I am familiar with every aspect of her body.
The gentle swell of her hips.
The soft slope of her breasts.
The delicate way her lips curve into a smile.
The way her hair cascades down her back in graceful, dark waves.
Yet she is not mine to touch.
She is Queen Guinevere, wife, leader, heroine, and in my eyes, a creature of perfection.
Yet, because she is married to my king, the sovereign to whom I pledge my life and limb, she will never be within my grasp. To touch her would be like trying to grasp the rain; you feel it against your skin for a heartbeat, but the droplets fall to the ground. Rain cannot stay.
I watch her cross the courtyard, a smile on her face, resplendent in a rich red gown. Her grin spreads as she hastens
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This woman is breathtaking, with lush auburn locks pinned into an elaborate braided coil, green eyes shining with mirth, and skin so pure and ivory I long to caress it. This is the first woman other than Guinevere who leaves me breathless and wanting. I stand there, dumbly, gaping at her.
Her eyes flick to the brooch securing my cloak, and she touches it. “Oh, this symbol means you are the Knight Commander. Sir Leon, am I correct?”
I gather my wits. “Y-yes. I apologize for ruining your bread. And you are…?”
The beauty chuckles. “It’s a pleasure to learn not everyone knows who I am. People have been kind, but so over-solicitous. I am Princess Lynne, here with my father’s retinue.”
“It is an honor to meet you, Your Highness.” I bow in deference, click my heels together, and summon my nerve. “Please allow me to escort you to the banquet this evening, Princess, as an apology for my carelessness. Unless you’ve someone else to accompany you.” I hope my probing for information is not entirely obvious. I hope she cannot tell I am nearly breathless and in awe of her comeliness.
With a shy smile, she says, “I would love that.”
For the first time in ages, I do not think of
In “The Knight 's Tale” I am wondering whether the sign that Diana made towards Emily on page 66 is meant to show the roles how women are an afterthought in society at this time or did it symbolize how the church puts the feelings of the knights first and fails to recognize the feelings of the women. In “The Knight 's Tale” I am wondering whether the reason that the stadium is decorated with gods and religious idols (54) to show that knights fight in the name of religion or that religion is just an excuse to solve their problems with an aggressive nature. In “The Knight 's Tale” I am wondering whether the reason that Arcite and Palamon are able to obtain such a large army willing to fight to the death (59) is to show the great powers of
Chivalric romances are often centered upon the efforts of gallant knights seeking to achieve a concept known as “true knighthood” which involves embarking on quests or adventures to obtain honor, love, and Christian virtue. The brave knights of these stories are met with many obstacles to overcome, commonly in regards to rescuing or protecting a lady. In other words, the typical role of women in this period is that of the damsel in distress or a helpless, dependent lady in need of a hero. However, the stories of Chrétien de Troyes’ Yvain, the Knight of the Lion and Friedrich Heinrich Karl La Motte-Fouqué’s The Magic Ring strays from the typical role of women as the damsel in distress.
The knight accepts the challenge presented to him and stays true to his word despite the circumstances. Both the “Wife of Bath’s Tale” knight and the “Prologue knight show the standard of conduct that the nobility must
In the middle ages, women were viewed as inferior to men while in the early 20th century women were fighting for their rights and were becoming stronger individuals and these beliefs and attitudes about women contributed to the character development of Guinevere. Near the beginning of The Knight of the Cart, “[w]eak, sad, and sighing, the queen approached the palfrey; she mounted,” as she was ordered to do although she did not desire to do so (De Troyes 210). Here, Guinevere is told to get onto her horse, and although she does not want to, she begrudgingly does what she is told without any dispute and falls into the common role of women of the time period. Guinevere knows that she is inferior to men, and does not wish to face the consequences of disobeying a man’s orders.
The Faerie Queene (Book One) The book presents an adventurous journey of Redcrosse, one of the Knights in the poem. The hero together with his chum Una gets separated in the forest after Archimago, one of the forest’s evil residents deceive Redcrosse in a dream. The ace later lands in the house of pride where he tints his virtue and remain helpless for a while. Even so, he later recoups his lost grandeur after killing the dragon.
(lines 93-98) It appears as if women are hard to understand and decipher when it is men who simply have a misunderstanding of the women’s needs. It seems as if the knight will never find his answer to such a simple question until he comes across an old lady who
In Candide Voltaire discusses the exploitation of the female race in the eighteenth century through the women in the novel. Cunegonde, Paquette, and the Old Woman suffer through rape and sexual exploitation regardless of wealth or political connections. These characters possess very little complexity or importance in Candide. With his characterization of Cunegonde, Paquette, and the Old Woman Voltaire satirizes gender roles and highlights the impotence of women in the 1800s. Cunegonde is the daughter of a wealthy German lord.
Discuss the imaginative response to the figure of Elizabeth I in The Faerie Queene Book III. What was possibly the most challenging disruption to the patriarchal society in sixteen century England was the presence of a dominant and influential queen on the throne, Elizabeth I who remained there for 45 years. Stephen Greenblatt tells us that Spenser glorified power, especially imperialistic power, and the poet 's life and career in Ireland and his myriad of attempts to achieve status and fame proposes to us that he had a absolute concern in flattering both the queen and her court, and many reasons to “present the party line in his epic romance”.(Villeponteaux) In this essay I would like to discuss the way female power is portrayed by the
What do you know about the audience based on the information provided in the speech? Based on the information provided in this speech, I know that the audience is her army of soldiers fighting. Queen Elizabeth I is providing her soldiers with confidence and motivation. She is trying to make them succeed and become better men. How does Queen Elizabeth I use the audience’s faith and belief in God as a way to convince them to believe and agree with her? Why is it a good idea for her to remind them of her divine right to rule before sending them into battle?
I always and will be the prettiest of them all. In the beginning, I just wanted to make a potion that would make her ugly. Anyway let me tell you my part of the story. Once, there
Besides her is a table covered in red cloth and gold lining details. On that table is the crown, Marie Antoinette stands in a very important room in the palace. Inferring to the light and dark contrast, she seems to light up the room. As she is standing next to the crown equal to how high in power she is, the pink rose emphasizes the beauty she has that even the flower cannot compare
Utilizing elegant diction, The Queen mainly employs appeals of Pathos and Ethos. Addressing her audience
She started to walk towards him, her slippers flapping against her feet.
On a dark night, in a still, thick forest --in which there were so many fireflies that it looked like fairy lights had been strung between each tree-- was a glittering pond. Sitting on a stone by the pond, admiring the stars, was a nymph by the name Amara. She noticed that Mars was unusually bright that night. The air was strangely thick as well. It was as if the universe anticipated a dangerous fate.
She had these, hazel colored eyes that made you feel all calm and warm inside. Her smile was always wide when we were together. Even though we never spoke a word. That smile was the only thing that ever lightened the burden that rested in my heart. Making me forget my worries and problems outside of those fleeting moments.”