American Gothic Art Analysis Essay

The end of the iconoclast controversy has come, and the beginning of the Macedonian dynasty and/or Second Golden Age has initiated. Therefore, the art of religious figures and holy images were making frequent reappearances. Most of these images were in mosaic form. Mosaics became a prime art form during the Byzantine times. They were made by implanting normal-sized, naturally colored stones, composed with opaque glass, into a soft cement or plaster. The material presented a great variety of diverse colors.

Lee Teter created his painting Reflections in 1988 using oils on canvas. Just as the title suggests, the painting’s subject is reflections on the Vietnam Memorial Wall. The painting belongs to a private collection owned by Teter himself. In Reflections, Teter depicts a man leaning on the Vietnam Memorial Wall as soldiers reflect back on him, captures on canvas these reflections using muted hues, and immortalizes the loss and struggle of those affected by the Vietnam War.

The Third of May, 1808 was an oil painting painted in 1814 by the Spanish painter Francisco de Goya. The scene depicted was commemorating the Spanish resistance to the invasion of Napoleon’s troops, which was part of the Peninsular war, one of the many Napoleonic wars occurred in Europe during the early 19th century. The slaughter of Goya’s countrymen and the horrors of war made a profound impression on him and acted as an essential element that caused Goya to start this artwork, which is acclaimed as one of the great art of all time and has even been called the world’s first modern painting.

The Architectural Fantasy by Hubert Robert is an oil painting created in 1802. For an architectural painting, is displays much emotion through the use of color, line, and light. The painting does not utilize a multitude of colors but still is able to provide an exciting scene. Although it does not appear to be that large in the gallery, the work would actually be prominent if it were a standalone piece. The artist’s use of perspective, light, and color give the overall composition a balanced look.

In the museum of Salvador Dali over at St. Petersburg, Florida, there were several artworks that caught my attention because Dali’s artwork is genuine in many ways. Although I was impressed by all the artworks, there was a particular one that interested me completely. The artwork is the painting titled “Old age, Adolescence, Infancy (The Three Ages)”. This is a 1940, oil on canvas painting with dimensions 19 5/8 in x 25 5/8 in. The subject matter in this work is the three phases of life. The painting depicts what seems to be a panoramic view from afar but looking closely each aperture and objects make up the impressions of faces. From the left side there seems to be an aperture looking over a big cliff with branches of trees. This cliff and branches make up the face of an old person. The rock exposures within the cliff form the illusions of wrinkles, wrinkly lips and a long and untreated mustache. The branches give the effect of baldness, contributing to the overall appearance of an old man’s face. Over in the middle of the painting, there is a more pronounced aperture looking over a waterway and rocks. The outline of the aperture makes up the shape of the face, the woman sitting down looking over the other way forms the mouth and nose of the face and the rocks at the distance form the eyes. All these objects clearly form the face of adolescence. Over on the right side there is a smaller aperture looking over the shore and what seems to be a woman on her knees. The figure of

The colors that Mr. West used in the painting are dimmed and dull with the exception of a white gown worn by a woman in the center of the painting (I will elaborate on that later). The color palette that he choose I believe was to show that atmosphere of doom and gloom for the passing apocalyptic flood that just cleansed the land of sin. The brush strokes that make up the human figures are thin and almost invisible to the naked eye. The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with

The Breakaway was painted by Thomas William Roberts, an Australian artist known for his national narratives. This is demonstrated through, The Breakaway, as it tells the story of a drover trying to prevent a mob of sheep from running away from the pack. During the 1890’s there was a drought which is depicted in the painting, with dust being kicked up and dry, arid landscape. In 1891 a shearers strike began leading to the formation of the Australian Labor Party which suggests the lack of assistance that the drover is in need of.

Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light. This makes us instantly look at them. The wide space between the man and woman has no major distractions within in, the artist could have filled that space with some interesting art, but chose not to because it would have drawn the viewers’ attention away from the woman and man. The authors choice of color is quite plain, but the bright colors that follow the sides of the viewing box help guide the viewers eyes to the man in the background, assisting the implied created by the railings. The author used value in the artwork to show what is important. The woman’s body is heavily shaded and doesn’t catch the viewer’s eye. Her head and hand suddenly come into the bright light helping to show that her gaze is clearly on the show; the man in the background is also barely shaded helping to show that his gaze towards her is just as strong as her gaze is towards the

an everyday normal occurrence (going to a pool house) that most people will pass off is captured in a light that puts a new perception on the normal. I’d say that this is to me the most “artistic” piece because it seems so real, and so gritty and stripped back. It seems like someone who had professional training for painting decided to break every rule that he needed to just to make something he saw with his artistic eye the way we saw it.

The Crucifixion; The Last Judgment by Jan van Eyck, was painted around 1435-1440. Jan van Eyck was one of the most celebrated painter of the 15th century in Europe. Jan van Eyck was a Netherlandish painter. Van Eyck was a significant artist during the Northern Renaissance of the fifteenth century. This diptych like most diptych is not large, each panel stands 22 ¼ by 7 ⅔ inches. Jan van Eyck painted Christ’s sacrifice for the salvation of mankind and the Last Judgment.

The Focal Point of the painting would be the three people at the table but mainly the woman and man sitting across from each other. There is no unity or variety that appears in the artwork. The artwork is in proportion. There is no movement in the picture considering the people are sitting down at the table. There is no rhythm or pattern in the artwork that is involved.

This essay will be analyzing the paintings Mending Socks and Barbecue by Archibald Motley. Mainly focusing on the painting to recognize and understand the visual choices that were made when creating the artwork. As well as being able to state specific elements in the painting.

In the foreground, the head of a cow can be seen looking directly into a man’s eyes, most likely Chagall himself. Inside of the cow, a woman can be seen milking a smaller cow. In between the cow and the man, a town can be seen with a man walking on the street with a scythe. Below the town is a small sapling that is being held by a hand. The leaves are many different shapes including triangular, elliptical, and spherical. There is no source of natural light in the picture, and the direction of the artificial light is indiscernible. When a viewer first looks at the painting, they see the cow and man observing each other. Then, a viewer will notice the finer details of the smaller cow being milked, the man with a scythe in the town, and the sapling being held by gentle hands. The colors in the foreground are whites and greens, while in the background there are darker tones of green and black. The lines are curved and overlapping, suggesting wrinkles and folds in the cow and the

In the William Faulkner novel" A Rose for Emily," we can see evidence of Southern Gothic. Southern Gothic shows the tale of a crumbling landscape, racial tension, and southern traditions.

The Louvre is the world’s largest museum with an extremely impressive art collection. It is located along the Seine River in Paris, France. The louvre was originally built as a fortress, then reconstructed to a royal palace. When Louis XIV moved the royal residence to Versailles, the Louvre became an art museum. The Louvre includes Egyptian antiques, crown jewels, Greek and Roman Sculptures, as well as other French noble artifacts. It houses more than 35,000 works of art at any time. Most of the artwork spans from 6th century B.C. to 19th century A.D. The museums most famous piece is Leonardo da Vinci’s “Mona Lisa”. The Code of Hammurabi, the Greek sculpture “Nike of Samothrace” and “Venus de Milo” are also notable masterpieces.