Once Upon A Time In America Movie Analysis

These three versions have similarities that kept alluring audiences to this story written in the 19th century. By looking at three versions of this film at different times in history, we can see some methodologies like semiotics and rhetoric analysis, the filmmakers have changed over the years. First, we will look at some of history to give an overview of why this film can be remade so many times. Next, we will use rhetorical analysis of how different production techniques were used to send the audience messages. Finally, we will be looking into casting and how that relates to a movie’s

To summarize this essay, there are several points that highlight differences between the two films, yet the overall context of the film remains the same. One common theme that tends to drive the force between the reasoning in why the two films have varying aspects is because they were made for slightly different audiences at different times in society. Though both versions of the movie have small portions that vary from one another, the main emphasis is the same and both versions are loved by the

Citizen Kane tells the story of Charles Foster Kane, a millionaire newspaper tycoon, who had recently passed away. The story unfolds in a sequence of overlapping narratives told by different narrators, all with different views of Kane. Their opinions of Kane give the audience different perspectives of the man thought to be one of the most powerful figures in America. The events recalled are told by the narrators to reporters trying to decipher Kane’s famous last words “rosebud”, but because of their advance older age they seem to be contradictory and unreliable. Their accounts are out sequence and often coincide with themselves.

As a result, this film offers quite an interesting interpretation of Isherwood's material. As fosse enjoys playing with the camera angles such as close ups and worms-eye-view to capture the audience’s perspective.

In this essay I will be analyzing the overall attitude and movie of two movies. Both movies deal with the issue of the American revolutionary war. First one, “1776” a broadway musical transfer to the big screen, directed by Peter H. Hunt and realeased on 1972. Second one, “The Patriot”, more “popcorn” type movie, directed by Roland Emmerich, and realeased on 2000.

This essay will discuss how the film uses these two techniques, in reference to the film, and to what ideological and political ends are the techniques used in the films with specific references from the film to support the argument. A Man with a Movie Camera is based around one man who travels around the city to capture various moments and everyday

Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.

Our America is a book and a movie of the struggle in the Southside of Chicago.Even though, the main plot of the book and the movie was how two characters named Lealan and Lloyd find a way to broadcast their struggles in living in the Southside of Chicago. But, both the book and the movie have the main plot of Eric Morse’s death. Which happened in 1994, two boys Johnny and Tyrone threw a 5 year old boy named Eric out the window because they wanted him to steal candy and he didn’t and so Eric snitched on them. Our America: the book and the movie has similarities and differences such as the plot , character, and other things.

Every now and then the art world is struck by a wave of change that leaves a strong impression, which can last for a long time. Visual arts saw the rise of impressionism and cubism, surrealism and realism took literature to an opposite direction, and film has evolved over the years through cultural and artistic development such as expressionism, auteurism and film noir (House, p.61). The 1940s and post World War II gave rise to a new style of American film, these films appeared pessimistic and dark in mood, theme, and subject. The world created within these films were portrayed as corrupt, hopeless, lacked human sympathy, and “a world where women with a past and men with no future spent eternal nights in one-room walk-ups surrounded by the

2. What is the central idea (literary theme) of this film? Explain using examples from the film. (4pts.)

Throughout the course of cinematic history one of the most popular genres of film has been “gangster” or “crime”, in particular a focus on the Mafia. A couple of the most popular films have been The Godfather, The Godfather Part ii, and Goodfellas. Some of the similar characteristics that the audience notices after watching these movies are: violence, power, family, etc. Of course those examples of films come from the perspective of the American directors who made them. Films like La Siciliana Ribelle (The Sicilian Girl) and I Cento Passi (One Hundred Steps) offer a perspective from Italian filmmakers.

Imagine a proud horse, tied to a small plastic chair, unmoving because it believes escaping is hopeless. This is a psychological condition called learned helplessness, and in Robert Towne’s Chinatown (1974), we see the detective hero Jake Gittes’ descent into this condition. Gittes is defined by his chase after justice, willing to question and arrest enemies, lovers, and even his employers. Polanski and Towne use the dark world of Chinatown, a very loose “first person” view, and Joe Gittes as a relatable tragic hero in order to lead us to the same conclusion Gittes does: The world and future is out of your control, and by trying to you might make it worse. Better to do as little as possible.

In the famous movie “Gangs of new York”, directed by Martin Scorsese, is a movie about multiple struggles and rivalries taking place in a New York city town, called the Five Points. This movie presents a story between a boy seeking revenge against the antagonist- Bill the butcher- and a portrayal of the various gangs living in the Five Points. Gangs of New York is historically accurate in the way it interprets the New York city riots, the characterization of the gangs in The Five Points, and the hardships of the Irish immigrants.

Two films, although created years apart yet have a lot in common, including their content of it’s narrative techniques. Both films, even though black and white with strokes of genius of cinema offer a vast stretch for study. I will be looking at Sir Orson Welles “Citizen Kane” (1941) and Akira Kurosawa’s “Rashomon” (1950). We see in Citizen Kane he values for the American life. The three abstract themes that constantly follow through Citizen Kane are Wealth, Power and Love.

The Patriot Sadness, hope, war and freedom The movie’s name is “The Patriot”. Mel Gibson plays the role of Benjamin Martin who is an American farmer in the 1800th century. Benjamin has the lead role in this movie. There are a lot of characters in the movie such as his son Gabriel (Heath Ledger) and his six other siblings.