As one of the biggest entertainment, YG entertainment seems to have a very different attitude and way on solving varied artists’ problem especially on facing question about controversy on artists’ appearance, which they tend not to concern too much about how great their trainees or artists’ visual should have like other idols. There is an article referring that, “YG Entertainment’s Yang Hyun-suk commented that in contrast to the early years of the Wave, his company is now looking for people who are not necessarily good-looking but have something special about them.” (Yi 2013) (Roald “Uniform”, p103)? Comparing to SM entertainment, they tend to have most good-looking in their idol groups such as EXO, SHINee, TVXQ, Girl Generation, and F (X). …show more content…
TVXQ’s Donghae and EXO’s Baekhyun are following them. (TC Candler) There is no doubt that good appearances is one of the most important factors to lead idol success by attracting numerous fans, and Roald also proof that “The visual aspect of K-pop is a major part of its attraction” in the article. (Roald, “Uniform” p 93) There is an article that posted in allkpop.com, which that wrote by Korean media outlet, Star Today. It analysis the weakness of SM entertainment that even though they tend to have an ideal appearance that attractive huge amount of fans, however, it wrote that “Surprisingly enough, it was because they possessed all of the ideal elements which resulted in evaluations stating that the group does not stand out among the plethora of idol groups. Being so "typical" can display the group as lacking their own unique color.”(“The Weakness of SM, JYP and YG …show more content…
However, what still make YG’s artists stand out of all visual perfect idol is that they have outstanding sense in fashion to matching well with their music styles and also they show their great personalities and attitude in their music and actives. For example, 2NE1’ visual breaks usual conventional image toward idol girls at the first when they debuted, who dress up in punk fashion and show rebellion in their action, makeup and dressing especially in their music video of the song “ I AM the Best” instead of showing purity, cute, and elegance image like most of other girl’ idols. (Roald, “uniform” p 99) Even though 2NE1’ members doesn’t have outstanding faces or body like Girl’s Generation does and usually shows Hip-Hop styles on dressing, it doesn’t affect people to love their song with unique styles in fashion because every groups should have their own styles and characteristics of their image and music and YG entertainment do well in cultivating artists talent and preserve their own color by setting less regulation on expressing themself. Another successful example is the success of PSY, who was a middle age man without packing with outstanding appearance and unique fashion, he still make his way in conquering global market with his special choreography and catchy music in “Gangnam style”, which he had worked
When we buy music, we’re sold a face rather than a voice... It should come as little surprise, given these times, that teens not only obsess about beauty but also use extreme means to achieve it” (The Denver Post). Teens around the world want to have the “perfect” face and body; however, it is all fake. The girls and guys featured in magazines are
(“Pop-Music” 1, 2; “Music” 1). Her videos for “Borderline” and “Lucky Star” inspired many teenage girls to copy the iconic style of clothing
The two sources that I chose are "The numbers don't Lie: Politics is Ruining the entertainment industry" by Noah Peterson which was published in the Washington Examiner and "Hollywood has always been Political. And it Hasn’t Always Been Liberal." by Kathryn Cramer Brownell which was published in The Washington Post. "The numbers don't lie: Politics is ruining the entertainment industry" by Noah Peterson argues that leftist politics is ruining the entertainment industry.
Hip-Hop When one hears the word, “hip-hop”, images of money, drugs, violence, and provocative dancing instantly arise. Once someone hears the loud hip-hop music blasting out of a teenager’s room, they immediately criticize them for listening to what they call “nonsense”. Despite some people’s inherent distaste of hip-hop, this genre of music is actually sending an incredibly enriching and influential message. In “Hip-Hop and Shakespeare”, a TED talk, Akala, the speaker, argues that hip-hop motivates people to be intelligent and successful.
Due to her book "Hollywood: The Dream Factory. An Anthropologist Looks at the Movie Makers" Hortense Powdermaker is regarded as one of the pioneers of ethnography. Published in 1951 by Secker & Warburg in London, Powdermaker here aims to demystify the affect of movies on the audience and establishes the hypothesis "that the social system in which they are made significantly influences their content and meaning" (Powdermaker, 1951, p.3). After living in Hollywood for one year she concludes that the internal structures resemble those of a totalitarian system in which the struggle between business and art is reflected in the meaning of its movies. It suggests that the values of studio bosses and producers dominate while the artistic values of directors and writers are strongly restricted.
