STRUCTURE:
1. Vicomtesse Anotina The Linds’ays or rather the suitcase lady of Queen Street is one of many homeless citizens in the city of Toronto, Ontario. As a caring soul, she feels passionately for the care of the young, the old, and those who suffer. However, as she sits night after night in the 24-hour doughnut shop while relying every day on others for as much money as she can scrounge. Who really cares for the suitcase lady? Not even her own 40-year-old son, he never considered her family due to not being able to raise him since she was poverty-stricken. Irony flows throughout this interview, the 60-year-old woman cares deeply about others while no one takes care of her. “God takes care of me, that's for sure” she claims and although sometimes she isn't treated adequately due to the theory that
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Reader’s gain some insight on Vicomtesse’s life and her daily struggles by reading the article. For example, “Somewhere in her bleary eyes and in the deep lines of her face is a story that probably no one will ever really know”. Although she seems like another person on the streets, she lived a hard life and her appearance shows it. Another instance that shows some details into her life is the fact that she had big, rough farmer hands. Her hands showed that she had to work hard labor some point in her life to make a living. "She smiles and points to one. 'A very lovely piece of music. I like it.'" perceives that she had a dream and although it may never come true, it gives her happiness. Also, readers learn that she has tired legs, swollen ankles, blisters and has no socks. She cannot afford proper socks as the ones she has, make her feet itch, her old age is showing and all the walking doesn't help her condition. Lastly, she is asked about loneliness and says “I don’t talk much to people,”. Showing that she doesn’t have anyone in her life to share her emotions and feelings to, she is a lonely woman but she does sometime talk to the elderly in the
Her family was not like the other families on the street. They would stay up all night laughing and talking. Clarisse’s uncle would tell her of how things used to be. They meet for a second time on a rainy night. She says she loves walking in the rain and tasting it.
After bonding with a homeless man, Elise Elliot expressed her empathy towards the homeless in a newspaper article, prompting that it’s time to “Bring a little warmth to the homeless’. Given their dire lifestyle and living conditions, Elliot encourages fellow Australians to make a small gesture towards the homeless and take action towards our less fortunate compatriots. As Elliot aims to convince Australians that the homeless are weak and vulnerable, she opens her statement with an emotive response to the recent murder of the homeless Wayne "Mouse Peer . By using the words "stabbed to death" and “worried about him”, Elliot aims to demonstrate the severity of the issue, further highlighting the “ambos attended to his slashed face’’ Elliot also puts into perspective the constant danger for the homeless with the phrase “Easy prey for drunk and bored thugs”.
In The Piano Lesson, Berniece struggles with her past ties of family enslavement which reveals to us the importance of legacy and how a close connection to one’s past can positively influence one’s present day life, forming a purpose for one’s will of a better lifestyle and improvement of oneself as a person.
She tries to cite facts of her experience as a witness when she was in a French bread shop and a man walked in the shop and the owner of the shop gives the man a cup of coffee and bread from leftovers and walks away without a word. Then the author uses the same rhetorical element Logos of asking herself “what compels this woman to feed this man? Pity? Care? Compassion?
In her memoir, “The Glass Castle” she writes about how she sometimes grew up without things like a place to live, clothes to wear, food on the table, electricity to power the house and keep her warm. In her upbringing, her parents never really supplied her with the things she needs or took very good care of her so she learned how to survive with the little she got. She learns throughout her life that she should never take anything
Her inner self craves for freedom to drive past and achieve something. She envisions her song as a luxurious Cadillac, where she now wants a materialistic world. She is in her imaginary world until the heat of the urn in her hand bring back her to reality, where she starts comparing to her real life, hallow and vapid. She attempts to find comfort in her room, as she says “coffee cruises my mind visiting the most remote way stations, I think of my room as a calm arrival each book and lamp in its place.” She starts to reflect her possessions and the security they give her and what they represent in her life.
In the beginning, the author describes a man who looks to be homeless and how the man stops in front of a baby. When the baby’s mother sees this, she seems to get a bit tense, so she searches inside her purse to find a dollar to give him. The author later questions the mother’s motive for giving the man the dollar and whether she gave it to him because she cared or she was frightened by him. Ascher later writes about an experience she had at a coffee shop. She describes a man, who is dressed poorly and has an unpleasant smell, being given a hot cup of coffee and a paper bag with something inside from the owner of the shop.
She first shows her own struggling sense of belonging and identity. Then at the end of the poem, she switches and is confident.
such as her use of detailed imagery when describing how she resembled a wriggling beetle to put a comical image in the reader's mind. Her use of positive diction to make light of her serious situation, and her different uses of tone, help educate her readers about the difficulties of living with a
She felt “light and good in the warm sun” (L8). To her young and inexperienced mind, “nothing existed for her but her song,” (L8) which just goes to show how oblivious and careless she is to her surroundings and worlds greater than her own. On the contrary, as she made her way a “mile or more from home,” (L23) she began to hit a turning point. The comfortable world at which she knew is now cracked open and unguarded.
She begins by talking about her college experience of how her own professors and fellow students believed and “always portrayed the poor as shiftless, mindless, lazy, dishonest, and unworthy” (Paragraph 5). This experience shocked her because she never grew up materialistic. She brings up the fact that she is the person with the strong and good values that she has today because she grew up in a poor family. In culture, the poor are always being stereotyped.
The stories that only the heart and the mind can tell. She has travelled the world, experienced love, death among many other things. As she put it herself, she has never been rich. She has seen the city of New York, the nature of the
This is what we encounter in this tragic story. From the beginning of the story, the author presents a lively outlook of the village life and the different people who are
While reading the story, you can tell in the narrators’ tone that she feels rejected and excluded. She is not happy and I’m sure, just like her family, she wonders “why her?” She is rejected and never accepted for who she really is. She is different. She’s not like anyone else
While many people would have given up within the first week or so of their hardships of being alone in such a large, unforgiving city, Doris keeps her head held high. Though, this is because she is willing to do whatever it takes to survive. In a letter to her mother, Doris remarks: " . . .you [my mother] were poor as I am poor, you slept with men because you liked them or because you needed money - I do that too" (Keun 73). Doris 's self-candor is both her best and worst quality: it helps her make sense of her surroundings and stay a step ahead of others, though she often is self-critical because of it.