Smize, girls!
“Let’s face it, you’re all a car accident away from never looking like this again,” these are the words from the same woman who is credited with finding super model Tyra Banks (Ling). Sounds a little tough, right? Comments like this are extremely common in the modeling industry, along with eating disorders and payless jobs. Sarah Ziff is trying to put a stop to this and raise awareness for these vulnerable girls. Ziff is a retired model who works to help young models from being taken advantage of in the modeling world. In her interview with CNN, Sarah Ziff uses statistics and personal stories to share her opinion and slander the modeling industry.
There are so many downsides to the modeling world, yes these young women are skinny,
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Ziff telling her story pulls on the heartstrings of the reader by using the rhetorical device pathos, that focuses on emotions to entice a reader. Ziff telling Ling about her modeling troubles, “I had trouble getting paid the money I was owed by my agency. I ended up leaving and got a lawyer to threaten legal action… one client who declared bankruptcy didn’t pay me” (Ling). This story backs up how agencies do not care enough about their models to even pay them owed money. Ziff had to get a lawyer to threaten her agency just to get a few paychecks from jobs here and there. Sarah Ziff also tells of another modeling horror story from her past. She tells Ling that at her first modeling job, when she was a young fourteen years old, she arrived and was told immediately to take all of her clothes off for the pictures. Ziff was told nothing beforehand about the shoot, so she definitely was not expecting to model nude for her first ever shoot (Ling). To further emphasize her point that she was so young and vulnerable in the industry, Ziff states, “I didn’t realize that I even could say no” (Ling). Through these touching stories, Sarah Ziff portrays her defenselessness young self, being thrown around in the modeling world, to further get the reader to understand how dangerous it is for young girls in the modeling world. These first hand stories, tug on the readers’ heartstrings and make …show more content…
According to the interviewee, “modeling agencies in New York insisted, ‘we’re not talent agencies, we are management companies and … we are simply advising the models on their careers. Booking them jobs is just incidental to the work that we do” (Ling). Then, Ziff explains that talent agencies, “Are required to be licensed [and] there’s a ten percent cap on commissions” (Ling). This whole loophole that agencies use just further proves Ziff’s argument that modeling agencies are all in it for the money, not the model. Ziff then tells Ling about New York’s new legislature to protect modeling under eighteen is a step in the right direction but not enough yet. Ziff believes that this new, “law is not perfect” and she “still want[s] to make sure child models have fair working hours” (Ling). The interviewee states statistics to make the reader realize it’s not just her opinion, but the facts can say it all for her. This is appealing to the skeptical readers, that might not want to believe Ziff’s first hand modeling disaster stories. Not only is the reader being persuaded by these stories, but the article has a video about how young girls are picked to be models. The video follows a new young model in New York, trying to get her first job. The aspiring model is unsuccessful and is turned away, with comments about her body and weight. Next, the video
It’s an argument we’ve all heard before and there are more than a few books that have tackled the subject. But what’s different from even the last three years is just how widespread the media has become. Today’s teens spend an average of 10 hours and 45 minutes absorbing media in just one day, which includes the amount of time spent watching TV, listening to music, watching movies, reading magazines and using the internet. This is a generation that’s been raised watching reality TV – observing bodies transformed on Extreme Makeover; faces taken apart and pieced back together on I Want a Famous Face. They are, as Tina Fey puts it, bombarded by "a laundry list of attributes women must have to qualify as beautiful.”
In the entertaining article “Turning Boys Into Girls”, Michelle Cottle enlightens the readers of how unrealistic depictions in media and advertisements are increasing men’s attention to self image in order to show the damaging effects media has when targeting the insecurities of men and women. Michelle Cottle utilizes relatable language to inform the readers of the effects the media has on men’s body image and how it “levels the playing field” for women. Cottle writes words like “beef-cake” and “whippersnappers” to appeal to younger males. The word choice implements a conversational tone that youth will find easier to relate to. She targets young men and boys to reinforce how damaging media and advertisements are.
Imagine; you’re fourteen years old, and you venture to New York City, with the aspiration to be a model. Cheryl Diamond accomplished that goal. She began living in New York at the age of 16 by herself. She was raised by two parents, moving around a lot. She’s had ups and downs, and now she’s done shoots with companies such as Clairol, Armani, L’Oréal, and even walked in NYC Fashion Week.
The pressure to be beautiful is an overwhelming wave that is rushing over the youth of today, particularly with girls. Girls are taught from a young age that in order for them to be worthy they must fit into a narrow, and often unhealthy, mold. Leaving many young girls vulnerable, and searching for a way alter their appearance in order to fit said mold. Covergirl, an American cosmetic brand, capitalizes off of that insecurity. In 2010 Covergirl launched a commercial featuring Taylor swift that utilizes Ethos, Pathos, and Logos; with the goal of persuade makeup wearers to purchase their makeup over other brands.
