They seem to solely skew towards television being the main cause of disempowered women. Without providing other influences on the stereotypes of women, the film’s views become bias. However, because teenagers spend 31 hours every week watching television, it becomes one of the leading causes of gender stereotypes. Also, based on the statistics provided of women being represented far less than men in America’s government, strongly supports Edelman’s quote, “You can't be what you can't see.” It is hard for young women to look up to empowered female leaders, when they are not being represented in the media.
In this paper I am going to analyze how the media affects the gender stereotypes that the documentary Miss Representation addressed. I believe that, the media perpetuates harmful stereotypes to both men and women. In this paper I will argue that Audre Lorde would agree with my thesis but she would also believe that the minority needs to be looked at more as well. In this paper I will argue that Rebecca Walker would agree with my thesis.
The documentary subscribed to many different forms in presenting its information with a visual and audio spectrum. On the visual scale, it bombards the viewer with images and videos of hyper-sexualized women present in everyday type television, film, and advertising. Dramatic music to match the tone of the information being said was included. Melancholic musical accompaniment was common during parts of the film that explained the consequences of the misrepresentation of female roles on young girls. For example, when it began to give information on how poorly written women in film with unachievable bodies has a direct detrimental effect on self esteem and body image, the documentary captured the upsetting, emotional aspect of the research through background music. The effects of these combine to make the viewer feel disgusted at the mass amounts of exploitation the media tries to incorporate and sell. Furthermore, the types of evidence can be broken
Linsanity is a documentary film directed by Evan Jackson Leong that tackles numerous topics such as discrimination, stereotypes, racism, and being overlooked. The documentary is about Jeremy Lin, an Asian American basketball player who rose to fame in the National Basketball Association (NBA). The story follows the life of Lin from his childhood to his success in the New York Knicks in the NBA. The film shows how Lin achieved success despite of the racism and discrimination that he received while playing in his college and in the NBA. The director’s intention does not only inform the viewers about Jeremy Lin’s life, but it also offers viewers a new image of Asian Americans in basketball. Furthermore, the film also challenges the long standing
In the long run, one thing that we can say for sure is that drama sells. Because it is a major selling point, the marketing of shows like the “Bad Girls Club” becomes easier. This is especially true, if it is combined with sex, attractive women, and the presumption of a good time. Ultimately, you end up with a concoction of something being passed off as main stream entertainment, when it really just resembles borderline pornography. Television offers delicious meals of simple, yet highly compromised philosophy. It is served up with programming that displays the corrupted ideology that is okay for women to subject themselves to being seen as sexual commodities. It disrupts the desire to uphold their own moral code and maintain a sense of self-respect. The collaboration of the media’s ideals repudiates the collateral learning of the young women.
The film documentary Paris is Burning is a complex film portraying the lives of African American men who are gay and transgender. The characters are Dorian Corey, Pepper LaBeija, Venus Xtravaganza, Willi Ninja, Octavia St. Laurent, Freddie Pendavis, and several others. This film focuses on how these men support each other and find happiness by embracing their culture. The film uses rhetorical strategies, such as pathos to allow the audience to respond emotionally, logos because this is a documentary about the lives of real men who are rejected by society, and ethos the integrity of this film comes from the whole film crew and the director Jennie Livingston who is openly lesbian (Clark). Livingston made a film that showed the audience a community that has its own cultural norms who are outlawed by everyone but themselves. The audience gets involved in their life right when the film begins and one sees a dark New York. The aim of this film is to depict the struggle of being who you want to be, it portrays this by using rhetorical strategies (pathos, logos, ethos), film techniques (camera shots, angles, movement), and persuasive strategies.
Oprah Winfrey uses her Cecil B de Mille acceptance speech to cast light on societal issues of corruption, discrimination, objectification, and racism. Oprah’s speech reflects an age and dialogue of constant controversy and arguable division surrounding allegations of sexual assault, mistreatment, and the seemingly unthinkable idea of an underlying patriarchy within the film industry. Oprah explores and conveys these ideas through the use of various persuasive linguistic and oratorical techniques. This is seen through her use of ethos and pathos when creating an emphatic delivery and appealing to the emotions of the audience when utilising anecdotes. This is also further seen through her repetition of female pronouns when persuading the audience
The media has long been recognized as important source of gender related information, television and cinema specifically influences its audience in a considerable way. (Denmark and Paludi 2008). With regards to the concept of gender cinema can offer a space where ambiguities of identities are played out; understanding the play of the categories of femininity and masculinity is very important in evaluating our own understandings of gender and how we react to different representations of it (Tasker 2002).If a film can show different individuals and we can recognize how social forces shape and constrain the individual according to classifications of gender it narrates an experience where we experience the film as gendered viewers. Film reflects and generates out own experience of gender over and above out own recognition and observation of it. (Pomerance 2001). Gender itself is a very complex concept to understand and portray onscreen, the concept of gender performativity was introduced by Judith butler in her book Gender Trouble: Gender Performance and Performativity.
The boom of feminism in pop culture led Taylor Swift and many artists went with the ‘trend’ that is feminism. Yet, majority fail to discuss sensitive issues that the media might think will not go well the audiences. Thus only selected issues are identified with in mass media.
A group of men betting on jumping into a lake, a private discussion with a best friend, and a get together for drinks in a basement are scenes which revealed the friendliness and respect the townspeople had for Lucas, whom was played by Mads Mikkelson. He was just an ordinary man – a caring kindergarten teacher who recently got divorced, and who was also seeking custody of his son, Marcus. Thomas Vinterberg’s The Hunt follows a rural and close-knit Danish community, who are thrown into a collective hysteria when Lucas’ student, Klara, accuses him of sexually abusing her. The community then punishes Lucas by condemning him, while he fights hard for his innocence. Through its narratives and discourse, the film acts as a vehicle that interpellates
TOPIC: How does Media portray gender, and the effects it has on the 21st century individual?
Each of these concepts are utilized at the advantage of men, and the disadvantage of women, and has shown to provide detrimental consequences and results for women in society. However, in this film, and other films by Tyler Perry, appear to take the added step to combat these aspects that are present in the media’s portrayal of women. While these are present in the movie, he often makes a point to combat it with an inverse portrayal of each
We all claim to be in 21st century where we don’t differentiate among boys and girls but still if a girl wants to ride a plane and a boy wishes to wear pink, we tell them to perform their stereotyped gender roles. It shows that gender discrimination still prevails. Moreover we are stuck in stagnant society which is resisting any kind of change. At the same time, many social institutions such as mass media are practicing gender stereotype. If media is gendered, how can we expect our society to behave in any different way towards gender? This article focuses on how media especially advertisements highlights gender stereotypical images of both men and women.
In most parts of the world, females have always been the victim of oppressive patriarchy and male chauvinism since ages. This problem has been represented by many people through various forms of creations be it art, literature or films. Films are the most popular visual mediums of entertainment through which a large segment of people can be approached. Like literature, a film is also a work of art which mirrors the society, it also depicts the reality of the society though it has some fictionality in it. Being a visual medium of presentation, a film creates an instant, direct and more convincing impression on its audience fulfilling its dual purpose of entertaining as well as sensitizing the audience. A lot of movies based on social issues are now being made to create awareness among people about the issues besides entertaining the audience, which is perhaps the foremost purpose behind the making
Media’s central role in our modern society, have become a sort of reference to how we make sense of our existence's and the world we are living in. Advertising companies are selling themselves in the best way possible through their marketing and are apart of the distorted picture we have of what’s real and normal. Even though we know how advertising tries to affect us, and we try not to believe it, we are being “manipulated” by the advertising we are exposed to.