Philip Pearlstein is considered one of the brightest treasures of the American contemporary art. Having revived the figure painting, Pearlstein established a unique even from the 20th century perspective for exploration of the human form. The main concern of his artworks is the realistic depiction of nude figures. His works can be characterized in terms of unexpected postures, complete informality, and unusual perspectives with often cropped figures and the lack of reliance on any mechanical aids. In doing so, the artist managed to combine the realism of the human body nudity with the abstract and often uncommon objects that seem to have no relation to the picture. Nevertheless, Philip Pearlstein manages to create a notion of philosophy in each of his paintings.
One of the paintings by Philip Pearlstein that I chose in the museum is the painting “Butterfly Kite” that was painted in 2006. The painting is a lithograph signed and drawn in pencil. The manner of drawing allowed the
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First of all, it uses the unusual perspective, viewing the model who is sitting from the height and from the side. This contributes to the impression of the reality of the picture. The smooth lines of the pencil make this painting seem rather naive and pure and naive. The depiction of a butterfly in addition to it strengthens this impression revealed by the viewer. As in many other paintings Pearlstein, this one includes the cropped head of the model. While in his paintings “heads are often cropped entirely”2. This is the determining feature of his works which might be aimed at stimulating the viewer not to think about the social status or the personality of the model but just to view it as the element of the surrounding. Moreover, the model depicted in the picture is completely the reflection of the informality of the surroundings, which is reflected in her unrestrained posture that is still too
In the Time of the Butterflies- Critical Analysis The novel, In the Time of the Butterflies, by Julia Alvarez was published in 1994 and was written as a tribute to the Mirabal sisters, better knowns as “Las Mariposas” (the butterflies). These sisters were women who stood up against the transgressions in their country—a country that was under a governance of a cruel dictator known as Raphael Leonidas Trujillo. It just so happened to be that this circumstance is the reason as to why the Alvarez family had to move back to New York City. Her father joined the underground assembly in an endeavor of plotting to overthrow Trujillo.
The choice of blues for the butterfly’s wings and purple for the background creates a very elegant and beautiful feeling. The focal area of the art piece is the butterfly. The use of a reddish-purple to highlight around the butterfly causes the butterfly to pop out more. The texture of the butterfly is clearly visible and it increases the elegancy and beauty of the photograph. In my opinion, this art piece is the best out of the other pieces that were displayed in the art collection that
Located in a historic Civil War era grist mill by the river, the Brandywine River Museum is home to native artists and much more. Here you can see some of the best American realism painting by Andrew Wyeth, his father N. C. Wyeth who was a renown children 's illustrator, and another family member, Jamie Wyeth. This collection is home to mostly serene landscapes and lovely still life studies. There are also a number of classic example of American illustration by artists such as Howard Pyle and Maxfield Parrish.
4) is another outstanding example of Raphael’s Roman portraits. At the centre of this harmonious composition Raphael adds a curious psychological note in the melancholy eyes that illuminate the cardinal’s pallid and exhausted countenance. The portrait has been drawn in accordance with Leonardo’s opinion that portraits can be drawn best with a dark background. A reference to dark backgrounds may remind the reader of Raphael’s Florentine period under the influence of Leonardo when he produced “Granduca Madonna” (fig. 5), the masterpiece where he was able to draw exquisite rhythmical modulations out of the motionless simplicity of the design. Giorgio Vasari noted that Raphael excelled in creating effects of drapery folds disappearing into shadows and coming forward into light, and that he knew how to relate the colours of drapery to the flesh tones so that semi-nude figures did not seem cut into two.
