Thornfield was a completely different world for Jane. It was a major change physically and socially, as a governess she had more opportunities and duties to fulfill. Jane was not intimidated by what was expected of her, yet she was excited to see what the future at Thornfield had in store for her. The power of love was unavoidable for Jane, “The claims of her former love prove stronger than her sense of duty to that honorable but emotionally shallow Rivers” (Moss 3). Rochester was a major influence on Jane as this was a critical time she was maturing, yet she did not let him get in the way of her work. The work that was expected of her what always her top priority, Rochester was her second. “I believe he is of mine;—I am sure he is,—I feel akin to him,—I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him” (Bronte 266). The relationship between Rochester and Jane was undeniable. Love and trust was not always something that came easy to Jane, but it was something real between the both of them she could not ignore. Their relationship brought happiness and comfort to Jane …show more content…
In the beginning, she is deprived of education, love and appreciation of her presence which ultimately is her prime reasoning of taking off to be successful. Her experience at Gateshead was nothing more than miserable, she fought for what she needed and grew out of her comfort zone to stick up for herself. The strict rules and limits to freedom was not something Jane could handle for much longer, starting with the false accusations said by Brocklehurst of Jane. Brocklehurst is one of the many obstacles Jane fights to become happy and successful. She did not let him control how she envisioned her future life, rather she became even more passionate to prove how much of a cruel master he was. Jane
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Finally, the details about society show that Jane recognizes the standards of her victorian society and needs to abide by them. After Jane had thought awhile, she no longer “felt justified in judging” Mr. Rochester and Blanche for “acting in conformity to ideas and principles instilled into them.” Though Jane wishes to be loved by Mr. Rochester, she comes to the realization that rich men do not marry lower-class women in her
Because of this, I can infer that jealousy will be a theme of the novel. I get the impression that, at some point, Jane was an important figure in the town, which is how everyone knows her. They are quick to judge her because of how much she seems to have changed since she left a year and a half ago. This i shwy their voices and opinions are so cruel and
Certain ideas and concepts that are discussed in How to Read Literature Like a Professor by Thomas C. Foster are evident in the two pieces of literature Jane Eyre by Charlotte Bronte and The Metamorphosis by Franz Kafka. Foster opens with the popular quest story type and what are its elements. There must be a quester, a destination, a basic objective, obstacles, and a hidden significance. In Jane Eyre Jane’s experience at Lowood could be exemplified. Jane being the perfect quester at this point in the novel since she is young, unwise, and inexperienced in the real world.
One of the biggest character foils in Jane Eyre is between Mr. Edward Rochester and St. John Rivers. From the first time we meet these characters, it is easy to tell the two apart. While one is ruled by a religious forces the other is controlled by emotions. Jane has to make a choice, and decide how she is going to live the rest of her life. At the end of the novel, she makes a choice between what is expected of her, and what she wants.
Her subtle deception is first apparent when she’s a child under the care of her aunt, Mrs. Reed. Mrs. Reed frequently abuses her, claiming that Jane is a disagreeable girl. When in reality, Jane is not disagreeable in the slightest. Here is when she deceives: Jane doesn’t deny the false accusations against her when she’s blamed for something she didn’t do, but rather she accepts the words of disapproval and pretends that she fits the mold that she is thought to be a part of.
Both characters, venturing out of their gender roles, find ways to compliment and figure out who the other person really is, and, in the end, a burgeoning love fully blooms. When examining the gender roles of Mr. Rochester and Jane, both are a blend of each and life seems better when conventional gender roles are forgotten. In Rochester and Jane’s first meeting, the two begin to show their blended gender roles immediately. Rochester is first described as having a “dark face” with “stern features”, with a complexion that seems, “ireful and thwarted” (146).
As an adult, Jane asserts her independence by rejecting unequal marriage. When Jane finds out that the man she was to marry, Mr. Rochester, was already wed, she ran away. Mr. Rochester pleaded passionately for her to stay, revealing his unfortunate history and even threatening to use physical force to restrain Jane. Both tactics failed since, as Jane puts it, her conscience personified strangles her passion for Rochester. Being a mistress to Rochester in addition to being financially and socially inferior to him prompts her to leave him.
In the novel we follow the protagonist, a young Victorian woman who struggles to overcome the oppressive patriarchal society in which she is entrapped. It is a story of enclosure and escape, from the imprisonment of her childhood to the possible entrapment of her daunting marriage. Throughout the novel Jane must fight against her inevitable future that society has already chosen for her. We see her attempt to overcome the confinements of her given gender, background and status. She must prove her worth against the men she encounters throughout her life, showing her equality in intelligence and strength.
Jane goes against the expected type by “refusing subservience, disagreeing with her superiors, standing up for her rights, and venturing creative thoughts” (Margaret, 1997, p. 325-346). She is not only successful in terms of wealth and position, but more importantly, in terms of family and love. These two needs that have evaded Jane for so long are finally hers. Adding to her victory is her ability to enjoy both without losing her hard-won independence. Everybody has the rights to pursue happiness, to pursue the true spirit of life, which can be seen from Jane Eyre’s struggle for independence and equality.
Going through a rough patch only made Jane stronger in the end. Jane gains tactics to control what happens in the future. Although some may oppose to the idea of Jane being a heroine, Jane, in fact, is a heroine, because of her courage. From the beginning to the end of Jane Eyre not solely the reader gets to knows Jane, Jane also learns about herself and grows as a person.
Before Rochester, and his influence, Jane had been accustomed to men in power such as John Reed and Mr. Brocklehurst. Their influences on Jane were more negative as they tore Jane down instead of putting her up. These figures allowed the arrival of a seemingly encouraging, kind, and adoring man such as Rochester to be a shock to Jane when she was first employed at Thornfeild. This stems Janes biggest growth from Rochester, the bettering of her self-esteem. Due to Rochester’s exaggerative language he constantly teaches her the value of her self-worth and her beauty.
She states a more modern view upon the subject about the female role in society where she states a desire that women should be able to do the same things as men, without a judgemental view from society. This view of gender roles was controversial in the Victorian era, but Jane Eyre represents a new and fresh feature in the early feminist movement with a more equal view upon the subject. Though, upon the marriage with Mr. Rochester, Jane shows another side of her feministic character. The independent Jane, starts to question her role in the marriage.