17/PELA/034 Self-assertion of Drupadi in Chitra Banerjee Divakaruni’s novel The Palace of Illusions The famous work The Palace of Illusion is a revision, of the holy epic the Mahabharata which has always fascinated the people of our country as well as the universe. Chitra Banerjee Divakaruni with her ingenuity and imagination has once again attempted to make her audience re-live in the era of the Mahabharata. Divakaruni through her story depicts the inner-mind of Panchali, born into a traditional society, intended to change the face of time and the whole era. She, in detail, explains the birth of Draupadi, who was born out of fire, accompanied by the heavenly spirits announcing how the child would change the course of history, and would both embrace and resist it. Divkaruni has shown profoundly how Drupadi is haunted by loneliness and unhappiness because she is less loved by her father, the king Dhupad. Drupadi was completely underestimated by her father who praises her brother Dhri -born first from the same fire that she was born out of- though she is the representative of strong-willingness and determination, and has no interest in spending her life living in the shadows of men. Panchali’s quest begins at a very young age, when she muses on her father’s palace: “Through the long lonely years of my childhood, when my father’s palace seemed to tighten its grip around me until I couldn’t breathe, I would go to my nurse and ask for a story” (The Palace of Illusions 1). The
The Glass Castle written by Jeannette Walls is story that revolves around a family that faces the hardships of a low class life, constant frustration, and hopelessness. I believe this story is centralized by the title of the book. “The glass castle” throughout the book is a dream, it is dream to Jeanette and her whole family, it represents a better life in a better place. Jeannette Walls centralizes her writing based on diction, the writer specifically chose unique words to show her experiences and emotions, this helps readers interpret the story from the writer's point of view.
Many situations in life make your mind set stronger in difficult challenges. Having hope for the better can make a person stronger to achieve for the best. Showing bravery , hope and courage had helped Amari get freedom that she desired. Expressing the history in the book shows challenges that people had gone through in the past.
Throughout life, we sometimes don't take the time to think about what comes out of our mouth. We feel the need to tell a falsehood to make ourselves look better or feel better. After all, we don't want to accept the harsh truth of reality that is lives are not perfect. Sometimes we even forget why we're even lying at all. However, we are not alone as human begins it's in our nature to lie.
Students these days are shielded from real world issues. There is a misconception that young people are fragile, so reality is sugar coated. The truth is, life can be a test for survival. Jeannette Walls knows this all too well. Walls experienced a far-from-normal childhood with far-from-normal parents.
In the memoir, The Glass Castle, by Jeanette Walls, Jeanette and her family reference the building of the glass castle. In my opinion, the glass castle is a metaphor of hope for the Walls family that they will always be together when they plan their dream house. Even though Jeanette’s dad, Rex, knows he is not going to build the castle, he keeps referencing it to give the kids a reason to keep moving forward and to have something to be excited about in their different lives. One of the first mentions of the glass castle was on page 14 of the memoir. As Jeanette Walls claims, “When Dad wasn't telling us about all the amazing things he had already done, he was telling us about the wondrous things he was going to do.
The Trickster Tale Trickster and the Talking Bulb is a Native American folklore. Native Americans would tell these tales orally to the children in their tribe. The trickster tales weren’t read from a book, they were told by and brought down from generation to generation. This particular tale is from The Winnebago Trickster Cycle. According to the passage on page 35 of the Norton Anthropology American Literature Beginnings to 1865, Winnebago is a term that comes from Algonquian people.
