Passion and Destruction As W. Somerset Maugham once said, “Passion doesn’t count the cost... Passion is destructive.” In Mary Shelley’s Frankenstein, Victor Frankenstein leaves Geneva, his home town in the pursuit of knowledge, ding so he created a creature. Frankenstein gets frightened after the created the creature, so he leaves the creature in fear, only when he returns the creature is no longer there.
An eye for an eye or the law of retaliation is the principle most people live their lives by. For the characters in Frankenstein, this concept is apparent as the main character, Victor, creates a monster and instantly abandons him which sets off the chain of events revolving around revenge. However, as Gandhi once stated, “an eye for an eye only ends up making the whole world blind” (Gandhi). Throughout the novel, the creature and Victor engage in a recurring cycle of vengeance, but these acts of revenge are bittersweet as in the end it destroys both of them. In the novel Frankenstein, Mary Shelley reveals how revenge consumes and destroys those who surrender to it.
Frankenstein was feeling lost towards the end of the book until Victor finally got his wish and died. Victor Frankenstein was the main character in Frankenstein. He was important because he was the one who made the story a story because he created a creature and the creature did things to put points in the story. Frankenstein was feeling lost and depressed after his mother died and then eventually his
The short story never explains the wrong doing that Fortunado inflicted on Montresor, it only reveals Montresor’s need to kill Fortunado in order to perform the perfect act of vengeance. After he seals the tomb, however, he calls out “Fortunado!” twice almost as if he is waiting for a response. Hearing no answer, he speaks of his heart growing sick (Poe). It lets the reader know that he feels some sort of remorse, he is guilt ridden.
The creature later is so filled with prideful rage at Frankenstein to the point where he did not even consider the consequences of his revenge. “I may die, but first you, my tyrant and tormentor, shall curse the sun that gazes on your misery. Beware, for I am fearless and therefore powerful” (182). The abomination succeeded in ruining Victor’s live, but in doing so committed multiple accounts of murder. His only thought was getting what he deserved and he did not see his wrongdoing, or feel remorse, until the very end of the novel when he still had nothing even after all his vengeance.
Furthermore, revenge does not only consume the creature, it consumes Victor as well. While the creature is not considered a “monster” at first, the desire for revenge transforms him and Victor into true monsters who have no aspirations beyond destroying each other (“Frankenstein Themes: Revenge”). As stated previously, Victor ultimately finds himself dead because of his unavoidable loathing of the creature. Additionally, at the end of the novel, the creature implies that the flame motivated him to create havoc, but now that Victor is dead, he is slowly dying. “I shall ascend my funeral triumphantly, and exult in the agony of the torturing flames”
The Creature’s feelings of rejection from society and the abandonment from Victor compel him to use violence and seek revenge. In so, the Creature ends up killing a great many of people throughout the story, some of which include: Victor’s younger brother William, Justine Moritz, Victor’s close friend Henry Clerval, and Victor’s soon to be wife Elizabeth Lavenza. Many would say that the story of “Frankenstein” from the start sets out to make the creature seem to be naturally evil and a monstrosity of a thing which is directly the cause of its uncontrollable bloodthirstiness, but I believe this to not be the case. Although the Creature behaves viciously and murders several people, he is not inherently evil or malicious. It is because of the human relationships he endured and the consequences of a neglected psycho-social responsibility that drove him to do such
Ambition as propelling it is, however can lead to the demise of the person influenced by it. Mary Shelley’s novel Frankenstein, informs the reader of the consequences of ambition, by telling a story of man named Victor Frankenstein who is overwhelmed by his ambition to see the atrocities he commits. In his ignorance created a monster who served to be Victor’s mistake as he slaughtered his family members. The novel illustrates the dangers of ambition because it is the main reason of Victor’s downfall. Pursuing a desire too strongly as to cause obsession is what destroyed Victor.
There are many different aspects of this play that could have contributed to Macbeth’s tragic end, including characters. The three witches in the play could be to blame for this. They predicted his future which influenced him greatly. However, the main person to blame for Macbeth’s downfall is Lady Macbeth for three reasons: her insult on his manhood, her her manipulative tricks, and her influential qualities. The first reason Lady Macbeth is to blame for Macbeth’s downfall is her insult to his manhood.
Victor fears his female monster more than his male monster because of the former’s potential as a woman to sire children of her own, which would prove fatal for humanity. Because of his previous experience birthing death (the “trauma of afterbirth” as expressed by Moers), the notion of
The Creature is so enraged that he saw a boy and decided to seize him. Luckily for him, it happened to be the brother of his enemy “Frankenstein! you belong then to my enemy -- to him towards whom I have sworn eternal revenge; you shall be my first victim” (Shelley 100). This death leads to the death of Justine, another life taken because of the Creatures actions. After Victor destroys the female companion that the Creature requested, The Creature kills Henry, Victors best friend.
Psychoanalysis of Victor Frankenstein. Victor Frankenstein suffers from Pathological narcissism. Victor has a physical disregard for life and the feelings of others. Victory has a deep desire to be at “the center of things and is served by extreme self-confidence, a combination that makes narcissists attractive and even charming” (Vogel) .