Weather: The Importance Of Weather In Frankenstein By Mary Shelley

Shelley describes the morning after Frankenstein creates the monster and runs away- "Morning, dismal and wet, at length dawned, and discovered to my sleepless and aching eyes the church of Ingolstadt…”. This dreary scene adequately depicts Victor’s miserable, downcast feeling toward the ugly monster he has just created. Shelley also uses the imagery element to bring into view Frankenstein’s painful emotions over the result of his creation. Immediately following the verdict of Justine’s death, a deep feeling of remorse washes over Frankenstein."The blood flowed freely in my veins, but a weight of despair and remorse pressed on my heart, which nothing could remove. Sleep fled from my eyes; I wandered like an evil spirit…” Shelley’s use of imagery in this situation gives over the feelings of Victor’s intense guilt at having been the cause of the death of an innocent girl. This also implies that in a sense Victor questions his own existence because of the weight of his actions “Press[ing] on [his]

His family and home is everything to him, especially his love for Elizabeth. However, as the story progresses and Victor begins to realize the magnitude of his mistake in creating the monster, his outlook on life changes drastically and shifts to a darker tone. During his trek through the wilderness in search of himself, Victor finds peace and comfort in the bleak and powerful mountains. Specifically “...while rain poured from the dark sky and added to the melancholy impression I received from the objects around me…My heart, which was before sorrowful, now soared with something like joy” (Shelley 67). After this passage, Victor then moves to exclaim that he would be alright if “Wandering spirits” would “take me...away from the joys of life.” By connecting the daunting and rainy landscape to the feelings of elation and awe that envelop Victor, the reader can interpret that, unlike the beginning of the novel where Victor is accustomed to the sunny bliss of Geneva, he is instead much more at ease within the dark yet powerful landscapes of the mountains. Using the darkness of the rainy day, Shelley helps to paint a picture of the melancholy that begins to take hold of Victor’s

When Victor grows up and learns about his passion, he describes science’s effect on him, “...like a mountain river, from ignoble and almost forgotten sources; but, swelling as it proceeded, it became the torrent which, in its course, has swept away all my hopes and joys” (Shelley 20). Imagery describes a river, which is “swelling”, and able to “sweep” things away. These words provoke feelings of disruption and that nature is a great power able to control how life progresses. Here Frankenstein starts to develop ideas of what science can be used for and nature warns him that when he continues with his new found passion, all other positive things in his life will be compromised. The setting is described just moments prior to Frankenstein’s monster coming to life; “It was already one in the morning; the rain pattered dismally against the panes…” (Shelley 35). The gloomy rain is portrayed through words such as “pattered” which creates a heavy, and depressing mood. The degrading weather provides insight for what will happen after the monster is created and the natural world is artificially changed. The monster pleas Frankenstein for a companion which he complies with at first, but later changes his mind. When Victor decides against the unnatural act he disposes of the unused body parts in

In Mary Shelley's Frankenstein, a motif very commonly used is ice and cold. Ice and cold can be used to represent the mental instability and inhumane activities throughout the story. Ice and cold can also be symbolized as lack of love and death throughout the story. Throughout the story there are many events of someone dying or of inhumane activities. Ice and cold also represent isolation and seclusion which occurred very often throughout the story.

In the novel Frankenstein, by Mary Shelley, Robert Walton is on a voyage to discover unexplored knowledge. While on this journey he finds Victor Frankenstein, who tells the reader of his own journey to discover the unknown. In this novel, Mary Shelley employs literary devices such as repetition, imagery, and rhetorical questions to provide meaning to the audience. For example, the author uses repetition to emphasize Elizabeth’s confidence. Expressing her frustration with the situation Elizabeth repeats, “But she was innocent. I know, I feel, she was innocent” (Shelley 63). The repetition used in this phrase shows how Elizabeth feels very irritated with the circumstance she is currently in. Another way Shelley uses literary devices to convey

The scientist struggles constantly with sickness throughout the narrative and, while not specifically emphasized, he retreats into nature frequently after regaining consciousness to increase his mental and physical recovery. Textual evidence of nature’s effect on Victor includes when he states, “I remember...it was a divine spring, and the season contributed greatly to my convalescence. I also felt sentiments of joy and affection revive in my bosom; my gloom disappeared, and in a short time I became as cheerful as before I was attacked by the fatal passion” (Shelley 51). Victor acknowledges how the spring season, which includes the regrowth and renewal of the natural world, greatly increases his overall health to where he feels comparable to his self before he created the monster. Some may argue that the inclusion of the seasons into Frankenstein only serves to contrast with the unnatural acts that Victor commits and has no relation to his psychological state as the thesis indicates. However, the novel specifically addresses that the protagonist interprets nature as a sentient, maternal-like entity when he comments that “I pursued nature to her hiding places” as he works to create the monster and, in doing so, acknowledges the relationship he has with the natural world (Shelley 38). Thus, the rebirth of nature in the spring season allows Victor to better recover from his mental and physical

In Mary Shelley’s iconic gothic novel, Frankenstein, Romantic themes are strongly represented in order to propagandize Romanticism over the elements of knowledge and the Enlightenment. In her novel, Shelley uses gothic nature settings to foreshadow dark events that are about to happen in the novel. She also uses nature to intensify the effect that is brought during significant scenes, a strong example being, when Victor Frankenstein’s monster approaches him after a long period of time. Nature and its use to influence mood is one of the most paramount themes of both Frankenstein and Romanticism.

