Flawlessly expressed from former president Franklin D. Roosevelt, “Happiness is not in the mere possession of money; it lies in the joy of achievement, in the thrill of creative effort” (Brooks). In “El Tonto Del Barrio” or “The neighborhood Idiot” by Jose Armas, money enervated the joy and creativity of Romero, and because of this, his emotional freedom vanished under the financial mindset that got bestowed upon him by misguided influence. The underlying theme of money’s inability to create happiness, but corruption, is displayed though the author’s use of dynamic characterization, the symbolic contrast of ideas between Barelas and Seferino, and the expulsion of Romero’s intrinsic motivation as an internal conflict that conveys the powerful …show more content…
The contrast between the characters Barelas and Seferino conveys the wise knowledge one gains from experience and the bothersome disillusionment concerning money and happiness, therefore symbolizing the disparity between the foolish youth and the learned individual. Growing up, Seferino notices the relatively ill-mannered treatment Romero was receiving for his efforts. He was barely getting paid at all, and according to Seferino’s viewpoint, he wasn’t getting enough respect nor appreciation because of his low wages. Barelas, however, disagrees with his son’s assertion because although his argument logically makes sense, there is still experience from his viewpoint that causes him to disagree: Barelas just knew his son was putting something over on him but he didn’t know how to answer. It seemed to make sense the way Seferino explained it. But it still went against his “instinct.” On the other hand, Seferino had gone and finished high school. He must know something. There were few kids who had finished high school in the barrio.
In his work “The Underdogs”, Mariano Azuela is able to master the spirit of villismo regarding both its theoretic, underlying principles as well as the movement’s subsequent physical manifestations. Though significant characters conduct themselves in a manner consistent with the humble agrarian spirit central to villismo’s origin, characters in this text also exhibit the disruptive, callous behavior that is more characteristic of the federalist forces and dictatorships they aimed to unseat. Moreover, Demetrio’s degenerating understanding of the reason he’s fighting, coupled with his few instances of immorality, symbolizes the collapse of villismo morality into its culminating bandit-ridden reality. Cowboys, farmers, and other agrarian people suffering from land and labor oppression united together as the diverse “pieces of a great social movement [to] exalt their motherland” . Demetrio and Solis embody this original character of villismo revolution, as they maintain a moral, humanitarian compass throughout the novel.
In Richard Rodriguez’s essay, “The Achievement of Desire” he brings you through important memories of his life that impacted his education, and more specifically his reading and writing. As a child, he was eager to learn and ready to soak up all the knowledge he could get. He received many awards and good feedback from his teachers which gave him all the more motivation to learn more. Soon his motivation came out of annoyance of his parents.
The main protagonist Esperanza, matures from a childish girl to a young confident woman through many critical and life changing events in the story. Ultimately, the author, Sandra Cisneros implements the symbols of confidence, the house on mango street and the metaphor of shoes to show how Esperanza develops into a more mature state. Sandra Cisneros
Many kids on Mango Street are not expected to go to college, not only because of the low expectations, but also because their families do not have enough money. In a community where the main issue present is poverty, the kids are not expected to be successful in certain aspects and are not expected to achieve great things in life. The Vargas kids, who live on Esperanza’s street, “bend trees and bounce between cars and dangle upside down from knees and almost break like fancy museum vases you can’t replace. They are without respect for all living things, including themselves” (Cisneros 29). As one can see, when a family is deeply involved with poverty, the parents often tend to forget about the children and their success.
Though they are friends, the lives of Pedro Machuca and Gonzalo Infante differ drastically in many aspects including family life, the luxuries they can afford, and the political affiliations chosen by their families. All of which relate to the common everyday life of Chilean citizens during the Allende Presidency, and the Pinochet Dictatorship implemented after the coup d'etat. During this time, the civil unrest never ceased, and life for chileans was generally either good or bad based on social status, income, and party affiliation. Both Machuca and Infante are classic examples of the division inequality of life amongst Chileans, with Machuca being a poor boy who lived in a shanty town, having very little education, and owning very few possessions. Where as Infante is wealthy, has a high end private education, and can afford to buy various luxury items such as brand name shoes and food for his family.
The father of Longinos Güereca summarized this nicely when he said “what difference does it make which side robs you?” (76-77). The poor are the true victims here and even though Villa makes it his mission to fight for them, it still is not enough. Villa said in one of his memorable speeches, “the tortillas of the poor are better than the bread of the rich” (74). But this is only true to a certain extent, in that the poor are more satisfied with having less in their lives, while the rich have so much and want more (166).
