Natural Imagery In Frankenstein

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he natural imagery in "Frankenstein" is comparable to the best in the Romantic literature. Mary Shelley paints Nature and its divine grandeur with some rare strokes of a masterful hand. She deliberately juxtaposes the exalted vision of Mother Nature with the horrendous spectacle of a man-made monster and his ghastly deeds.

This steep contrast sets reader thinking about the wisdom of departing away from the set norms of Nature. Mary's message to mankind is loud and clear; do not mess with Nature for your own good. Humans should best live like humans. Any attempt to change the status quo can be very expensive and dangerous. If you will preserve Nature, Nature will preserve you.

The message is loud and clear; the untold secrets of Nature are
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Natural landscapes in "Frankenstein" help the author to bring out the theme of sublime Nature, dangers of forbidden knowledge and monstrous results of wrong actions.

Nature is visible throughout "Frankenstein" in all its glory and contrasts. Natural surroundings have been shown to have therapeutic powers. The natural beauty of St. Petersburg beckons Robert Walton to keep heading towards the North Pole. The immortal beauty of the mountains and lakes is contrasted with the ephemeral nature of human existence and grief. Nature overwhelms mankind with its gigantic presence. The realization of one's smallness in front of Nature's vast stature and mammoth power exerts a truly humbling
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The immense mountains and precipices that overhung me on every side, the sound of the river raging among the rocks, and the dashing of the waterfalls around spoke of a power mighty as Omnipotence—and I ceased to fear or to bend before any being less almighty than that which had created and ruled the elements" (Frankenstein).

Hence, Nature does acts as a restorative agent for Frankenstein but it is too late. His reunion with Nature spells confidence and fearlessness. Nature cements his faith in God and his omniscient powers. What to speak of man; Nature has the power to alleviate even the troubled spirits of a monster.

After being subjected to a terribly cold and harsh winter, the Frankenstein monster heaves a sigh of relief at the advent of spring season. When Victor dumps the monster, he feels awfully depressed and confused. He feels a new surge, a "sensation of pleasure" (71) when he sees the bright moon and its gentle light. Abandoned by his creator, the monster too finds refuge in the lap of Nature.

Temporary or transient, succor and peace come to Victor Frankenstein only in the lap of Nature. Mary Shelley's "Frankenstein" does not guarantee emancipation through contact with Nature but it most certainly points to the danger of losing one's human identity by getting away from
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