In a world where women’s sensuality is a sign of alluring power, Victoria’s Secret is undoubtedly one of the most successful companies to capitalize from this aspect of women. From sleepwear to sportswear, Victoria’s Secret has expanded its production to fit every woman’s daily agenda, ensuring that no matter the event, Victoria’s Secret is there for you. In the company’s 2016 Sport TV Commercial, Victoria’s Secret markets sports bras to young women across the nation, as the company continues its prominent influence in the fashion industry. The reason behind the Victoria’s Secret ad’s success is through its strong use of pathos and ethos, although the ad lacks logos.
Treays, the director of the 1996 documentary ‘Painted Babies’ has presented the idea that the beauty pageant industry is promoting the over-sexualisation and exploitation of young children. Forcing children into the beauty pageant industry is forcing them to grow up faster and lose their childhood, something that is irreplaceable. Furthermore, it incorrectly teaches young girls that they need makeup and clothes to be beautiful, which has a detrimental effect on their self-esteem in the long run. Treays has effectively used an array of techniques to suggest these ideas, including dialogue and camera angles. Treays has used documentary techniques, including ideational montage sequences, dialogue and actuality combined with dramatization, to present
Due to media advertisements, women have felt the pressure to look good more than ever. In the book Where the Girls are, the author Susan Douglas expresses what women sometimes feel when they are exposed to media advertisements. "Special K ads make most of us hide our thighs in shame. On the one hand, on the other hand, that’s not just me, that’s what it means to be a woman in America" (Douglas 1995). Women struggle every day with these societal pressures that the media has created and sadly it is only getting worst.
Standards for girls in today's society The American society set standards for girls and young women to follow. Companies are selling products and sexualizing girls at a young age. It's bringing in the culture norms of today’s society. To solve the problem, they should utilize diverse models to advertise many of the products.
Imagine being told as a female in today’s world you must look or act a ¬¬certain way in order to be accepted. Being what you want to be is not allowed and changes have to be made in order to be included. They say “pain is beauty, and beauty is pain” as they way a woman looks today are completely different from ten or even fifty years ago. In this paper, the reader will understand the mind of a woman in today’s society and the difficulties to be not only accepted but being her own person as well. Not only has the appearance of a woman changed but also role titles and job descriptions as well.
With the constant fear of ridicule and discrimination, we still try and define ourselves, though we are always under the society’s scope. Marge Piercy, in her poem “Barbie Doll”, gives us a look at the influence of our surroundings and how something as innocent as a doll can trigger these insecurities. Our strive for acceptance and “perfection” can cause major emotional damage on anyone who identifies as a woman. Young girls look at these depictions of “perfect” bodies, such as a barbie doll for example, and compare themselves. In the poem “Barbie Doll”, Piercy talks about a young girl who she described as “...healthy, tested and intelligent...” (247) but, she was picked on by peers who said she had “a great big nose and fat legs.”
The media portrays these unrealistic standards to men and women of how women should look, which suggests that their natural face is not good enough. Unrealistic standards for beauty created by the media is detrimental to girls’ self-esteem because it makes women feel constant external pressure to achieve the “ideal look”, which indicates that their natural appearance is inadequate. There has been an increasing number of women that are dissatisfied with themselves due to constant external pressure to look perfect. YWCA’s “Beauty at Any Cost” discusses this in their article saying that, “The pressure to achieve unrealistic physical beauty is an undercurrent in the lives of virtually all women in the United States, and its steady drumbeat is wreaking havoc on women in ways that far exceed the bounds of their physical selves” (YWCA).
The topic of self confidence is a subject that is heavily discussed when it comes to girls of all ages. Journalist, Stephanie Hanes, examines the current trend of sexualization amongst young girls. In the article “Little Girls or Little Women: The Disney Princess Effect”, Hanes examines the current trend of sexualization amongst girls. She addresses the issue of desiring to become a women too soon. Hanes develops her article by using the literary techniques of pathos and logos to describe the emotions young girls feel when they see images of women with unattainable features.
Beauty Pageants are an important part of the American culture in the 21st century. Many women, including small children, strut down the runway, dressing up in fancy clothes and makeup and charm, with the only and clear intention of catching the judges eye. Many claim that beauty pageants are a harmless activity that contestants can get a boost of confidence from. However, the sad reality of beauty pageants sends the message that women, even girls as young as 1 year olds, should be valued for judges for their appearance, and gives unrealistic beauty standards. With shows like Toddlers and Tiaras, young girls are facing harsh realities of adults choosing which child is the prettiest, the most charming.
Models seem unreasonably skinny and look like barbie dolls these days and male models have unrealistic muscles that were produced by drugs. These magazines affect teenagers these days because they are their ‘role’ models on how to be better, not their parents. They have affected these teenagers negatively
Child Beauty Pageants: Do Caked Faces Take the Cake? “Click, click, click.” The sound of a six year old prancing on stage in five inch stilettos, pounds of makeup on their once pretty, raw faces, and self tan packed on their skin. This is a scene from a child beauty pageant. These pageants encourage young girls to become someone they are not.