One of the scenes from the Iliad where Hector showed love is the scene his wife started having fear for the family for when Hector died. Hector went home to see his wife while they had a break from the war. He found that his wife had headed for the wall where the fighting was to try and find him as she was very upset and she had taken the baby with her.
The power and control over Rosina and her actions is portrayed by her father. When her father unemotionally tells her that her sister is dead, she cannot help but think that he killed her, and fears that the same may happen to her. This event leads to the feeling of terror that the powerful are capable of anything. Second of all, power in family creates suspense when Georgina fears she is not being told the truth. After Georgina reads all the letters and asks Mr. Lovell, the solicitor, for the packet her mother left for her, Mr. Lovell says “I am afraid not.
In Homer’s The Iliad, epic hero Achilles serves as an example of how rage, when unchecked, leads to disastrous repercussions. Achilles, though nearly superhuman in his physical abilities, struggles repeatedly to contain his anger. Throughout The Iliad, as Achilles’ fury compounds, the consequences of his actions become catastrophic, eventually leading to the death of his best friend, Patroclus. Although Achilles ultimately chooses to avenge Patroclus’ death and achieve his own kleos, or honor, his rage-driven actions lead to the death of many Achaean soldiers, and change the course of his fate. Agamemnon’s taking of Briseis enrages Achilles and spurs him to remove himself from the war, leading to a massive death toll in the Achaean forces.
The whole family including his wife/mother and father all defy the gods who they “worship” this act along with their rather guilt filled lives results in the tragic fate each of them meets. Hamartia is defined as tragic flaw or human failing and that accurately describes Oedipus’ situation and his lack of action to prevent his fate as Walton said, “Oedipus is so stricken at the thought of marrying his mother that he never thinks twice before killing an older man who stands in his way, even though the second part of the Oracle told him he would kill his father”(1). It is arguable that Oedipus did not deserve to die like this, but with such minimal effort to avoid this, it is hard to say
In addition, Brutus is the more prominent tragic hero from the story because he ends up obtaining more of the qualities listed by Aristotle than Caesar. In this list includes how he recognized his wrongdoing and took responsibility for it, which as I mentioned earlier in paragraph one is a deal breaker for my choice. The difference between Caesar that decides who is the tragic hero has to do with their last words from my point of view. Caesar dies kind of dramatically, in the 3rd person even, and was arrogant to the very end, allowing the conspirators to get too close for his safety as proven, and killing him. Brutus, however, died proclaiming how much he regretted his choice to stab his dear friend, and was more understanding of what he did wrong before he died over all.
I regret that I am taken from you; and, happy and beloved as I have been, it is not hard to quit you all? But these are not thoughts befitting me; I will endeavor to resign myself cheerfully to death” (45). Before dying she reaffirms that she is happy to die for the Elizabeth’s happiness. Ironically she entrusts Elizabeth with her children and not her husband or Victor who are older. This action suggests that men alone are not able to nurture children.
However, when it comes to family he acts so inhuman that he doesn 't listen to his own son and even thinks about ruthlessly punishing his nieces Antigone and Ismene. On the side of Antigone, she is very dedicated to family and it is her greatest priority. She takes it so important for her slain brother to get a decent burial that it brings her to face the wrath of Creon and she eventually dies for it. In the world today, such care that Antigone portrays for the family is almost
Greek tragedies are disturbing stories that make it seems like the hero is destined to commit self-harm. For instance take Sophocles play 's Oedipus the King and Antigone, where both their destines meet its toll. Oedipus the King was written first, the play begins with the kingdom of Thebes under a pelage because someone killed former king Liaus. Oedipus being the solicitous individual that he is commits to finding the culprit without knowing he is condemning himself. Oedipus had to go through several individuals to realize he is his father 's murder and his prophesied was fellfield when it was said he would kill his father and marry his mother.
Suddenly she gets a little soft when she sees King Duncan sleeping. She says to her husband, “Had he not resembled My father as he slept, I had done ’t” (II, ii, 12-13). This is a big change for Lady Macbeth because up to this point, we have only seen her as a heartless woman who will do anything for the thrown. Out of nowhere she is compassionate towards King Duncan stating she could not kill him because he looked too much like her father. She still wants him dead but she knows if she did it she would feel guilty for her
Romeo’s parents are very caring and show a lot of concern for Romeo. After the discovery Romeo and Juliet’s death, in Act V scene III, Lord Montague expresses that he can’t handle much more grief concerning Romeo and that his wife has already died from grief of Romeo’s banishment. “Alas, my liege, my wife is dead to-night! / Grief of my son’s exile hath stopp’d her breath. / What further woe conspires against mine age?” (Shakespeare V. 3.221-223).