The oil canvas artwork, Nighthawks, created by Edward Hopper shows four people in an old diner to the right of the artwork. The diner has the word “Phillies” written across the top, beneath the sign is where you see through the long, glass windows into the diner. There is a man sitting on the very far left of the bar, isolated from the worker and the man and woman who appear to be a couple. The lonely man is wearing a dark blue coat and a hat, but you can only see him from behind. The woman appears to have red-hair, a ruby red dress on, and red lipstick. The man to “her” right appears to be wearing a blue coat, a light blue hat, and is leaning against the bar. The couple seems to be communicating with the worker who seems to be preparing food or a drink for the couple. The bright, fluorescent lights in the diner set of an eerie look in the empty street to the left of the diner. In the artwork, the element of complimentary colors stands out. Located in the background space where the lines from top of the diner runs into the windows of the building in the background, the top of the building is a burnt orange color while beneath the building it is a dark teal/blue color. The bar inside the diner appears to be a brownish-orange color while the …show more content…
From the detail in Hopper’s artwork with how the people are dressed in the dinner and the bright fluorescent lights, the painting possibly takes place in the 1940s, Nighthawks, 1942. Edward Hopper was born, 1882, in Nyack, New York. He transition from illustration to fine arts, he studied Robert Henri, an American Impressionist painter. Hopper struggled to become known in the 1910s, his painting, Sailing, was represented in 1911; Carnegie Museum of Art. By 1933, Hopper received recognition for his more modern art. In 1952, Hopper’s art was displayed in the Whitney Museum of American Art in New York. Edward Hopper passed away in 1967 and was an influence to realist
The last but not the least, Hopper incorporates formal elements like value, space and lines to display the double act of looking in Morning Sun. “ The model for the painting was Hopper’s wife Josephine. She was to be become Hopper’s only female model after their marriage in the mid-20s. At the time those drawings were made, she was 69 years old” (Theophanidis, 2014). As capturing the main character in the painting, a young girl with hair in a bun sits at the middle of the bed in a bare room.
Analyzing Barbara J. Anello’s Long Son Pagoda American photographer, Barbara J. Anello, has traveled to Southeast Asia documenting the historical aspects of traditional art and culture. Anello’s collection, “Photographs of Southeast Asia and Morocco”, focuses on the domestic architecture of rural areas and cultures. Anello’s photograph Long Son Pagoda was taken in Na Trang, Vietnam on March 3, 2008.
Throughout this semester as a class we have gone over many different terminology, seen many artists from all different countries and time periods. We have also learned about different kinds of art and media that the Artist work with. Over the entire semester I have gained a greater appreciation and understanding for art. Taking all of the new information that I learned this semester I choose three pieces of artwork from the St. Louis Art Museum. Two are similar to each other and the other is very different.
He was born in 31, December 1869 in Le Cateau-Cambrésis in Northern France. He was a painter, sculptor, drafts man, and printmaker. His mother was an amateur painter and his father was a corn merchant. He studied law from 1887 to 1891 and then decided to go to Paris, to become a painter. He drew some amazing paintings and all of them had a story behind it.
The first of many murals he was commissioned for, was at Club Ebony in Harlem. He would then continue to do more murals in various places such as in Chicago, North Carolina, and different areas of New York, besides Harlem. Although, one of his more significant murals is in Nashville, TN at Fisk University. This would eventually lead to him finishing out his career at the University
The artwork that I have chosen to visually analyze is Town of Harrisonburg, VA by Emma Lyon Bryan. It was created in 1867 and is an oil on canvas painting. This artwork is located in the Duke Hall Gallery of Fine Art at James Madison University and is around 36” long and 24” high. This piece is a depiction of what Harrisonburg looked like in 1867. Bryan’s artwork is held in a wooden glass frame with a gold border and displays the buildings of the town, dirt roads, open land, mountains, and many other small details.
The stylistic characteristic of this painting is realistic and exquisite in details. Undeniably, the composition of the painting is unique in a way that Rockwell painted the table at the central space, occupying more than half of the image. Around the table, a mutigenerational family sit closely with one another, seemingly have close kinship. The two prominent figures in the painting are the mother and father, standing at the head of the dinner table. The mother has a discreet expression, presenting a huge and succulent turkey in its place.
The shade of blue he uses is very dominant as it ties her apron and sleeves to the table cloth and to the cupids on the baseboards. The redness of the pitcher matches her skirt, the floor, her facial skin tones, and the footwarmer, and blends in with the yellows used to paint the bread. The colors in bread also causes the viewer to flow to the yellow and gold color in her shirt and to the gold decoration on the wall behind her and to the left. This image has rustic colors consuming the background. The walls are light gray, dark and gloomy with a few spots of what appears to be brown
Stereotypes have changed throughout history. Toni Cade Bambara’s short story “Blues Ain’t No Mockin Bird” uses stereotypes to develop characters and set a realistic setting. Bambara sets her story in the rural South in the United States of America. With a house near some woods, Granny, Granddaddy Cain, and a group of their relatives enjoy a private life away from white people. In this time period, during the civil right movement, there was a distrust between the African-American community and the white people.
Langston Hughes was born February 1st, 1902 in Joplin, Missouri. In the roaring 20’s he started writing professionally and was essential in portraying black life in America. Hughes grew up in a time of social injustice involving the treatment of minorities (specifically African Americans). As his career went on the Harlem Renaissance became a major movement in which he was essential to.
It was a moment when modern African American culture took people's imagination. According to Coleman, F. (1995), “No one captured visually the essence of African-American life in the 1920s and 1930s as vividly or faithfully as did Archibald Motley” (para. 2). Archibald Motley was a visual artist who took part in that period and expressed his art well. He has paintings from all aspects of his career. From the time he was in college at the Art Institute of
The great depression was the worst economic recession in the history of the industrialized world. Majority of the population was homeless and starving. People were running out of food and there were very limited number of jobs. Whenever a job came available, people were forced to move to support their families. The struggles and adversities citizens were obligated to face was unreal.
A mixture of both Painting and collaged elements were used to create this image. Starting with the collaged elements; from the lower left, you are confronted with a modern pastel pink fringed, above the fridge there are three bottles of 7up and behind them, hung on the wall, is a reproduction of an abstract expressionistic painting. To right of the painting are plastic flowers and
The tables have a long gray, flowing tablecloths to make the scene look fabulous. I notice that each table contains a woven, wooden basket full of thick breadsticks, bentwood chairs. The shape of the chair curves into a heart in the middle, which brings elegance to the room. The windows and the tablecloths have a repetition of vertical lines; I can see curving lines on the chair backs. There is a chandelier in the middle hang from the ceiling and eight lighted candles on it.
This artwork is Picasso’s “Night fishing in Antibes” made in 1993. It is oil on paint of a dimension of 6’9” and 11’4”. With a quick glance, many people wouldn’t understand this painting’s meaning at first, some may even disregard it as simply a people fishing. However digging deeper into this painting, there is more foreboding and a significant message than one may think at first. Picasso creatively uses principles like color, space, shape, balance, form, composition in this artwork.