Written by Gabriel Garcia Márquez in 1958 as part of Los Funerales de la Mamá Grande, Un Día de Éstos is a short story addressing a vast theme; that of power and how it is balanced. By constructing the narrative primarily around the two characters of Don Aurelio Escovar, an unqualified dentist, and the mayor who is suffering of toothache, Márquez uses their reactions towards each other to guide the reader into understanding how easy it is to become vulnerable, notwithstanding their social class. CHARACTERISATION The theme of power is explored through the characterisations of the two men in the story and it could be said that this done primarily through continuous contrasts between them. To start with, the vocabulary that surrounds Escovar
In the essay “Being Mean” from Living up the Street by Gary Soto, the tone is tense and mischievous based on the author’s diction and the use of repetition. Gary Soto describes his childhood as being very violent and gives details about how it is so: “Rick and I and the Molinas all enjoyed looking for trouble and often went to extremes to try and get into fights.” By Soto saying this, it represents how mischievous he was as a child. Moreover, the title of his essay “Being Mean” fits the tone of being mischievous perfectly because the definition of mean is for someone to go out of their way to cause you pain, which he does, but in a mischievous way. Furthermore, Gary Soto also uses repetition to let the reader know how he feels about certain
Mr. Junot Díaz’s paper titled “The Money” is a paper about the struggles of growing up as a Dominican, or less specifically an immigrant, in America. The paper offers a brief gimps into Mr. Díaz’s life as a young man, it shows his family structure and his neighborhood structure. It shows the type of people he had to deal with growing up and how he handled the way these people acted. The point of the text is to show how Mr. Díaz lived as a young man though one specific life experience.
Imagine being a 17 year old African American kid always being judged just because of his skin color. Everywhere you go you feel like all eyes are on you, especially when you go to a school that only has eight black kids. That's exactly how Justyce McAllister felt in Dear Martin by Nic Stone. In the book, the main character Justyce goes through a lot of conflict involving his skin color. Even though he has a full scholarship at Braselton Preparatory Academy, and is a very smart student, he still gets judged.
Also, he shows how cross-class relationships are not really the norm in his story. Diaz argues that socio-economic difference between the rich and the poor in “Monstro” and shows how wealth influences the character of a person and how they live day by day. Diaz argues that the wealthy are immune to the different harms which the poor are more at risk of. He shows this with Alex.
One example of this is when Gary takes off the coat, because he would rather be cold than look poor and be made fun of. “Even though it was cold, I took off the jacket during lunch and played kickball in a thin shirt, my arms feeling like braille from goose bumps,” (Soto 5). The fact that Gary preferred to freeze shows just how strong his resentment towards his own poverty really is. Things do not improve for Gary as time goes on. His classmates start to avoid him, rather than be associated with his poverty.
The Story of the Vargas Family “Rosa Vargas’ kids are too many and too much. It’s not her fault, you know, except she is their mother and only one against so many” (Cisneros 29). In the novel The House on Mango Street, the author, Sandra Cisneros, touches on the many negative consequences of a single, impoverished mother raising an overwhelming amount of children. Poverty, discrimination, parental and neighborly responsibility, and respect are all issues and social forces that act upon the family; their presence or lack thereof cause several grisly occurrences to take place. Poverty was almost like a curse given to Rosa Vargas by her husband, who “left without even leaving a dollar for bologna or a note explaining how come” (29).
THE FATHER, THE SON, AND LA CHINGADA: THE TRINITY OF THE CONQUEST ‘Lo Mexicano’ is a phrase-turned-concept in 20th century Mexican philosophy. The term literally translates to “the Mexican,” however, it is also used to superficially describe the identity of the Mexican individual. The notion came about after the revolution; the phrase was meant to emphasize and unite Mexico as an independent people. Today, the phrase is understood as an all encompassing term for “mexicanness,” or that which makes someone a true mexican.
Imagine living in a world without any internet. Imagine the amount of trouble a person would require to go through in order to find out the simplest things. The internet nowadays has become an essential part of almost every human being’s life. Cutting the internet off for just one day my actually leave the world in a state of commotion. Every type of technology may be used in either a way that benefit’s a person, or a way that may harm a person.