is a sign of weakness because Iago has no real evidence to back up the claims he has made to Othello, however, Othello is not strong enough to brush them aside.

The crisis of identity is a very significant turning point in the development in this play. It effectively creates sympathy in the audience through the change in character’s speech style and the act of an “other” in the play conforming to what society demands of him.

In Shakespeare’s play Othello, the male characters perceive woman as property of their own who have to be submissive and they treat them as adulterous.

Iago’s powerfully disruptive insinuations torment Othello to fall precipitously into his intricate trap, believing in the prospect of Cassio and Desdemona’s fictitious affair. Through the use of linguistic techniques such as elliptical speech, subservient vocative choices and a hesitant tone, Iago is able to construct artful innuendoes to deceive and manipulate Othello. Supplementary to linguistic techniques, dramatic techniques such as dramatic irony reinforces Iago’s role as a two-faced villain, who is making a pretence of being Othello’s loyal ensign. Eventually, Iago’s villainy nature sows a seed of doubt in Othello that germinates into the murder of Desdemona. Through the characterisation of Iago as a notorious villain, Shakespeare is able to hold Iago’s actions accountable for the play’s tragic downfall, establishing a sense of powerlessness amongst the

Shakespeare’s play, Othello, deeply explores the effects of jealousy on a person. Shakespeare also portrays the different types of jealousy and alludes to the causes of them. Othello is a tragic play written by William Shakespeare around 1603, about a man, Iago, who plots to take revenge on a Moorish soldier, Othello, for he has “done my (Iago’s) office”. The deaths of several people, including Othello’s wife Desdemona, Iago’s wife Emilia, Othello and Iago’s companion Roderigo, were all directly linked to Iago’s actions. Othello illustrates that jealousy often leads to revenge, jealousy can prevent a successful relationship, and jealousy leading to one’s downfall.

Othello’s jealousy, like Iago’s determination, results in his own downfall. For most of the play Othello appears to be an extremely well composed general who remains calm in the face of disaster. However once Iago confides in Othello that he believes Desdemona is cheating on him, Othello transforms into an entirely different person. Believing her to be unfaithful, Othello heartlessly suffocates Desdemona in her bed despite her denying being involved in any affair up until her final breath. Othello’s jealousy causes him to jump to conclusions and not doing his due diligence in investigating Desdemona’s possible infidelity himself. Once it is proved to Othello that Desdemona was innocent and the affair was fabricated by Iago, Othello despairingly stabs and kills himself. Shakespeare uses Othello to warn against jealousy by providing an example of the possibly fatal consequences to those who harbor such envy. Yet again cruelty comes as a result of the provocation of the character's fatal flaw, and in the case of Othello it was his