What do you call a rock that listens to The Ramones? Punk Rock. While some people are familiar with this genre of music, there are others who have no clue what music it is. However, depending on the person, that may be a good thing. The Punk Rock genre of music has affected American society because of trends, behavior, stereotypes, parenting, and suicide rates.
Piracy might affect the income of workers involved in the making of movies. Workers in the lower rungs of the entertainment industry may experience cutting overhead (Straus, 2013). They are basically people who work behind the scenes for the movies. According to Loeb (2010), those who work behind the scenes derive a substantial portion of their health, welfare, benefits, and retirement contributions from the revenue that their work generates from secondary markets which consist of foreign distribution, DVD sales, and airings on television.
Hip-hop culture has been the topic of various academic, social, and political discourses. Rap music, in particular, has made its way to mainstream media which is evident in the numerous films and movies that centers on what was once a part of an underground culture. Scholars explain that the popularity of hip-hop in both music and films are partly due to its potential to disseminate information, address an issue, and promote social change. Tinson and McBride (2013), for example, note that hip-hop is a “…form of critical education at the intersection of, and inseparable from political engagement” (1). Scholars further note that hip-hop’s current state “…requires frequent accounting of its engagement with the social, political, and cultural climate
In this part of the research, macro and micro environmental aspect used to analyze music industry. PESTEL analysis used for macro environmental and Porter five forces for micro environmental. Through PESTEL analysis, it is easy to face with a lot of factors such as Political and Economic in music business. But the most important factor in this kind of analysis is Technology because it is also heavily influencing social factors within the music industry, according to developments in social and mobile networks. Moreover, in micro environment analysis using Porter’s five forces there is opportunity to understand better the customers, competitors, suppliers and all the others which are responsible in the music industry.
Literature Review Since this work aims to take on a new approach to fandom studies, namely putting male idols under the framework of affective labor and focusing on the emerging relationships between fans and idols, several theories need to be addressed in this section. First we need to consider not only what affective labor is and how it can be applied in this case study but also look at other parts of the Japanese entertainment industry where affective labor is visible. Hardly any attention has been paid to this connection and therefore affective labor is rarely explicitly mentioned but the thought of affective labor being a key element to Japanese entertainment industry should become clear throughout this chapter. A second important point
The Homogeneity of Pop Music Pop music, or popular music, in the modern sense has been around in the United States for several decades, having begun around the late sixties, and has encompassed an assortment of genres throughout its progression. As pop music has aged and adapted, an increasingly common complaint among the critics of this genre is all pop songs being homogenous, or they “all sounds the same”. Typically, the fans of this genre respond by stating each song is easily distinguishable from one another, provide a unique musical experience, or they aren’t less unique than any other category of music. Nevertheless, recent evidence supports the notion of pop music sharing numerous underlying traits between many of its songs. The homogeneity
There are many young girls who look up to the top models and actresses who are known for being very beautiful individuals. They wish to be like the celebrities they see on billboards. Celebrities are just as human as everyone else. They have imperfections and their bad features. But that side of them is concealed by all the Photoshop and airbrushing done to them.
Movie industry consist of different types of firms throughout the product value chain. This market includes: famous movie studios such as Walt Disney and Colombia pictures, independent production companies like Sony pictures entertainment and Warner Bros pictures, independent distributions such as 20th Century Fox, and major national exhibitions such as Cinemark and AMC. In the United States each part of value chain in the movie industry is separate and integration between distributor and exhibition is not allowed. “Vertical integration between distributors and exhibitors is prohibited under the 1948 United States v. Paramount Pictures decree.”
Fashion is more common in current society than in the ancient tribes or peasant communities. Modern society is an open one where class differences are not as severe as in primitive society. Its urban and mobile class structure allows people to develop its own personality taste and implement its new course. The modern world is more open-minded to differences and consequently places few restraints on the cycle of fashion. Our principles of judgment have also changed.
While they do incorporate Western culture they don’t loose sight of their own Korean culture. This type of music is also widely known as, Kpop, and it has a strong influence on those of all different backgrounds of Asian youth and it also has a strong influence of those from Western Culture, like America and even the U.K. This article mentions the importance the role the Internet has on society today. The article says, “The internet has great potential for spreading awareness and exposure to the countless varieties of music around the world and for promoting the sale of music CDs and downloads” (Sutton 2009).