Edwin Rahimi Research Paper From the underground streets of New York to the global stage, Hip Hop can be seen as one of the most influential genres of its time. As a style of music that ultimately originated from black street culture, much of its context can be pinpointed to the issues of political and social equality that are often kept in the dark. When Hip Hop emerged throughout the late 70s, new artists were experimenting with an advancement in technology and used various devices including turntables to create certain beats. As time went on, Hip Hop turned the page to more of a lyrical genre where artists ultimately began using words in their lyrics to convey a certain theme or message to the public eye. (Wahl, 1999) As new black artists began creating music leading into the 80s, historical events were beginning to allow artists to use music as a platform to discuss social and political injustice in ways that had never been seen before. One specific gangster rap group, N.W.A (Niggaz Wit Attitudes), used this so-called platform to shed light on the injustices of a black man living in the city of Compton in the most raw and purest way possible. (Wahl, 1999) During the late 1980s, Compton was often seen as a city of violence and even got the label of the most dangerous city in America throughout the nation. As a result, police brutality became a significant issue throughout the city and groups like N.W.A saw this as an opportunity to use a spotlight to discuss adversities
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In the essay “Before Hip-hop was Hip-Hop” the author, Rebecca Walker, uses many literary tools to get her point across. This reflective piece compares hip-hop from the 80s to hip-hop today. Walker uses sensory details to help readers picture what she feels about the topic. She often uses slang which allows the text to have an informal tone. This makes the piece easier to read and comprehend.
Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.
Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.
Nowadays, everyone wears the identity with pride. The genre was a testament to triumphing over hardships, to having enough confidence in oneself not to let the world drag you down, and to rising above the struggle, even when things seem hopeless. Violence in rap did not begin as an affective agent that threatened to harm America 's youth; rather, it was the outcry of an already-existing problem from youth whose world views have been shaped by the inequalities and prejudice they have experienced. The relentless wave of heroic new rappers arriving on the scene formed the golden age of hip hop in the 1980s, a newfound voice which rose from the impoverished ghettos during the 1980s and inspiring a generation of black youth to fight the police brutality they faced on a daily basis.
In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.
“Beyond Beats and Rhymes” Summary This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this. Some of the most prominent issues discussed in the film were the over-sexualization of women, gun violence, and anti- homophobic attitudes. Hunt would ask those involved in the industry about why they think these themes are so prevalent.
The block parties, graffiti art, rapping, disc jockeying and diverse forms of dancing built Hip Hop by the black youth. They expressed their feelings, thoughts, but most importantly the problems they had to face, which were related to their race, gender and social positions. The rights that were given to black people during and after the Civil Rights Movement left the following generations at a lack of how to continue the fight for black rights. Hip Hop gave them this platform and with the usage of black nationalism, Hip Hop can explore the challenges that confront American-Americans in the post-Civil Rights Movement era. In the 1990’s Hip Hop lived its prime, sub genres started to appear and famous groups, MCs led the whole community, providing a voice to a group of people trying to deliver their message.
The African American community has not gained full equality to this day. Even after fighting for many years this present day issue has come to light in Hip-Hop artists songs like Macklemore & Ryan Lewis song, White Privilege II. Macklemore and Ryan Lewis are respected in their line of work because they have become very popular in today 's Hip-Hop music. Hip-Hop has been the newest way of news being broadcasted. As many artists like Macklemore have become more of an activist in this day and age.
Benjamin Sendrey Professor Moreno English 1 21 April 2023 Socially Conscious Music: Kendrick Lamar For a long time, hip-hop as a genre has been controversial and the impact of rap music has been debated. This music has been criticized for many things such as its explicit language and its emphasis on drugs and violence. However, there is a side of rap with positive aspects including a focus on social change. Known for his poetic and thought-provoking lyrics, American rapper and songwriter Kendrick Lamar is an example of this side of hip-hop.
The Impact of Hip-Hop Ever since its birth in the 1970s in West Bronx, Hip Hop has been known as “Gangsta” music and most commonly associated with black culture. Since its creation it has become a fast growing genre of music and has growing fame all over the world. The popularity of it has increased to all races, age and gender. However the growing popularity of hip hop has come with several controversies among scholars. Some scholars argue that the growing popularity of the genre is very helpful to low income families who can use this as their outlet into going to Universities, on the other side some believe associating the genre to black culture is bad for the culture as a whole and they should not be associated together.
Some of the main cores of Beat Street are the music, dancing, and graffiti art works – all of which are part of hip-hop culture. Scholars note that hip-hop as a movement originated in roots from African American traditions and are mainly used to express their culture as well as identity (Blanchard 24). Rap music, for example, comes from West Africa’s “nommo.” This idea refers to the power to deliver words to act upon objects and to bring it to life. The historical and traditional underpinning of rap, therefore, becomes representative of the rich and distinctive culture of African Americans.
Harrison Wilmot APUSH (H period) Mr. Hinckley 13 May 2023 Rap’s History is about “keepin’ it real” Research Question: Explore the truth of modern rap’s origins; how do you chronologize its past and present? Rap, also known as hip hop music, is a cultural expression that emerged in the African American and Latinx communities of the Bronx in New York City in the 1970s. While its origins can be traced back to African oral traditions, jazz, blues, gospel, and other musical forms, its “real” development can be distinguished into three categories: its inspiration from African griots, the evolution of African symbolism in rap lyrics, and the lasting impact of the pivotal US rap song, “Rapper’s Delight” by The SugarHill Gang. “The roots
The Hip hop industry consists of mostly African American musicians. Since blacks are often alienated in society, their music seems to be too. People often give rappers negative labels such as “gangster” or “thug”, which are discriminatory words that people have often used to describe African Americans in the media. There is an everlasting double standard in music. as people bash rap music for being sexist and violent, other genres of music such as country or alternative have the same themes, but they’re vulgar lyrics go