Immediately at the beginning of chapter five (p. 43), Shelley gives the reader an image of the day that the monster was born on: “It was on a dreary night of November that I beheld the accomplishment of my toils.” (Shelley 43). This not only describes the weather, but using the word “dreary” sets a darker, colder tone that lasts throughout the rest of the passage. The visual picture she creates is very intricate, showing the image of the monster he created in great detail. “... his watery eyes, that seemed almost the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight black lips.” (Shelley 43). This clearly depicts the horrific sight Frankenstein witnessed firsthand.

heavily pursue knowledge and create his monster, clearly showing that the path that he embarked

Foreshadowing was used by Mary Shelley in Frankenstein to achieve her goal of making the reader predict what will happen. The first form of foreshadowing the reader notices is when Walton says to Victor, “One man’s life or death were but a small price to pay for the acquirement of the knowledge” (11). This foreshadows the disasters that will face Victor as he experiments and tries to find the unknown. Then, Victor says, “Let me reveal my tale, and you will dash the cup from your lips?” (12). This foreshadows that once Walton hears Frankenstein’s story, he will change his mind about his expedition. Also, during the thunderstorm that happened in Victor’s childhood, Victor sees a tree get struck by lightning. He becomes interested in the idea of electricity, and he starts to study its

Shelley sets the challenging tone in the beginning by hinting to a possible dangerous predicament that Victor may find himself. He describes the landscape as “terrifically desolate” (66). This is a recurring description that Shelley often uses when Frankenstein desires solidarity and secludes himself from society. It can be seen again when he isolates himself on the Orkneys Islands, “[…] whose high sides were continually beaten upon by the waves”, as well whose “soil was barren” (119). Shelley’s description of the soil and the roaring tides add to the dreary and treacherous scenery she attempts to create. She uses descriptive nature as means to perpetuate the depressing mood. Victor then describes the condition of the trees in the area -where many of them are broken, destroyed or bent-emphasizing the severity of the scene. This reflects the beginning of the novel when Victor first encounters the powerful wrath of nature. At the age of 15, he witnesses a thunderstorm so terribly violent that “the thunder burst at once with frightful loudness from various quarters of the heavens” (22). The strength of the lightning was so strong that it struck and engulfed a tree in flames in Victor’s front yard and “reduced [it] to thin ribbons of wood” (22). Shelley uses the destruction of trees as a representation of nature’s

After being subjected to a terribly cold and harsh winter, the Frankenstein monster heaves a sigh of relief at the advent of spring season. When Victor dumps the monster, he feels awfully depressed and confused. He feels a new surge, a "sensation of pleasure" (71) when he sees the bright moon and its gentle light. Abandoned by his creator, the monster too finds refuge in the lap of Nature.

The first metaphorical idea this lightning represents is foreshadowing based off the topic of fear. Even in modern times, lightning is an object that many people fear because of the unknown aspects of it—it is unpredictable in its movement and consequences. In the time period that Frankenstein was written, lightning would have been even more of an unknown quantity because of less advanced technology. Shelley used lightning to foreshadow Frankenstein’s biggest fear: meeting the monster. And a little while later, on the mountain, this element of foreshadowing came to fruition, “I perceived, as the shape came nearer (sight tremendous and abhorred!) that it was the wretch whom I had created” (Shelley 68). Just as Frankenstein witnesses a natural

It is seen as a healing power. On numerous occasions when Frankenstein is feeling ill, he heals with the sight of nature. For example, when Frankenstein went to Geneva, he was in a painful state of mind. As soon as he gets to Mont Blanc, he finds himself recovered by the beauty of the landscape. As Frankenstein starts to feel better, the weather becomes sunny and warm. The weather is positive because Frankenstein's emotions are more positive. Besides, Shelley describes Frankenstein's recovery through his affinity with nature. Although he is nursed by his closest friend, he gains strength from the fresh air and the natural

Mary Shelley (1797-1851) born as Mary Wollstonecraft Godwin, the daughter of philosopher William Godwin (1756-1836) and well known feminist Mary Wollstonecraft (1759- 1797), is credited as a great revolutionary in the field of literature. With influences of family guests such as Samuel Taylor Coleridge (1772-1843) and William Wordsworth (1770- 1850), and access to an extensive family library, Mary Shelley is believed to have developed great imaginative skills and fondness for literature at a very young age. She went on to marry the famous English romantic poet Percy Bysshe Shelley in 1816 after his first wife committed suicide. During her lifespan she went through the tragic death of her infant son, suicide of her half-sister and the drowning