Sturm And Drang Movement Analysis

John Wolfgang Von Goethe is a German writer and a national leader. He is one of the eminent writers of the Sturm and Drang movement. He is inspired by the thought of Jean John Rousseau and Georg Hamann. Moreover, his work includes epic and lyric poetry written in a spectacular meters and styles.
The Sturm and Drang movement has emerged in Germany as a reaction against the Enlightenment. It is a salient forerunner to Romanticism. Sturm and Drang synthesize the musical style with literary, philosophic, and aesthetic phases in the second part of the eighteenth- century. Hence, the movement carries unparalleled feature, which definitely distinguish it from other kinds of movement. Thence, the artists of this movement have highlighted the limits

Werther and the weather are two quite similar words. Hence, their dispositions are quite intricate. When the weather is tempestuous, Werther 's temper is often stormy, as well. Sometimes Werther 's mood is stormy in a good way, but it is more often raging bad. There are a number of marked similarities in the way that the Sturm and Drang movement and the Romantic Movement have used ' 'nature ' ' as a major theme in any particular work. Certainly, the word ' 'nature ' ' is a kind of paronomasia that refers to both the natural world around us and to the verity at depths of our being. In Goethe 's Werther, the explicit difference between these two realms of nature is bleared; hence, each one of them seems to influences the other.
“I examine my own being and find there a world, but a world rather of imagination and dim desires, than of distinctness and living power. Then everything swims before my senses, and I smile and dream while pursuing my way through the

The idea of suicide and its characteristic has first embodied by Goethe in The Sorrow of young Werther and Thomas Chatterton. The theme of suicide is glamorous in the Sturm and Drang movement and it is even attractive to some writers and poets in the Romantic era, as it has suited the emotional nature of them. In the novel, suicide has been always an enduring companion for Werther even before the actual moment of his death. Moreover, Goethe uses foreshadowing to drains away some of the suspense because from the very first beginning we know that Werther has no hope, and he sees everything doomed. Following, the omen of death is early mentioned in the letter of May 22, 1771 and Werther often end his gloomier letters with a note for his suicidal