Jhumpa Lahiri's Interpreter of Maladies is filled with comparisons and various motifs that could instigate the interests of the reader. The diversity of the mother-child relation shown in the symbolic portrayals of motherhood that Lahiri seems to grant more than the most basic critique is admittedly one of the more curious ones. Lahiri does not seem to prefer or priviledge any of the representations, be it American or Indian, but she certainly creates a clear image that the two characters, Mrs. Das and Mrs. Kapasi, make as mothers. There is less detail about Mrs. Kapasi and her realtions with her children, but the first time that Lahiri mentions her, she is shown as a caring mother whose son died. Lahiri writes that “in the end the boy had
Many people would not think about artifice as being an important skill to have. The passage given from “Empire of Illusion” by Chris Hedges argues that the most essential skill would have to be artifice. He explains in the passages that the political theater and the consumer has artifice included. For example, there are political leaders that create some news about them, that may be fake. Since some of the new is fake, people are clueless and unaware about whether the truth is shown or not.
My question: Think about the ending of the story. Describe it. How did it reflect on the rest of the novel? Was it satisfying?
The King’s shadow is a historical fiction that takes place during King Harold’s reign and specifically focuses on a young peasant named Evyn. As you might expect like any young person Evyn has dreams, specifically he wanted to become a storyteller. This is important as storytellers around this time, according to the book at least, often used their voices tell these tales rather than letting an individual read them. However, as you might expect from a story set during the medieval period Evyn’s dream will be stolen before he was even given a chance to even try. This was done by a group of thugs who not only cut off Evyn’s tongue, causing him to lose his voice, but also took it one step further and killed Evyn’s father.
The scene from The Glass Castle that presented a universal topic was when Jeanette's dad would come to the home drunk and Jeannette would try to clean up after him. In the scene, the father would come home drunk and have a rampage destroying the home. Once he was asleep she would try to clean the mess he had left but her mom would insist because he wouldn't see the mess he caused. A quote to prove this, “He came home in such a drunken fury that Mom usually hid while we kids tried to calm him down. He broke windows and smashed dishes and furniture until he'd spent all his anger; then he'd look around at the mess and at us kids standing there.
Cotton Mather: Wonders of the Invisible World In this writing, Cotton Mather, a Puritan Theologian and a renowned reverend talks about his fears of the Christian religion being slowly obliterated from the country, which he believes is being taken over by the devil and his minions by the use of Witchcraft. In 1963 Cotton Mather was asked to create a literary piece, in defense of the persecutions, one year after the events of the Salem witch trials actually took place, where questionable events happened were depicted. This work was called the Invisible Wonders of the World. Throughout the writing, Mather is always depicting the devil as a real and tangible being (e.g. “invisible hands” and supernatural happenings).
Annually, millions of people travel to northern France to view the grand and pompous Baroque style of the Palace of Versailles’s Hall of Mirrors. Built in 1698 during the reign of Louis XIV, the Palace of Versailles stood for over 100 years as “the primary residence of the kings of France and the seat of the government,” and in 1979, the Palace of Versailles and its gardens were decreed a World Heritage site by the UNESCO. An examination of the Palace’s Hall of Mirrors will reveal a dramatic use of light, symmetry, large-scale frescoes, a shell for painting, sculpture, and stucco, and an opulent use of rich color and accessories common to a French Baroque-style interior. Louis XII (r. 1610 - 1643) used the initial residence as a hunting lodge and retreat for his family, and in 1624, he commissioned Jacques Lemercier to build a chateau on the site, which remains as “the exterior façade overlooking the Marble Court.” From 1661 to 1710, Louis XIV oversaw the residential transformation of the majestic complex surrounded by gardens.
Instead of a simple coming-of-age story, Satrapi outlines the social and economic conditions that shaped her childhood and adolescence. The simplicity of a child’s mind and her confusion at adult notions is a constant theme in the book. This is brought forth in Marji’s childlike understanding of the
The Aristotelian element of drama known as spectacle, or what is seen onstage, is important to the development of any play or musical. Spectacle plays an influential and essential role in Henrik Ibsen’s A Doll’s House. The specific things and actions the audience sees in this play provides them with necessary information to understand the characters, storyline, and many other aspects of the play. There are numerous examples of specific things Ibsen intended for the patrons to observe throughout the course of this show.