The subject matter in their particular setting are, in this case, bewildering and unsettling. Read from left to right in the western tradition, de Chirico paints a marble sculpture of a man’s face, two pineapples, and two piles of bananas. These objects are placed on a platform in a shadowy plaza,
Sculptures are a form of artwork that portray a certain message towards an audience at hand. The University of Texas at Austin holds the following two sculptures which remind us of the power of artistry: Martin Luther King, Jr (1999) and Blue Woman in Black Chair (1981). The former monument, by Ana Koh-Varilla and Jeffrey Varilla, stands in the East Mall and the latter, by George Segal, sits on the 2nd floor of the Blanton Museum. Both sculptures represent a distinct human figure yet, differ in their components in relation to their size/scale, subject matter and figure/drapery. Regarding size/ scale the Varillas create a larger than life sized bronze, figure placed on a sturdy pedestal, demonstrating the concept of authority and influence.
Although some may argue that the direct contrast of light in the mirror itself displays the vanity of the subject, I argue that the contrast of the light skinned model and heavenly clouds with the gilded mirror imply a godliness of judgement in a human activity — reflection. Created by the interaction of lines, pastel colors, and similar organic ovals, the focus of the painting is on the gaze of the model who carefully looks inward and suggests that the viewer utilize the painting as a mirror of self
In this essay, I’m going to discuss the gender roles in the paintings of Dalí, in the film “Un Chien Andalou” by Buñuel and the poems of Federico García Lorca. Gender roles play a huge part within these works. All three of these artists had the ability to showcase something beautiful or majestic through disturbing and off putting imagery. This is what made their work so distinctive compared to many other artists during the surrealist period. The main things all of these artists have in common are their feelings and expressions of gender roles.
When I first had a chance to sit and analyze the sculpture, I began with a clear understanding of what the piece meant and the explicit function it portrayed. However, the longer I viewed the sculpture the more the implicit purpose of the sculpture began to become visible. This final report will entail: the double purpose that the sculpture encompasses, the struggle between the two and my personal reflection on the assignment. The first purpose that will be examined is the explicit purpose of The Family Group that is based on the context of the sculpture, the text on the sculpture and the background of Charles Umlauf.
The portrait was painted on wood panel and in gothic like form. Nonetheless, this masterpiece is representation of time, the complexity of the painting and the
The brilliant hues of greens, purples, reds, and yellows that are strategically brushstroke on the piece give of a sense of impressionism. The characteristics of this piece capture the modern them of leisure activity. Caillebotte’s young cousin Zoe and brother Martial are depicted in this piece through the two characters. Both characters are dressed relaxed and have middle to upper class attire. The painting contains element of modern style through the scenery and garden.
Kite Runner Sticky Notes Assignment STICKY COLOUR CODE: PARENT-CHILD RELATIONSHIPS IDENTITY VS. ROLE CONFUSION DISCRIMINATION (CASTE/CLASS) Theme: PARENT-CHILD RELATIONSHIPS Quote 1) “He motioned to me to hold his hat for him and I was glad to, because then everyone would see that he was my father, my Baba.” (Hosseini 16)
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
This helps to create a close up look at the view outside the window suggesting the intimacy between the artist and the habitat outside. This is because the focus is almost wholly given to the view outside the window. The view, which is embellished by the presence of flowers sitting on the windowsill, and creepers climbing on the railing, is located in the center of the composition. Despite the lack of a line of symmetry and any logic or geometric order, Matisse has been able to draw the attention of the viewer’s eye through the use of bright colours, almost fluorescent, which were used to portray the calm sea with its floating blue boats, and the sky tinted with the colours of the sunset. The calm sea at the horizon is painted with unreal tones of pink, sky blue, and violet whereas the boat, painted with tones of indigo, orange and green, seem to move along with the light breeze.
This artwork is Picasso’s “Night fishing in Antibes” made in 1993. It is oil on paint of a dimension of 6’9” and 11’4”. With a quick glance, many people wouldn’t understand this painting’s meaning at first, some may even disregard it as simply a people fishing. However digging deeper into this painting, there is more foreboding and a significant message than one may think at first. Picasso creatively uses principles like color, space, shape, balance, form, composition in this artwork.