Creative Drama Essays

Drama is literature written for performance--or at least written in a style that would allow for stage performance. As a text form, drama can be thought of as story told though spoken remarks and stage directions(Kurland ,2000) .When we hear the term drama we think fun, excitement , expression of one’s self . A famous quote says that “play is not in the words, it’s in you” (Steller Adler). In the world of drama it is essential that we understand the difference between Process and Product Drama

Analyze the creative and rehearsal process.. The selective students from Elective Drama class with diverse backgrounds were brought together on 2nd of February 2016 to perform the ‘Stations of the Cross’, a 2016 performance presenting the theme, ‘Traditional times Vs Modern times’ to the school audience. As a new class, our focus was great and the whole class was in the right mood to take part in their very first performance for the year. The casting/roles for the drama was open to all participants

remove the presence of literature, even words in drama, in order to create new methods of evoking sense and meaning through a theatrical or performative process. Derrida proposes that the key to deconstructing classical theatre is to remove the old structures of theatre, then redefine its essential elements in order to create a de-centered theatre—this idea is inspired by Artaud’s Theatre of Cruelty. Contemporary theatre breaks the structures of drama by redefining the concepts of meaning and interpretation

ring true in today’s society. The presence of drama in the classroom has countless significant benefits. It helps students develop a deeper understanding of the past and present while improving their empathy skills, boosts their confidence/self-esteem, and improves their ability to collaborate with other people. On top of this, a direct correlation has been proven between improved grades and attendance records. For thousands of years, the importance of drama in the classroom has been argued.

Most of Shakespeare's drama based on the old script, novels, chronicles or folk tales, but rewritten to inject his own thoughts, to give the old theme novel, rich and profound content. In the artistic performance, he inherited the ancient Greek and Roman, the traditional medieval England and the Renaissance of European drama and the development of creative innovation from the content to the form. His dramatic breakthrough tragedy, comedy boundaries, and strive to reflect the real life, exploring

Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the theatrical culture of the city-state. Having emerged sometime during the 6th century BC, it flourished during the 5th century, from the end of which it began to spread throughout the Greek world, and continued to be popular until the beginning of the Hellenistic period. There were no tragedies from the 6th century and only 32 of the more than a thousand that were performed in during

created things that didn’t seem possible to create, he put his own twist on religion with realistic characters. With how real his stories were and his passion for violence, Euripides was "the most tragic of the poets," and he completely changed European drama. From all of the research I did the most commonly guessed time period he was born in was 485 B.C. there is even a possibility that he was born on the day the Greeks won freedom over Xerxes'.

So far, this Drama and Critical Literacy Class has definitely been one of the most nerve racking thus far! Since I had never been involved with any speech or drama in high school or college, I was anxious to find out what the expectations of the class would be. When we found out we would be responsible for writing a monologue and performing it, I was petrified! I had to think about what drama really meant to me and what direction I was going to take with my assignment that would be fitting in

combined social awareness with a searching concern for his characters’ inner lives.” (Arthur Miller Britannica) Before he was an author, Miller had multiple jobs. He started as a newspaper writer for his college. Although this wasn’t a necessarily creative field, Miller enjoyed writing on the events and opinions surrounding him. After this, Miller took on a job as a shoe maker, then a radio story narrator, which became one of his favorite experiences. Miller’s last job before he was an Author was in

Through the Works of Shakespeare) Enter any theatre, and there is a very high probability you will encounter two masks. One will depict a joyful expression, and one will depict a mournful one. These represent the two types of shows that there are: dramas and comedies. While on the surface these may seem complete opposites, in truth they also have many similarities. “Shakespeare 's plays are all about one great general theme: disorder” (Johnston). No one is better at writing both comedy and tragedy

poetry and drama. I enjoyed both although I was more intrigued by the poetry. I think that the way someone expresses his or her feelings in a poem is an incredible way to allow others into their thoughts. Poems can offer so much information even if they are a few short stanzas. The course was very interesting and I am very glad that I was able to be a part of the class. Literature is a great way to gain a different perspective about the lives of others or events in history. A drama that we covered

tragedy through the use of Greek philosopher Aristotle’s Poetics. Aristotle’s Poetics largely focus on tragic drama and the components that create a tragedy. One can use these components: mythos, character, thought, diction, melody, and spectacle (Aristotle, trans. Butcher, I:VI) to evaluate the unique aspects which make Our Town such a classic example of tragedy expressed through American drama. Beginning with what Aristotle considered least important to a tragedy, spectacle,

The Aristotelian element of drama known as spectacle, or what is seen onstage, is important to the development of any play or musical. Spectacle plays an influential and essential role in Henrik Ibsen’s A Doll’s House. The specific things and actions the audience sees in this play provides them with necessary information to understand the characters, storyline, and many other aspects of the play. There are numerous examples of specific things Ibsen intended for the patrons to observe throughout the

to be entertained. A piece of special effect technology that is used today is two dimension or even three dimensional projections (Digital Drama). This technology, also referred to as technodrama, consists of using software technology and projectors to project interactive scenery that can produce certain gesture by simply walking in front of it (Digital Drama). For example, certain projections will make a sound when a character has walked in front of the designated are, or even project a moving set

Apparel exceeded my expectations. I have been to several Broadway Lights shows in Charlotte over the years, and this production is one of the better ones I’ve seen, if not the best. The stage was designed very well for the show, the story was excellently written, and the play resonated well with a contemporary audience. My immediate response to the layout of the theater was that I didn’t like it because I am not a huge fan of theater performances in the round. While I think it is a useful medium

Bernard Bragg Bernard Bragg is a well-known performer, also a teacher. He is also a writer, poet, director/playwright, and artist. He has won many hearts by his performance, also has won many awards and honors. Bragg has made an amazing career, to show that Deaf can do anything. He has made friendships with deaf and hearing people who have succeed in the arts. Bernard has been an inspiration for many deaf and hearing people. Bernard Bragg was born in September 27, 1928 In Brooklyn, New York. Both

but lifeless rendering of the original material ”(Auteur Theory- WordPress.com).To further elaborate on the subject matter addressing of authorship, a film maker is regarded as an auteur when he or she has a personal, signature style and keeps creative control over his overall work. When I heard this prolific statement, instantaneously the film maker that comes to mind is Caribbean Dutch film maker and director, Felix de Rooy. In my opinion he is one of the most fascinating

In this essay I will investigate how using Shakespeare with first person interpretation can encourage a younger audience to explore Shakespeare and his plays. I will also explore whether the use of verbatim theatre when performing for an interactive audience is the best method and if I want my audience members to be anonymous spectators. When using a well-known historical figure for performance, such as William Shakespeare, complication surrounding the ethics and accuracy of the portrayal arise

Personal code: gbn188 Solo Project   The theorist, the theory, and the contexts I have decided to study Antonin Artaud. I am drawn to him because I’m very interested in the psychological aspect of theater, and eliciting a response from the audience. The plays that I’ve done in the past were mostly realistic and didn’t provoke a large emotion from the audience other than happiness. The Theater of Cruelty is meant to disgust and terrify the audience, which is completely new to me. Knowing the theorist

Since the times of the Greeks, live theatre has been a grand stage for all to see and enjoy, to show the greatness and horrors of life, and to escape from reality. Throughout people's lives, theater has in some way been in involved. For some people, theatre permits a deeper analytical understanding of life while working on a theatre show and also allows the cast and crew to gain work experience that may allow them to gain friends that will last a lifetime. Because of this, even though some people