YOUNG FRANKENSTEIN, whose full official title is The New Mel Brooks Musical Young Frankenstein, is a musical with a book by Mel Brooks and Thomas Meehan and music and lyrics by Brooks. Based on the 1974 film of the same name by Brooks and Gene Wilder, it is a parody of the horror film genre, specifically the 1931 Universal Pictures adaptation of Mary Shelley's Frankenstein and its 1939 sequel, Son of Frankenstein.
While the plot remains mostly the same, there are a number of changes from the film. The opening number, "The Happiest Town in Town", isn't based on any scene in the film. Elizabeth (Emily C. Niswonger) arrives in Transylvania much earlier than in the film, where she arrives after "Puttin' on The Ritz," a song performed in the film by only Frederick (Craig D. McKerley) and the Monster (Clint Cox). In the stage musical, it is sung by all the characters, except Elizabeth. The scene from the film with the little girl is not in the musical. In the film, the Monster is lured not by a French horn but a violin, and awakens in the laboratory directly after the brain transfer; in the musical, the Villagers hang Frederick before the Monster wakes and saves him, and the ensuing finale has been greatly expanded. The character of Elizabeth has also been altered to be sexy from the top which kind of spoils the fun of her later transformation.
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What was once a funny line now becomes a not particularly memorable musical number. The problem is the source material. The Producers was originally a 1968 movie about putting on a musical. In turning it into a musical for the stage, Brooks and Company were able to fill it with the sardonic self awareness of the insider. With YOUNG FRANKENSTEIN, that kind of winking self deprecation isn't possible, and the end result is a rather bland spoof of horror films with
The story Frankenstein by Mary Shelley has been molded and shaped to create many different types of story plots and characters. There are many different types of media that relate back to the original but then add their own little twist into the mix. Mary Shelley’s Frankenstein is a story about a scientist who created another human being, who he then abandons, and now the monster is getting revenge on Frankenstein by inflict havoc on his family. An example of this would be the movie Marvel’s The Avengers: Age of Ultron and the relationship between Ultron and his main creator Tony Stark.
On the other hand, Frankenstein was able to obtain love much easier than the creature. Although it was easier for Victor, he shows his desire for love in a letter he wrote to his father; “My dear father, re-assure yourself. I love my cousin tenderly and sincerely. I never saw any woman who excited; as Elizabeth does, my warmest admiration and affection my future hopes and prospects are entirely bound up in the expectation of our union” (Shelley 108). Here Frankenstein’s love for his Elizabeth is displayed and characterizes his desire for love.
In contrast, the protagonist of "Frankenweenie" is a young boy named Victor Frankenstein, who brings his dead dog back to life. While both characters share the same name, their motivations and actions are quite different. Furthermore, the two works also differ in their portrayal of the monster. In "Frankenstein," the monster is a terrifying and repulsive creature that inspires fear and disgust in those who see it.
The author of “The Literary Panorama, and National Register, N.S., 8 (1 June 1818): 411-414.” uses the critical analysis to point out the flaws of Mary Shelley’s Frankenstein story. Although there have been many re-printings of Frankenstein, Mary Shelley originally wrote and published her book Frankenstein in 1818. When Frankenstein was first published in 1818 it was met with mixed reviews like any good book is. I found my critical analysis on the website Romantic circles run by the University of Maryland under the The Mary Wollstonecraft Shelley Chronology & Resource Site by Shanon Lawson.
Choices Distinguish the Individual A man defines himself by his choices. The Picture of Dorian Gray by Oscar Wilde and Frankenstein by Mary Shelley both embody comparable characteristics about selfishness, prejudice, and desiring excess knowledge. The victims, Dorian Gray and Victor Frankenstein’s creation, become adversely influenced by Lord Henry and Victor Frankenstein respectively in divergent ways. Choosing to ignore his creation, Victor Frankenstein disregards any physical or emotional care needed by the creature. On the opposite hand, Lord Henry subjugates Dorian to his teachings by dominating his thoughts and lifestyle.
The Creation of Human Life The laboratory from where the creature in Frankenstein was created, to the DHC in Brave New World , and the creation of humans by God in Paradise lost all share one thing in common. They both share the common theme which the art and science of creating a human life. All three of the novels want to have pure human beings free from disease and distress. But the novels also want to have social stability. As the plot begins in Frankenstein we are introduced to a group of explorers of which Victor is part of on a journey to a new world .
Throughout Mary Shelley’s Frankenstein, a great comparison is shown between Victor Frankenstein, the main character, and Prometheus, one of Greek mythology’s greatest Gods. Shelley borrows from the tale of Prometheus a consequence resulting from searching for a great source of enlightenment and power. In creating a being and giving it life, Frankenstein seems to take on the remarkable role of God which leads him to thinking that a power that is so heavenly cannot be played with by mankind. During his quest to expand his creative knowledge, abilities, drive, and ambition to know the origin of life, he puts himself in conflict. Frankenstein gambled his way into the godly realm without realizing he committed a sin by creating the monster, and
Mary Shelley’s epistolary novel Frankenstein published in 1818, and John Gardner’s novel Grendel, published in 1971, are two classic literary monsters novels. Sharing many similarities, themes, styles, and monsters created through unnatural means. Grendel and the creature in Frankenstein are often considered monsters due to their physical appearances and actions. However, these assumptions are accurate; Grendel, and the creatures are not only monsters but rather true monsters. They are evil and inhuman while causing harm to others.
Kyle Lyon Professor Ed Steck AWR 201 F3 14 April 2015 Annotated Bibliography Shelley, Mary. Frankenstein. Ed. Hunter, Paul J. Norton Critical Edition.
Both pieces use sexual, over the top, and mostly common sense comedic pieces. In Young Frankenstein, you can see this reoccurring theme of the characters, or their actions, being over sexualized to bring comedy to a scene. My personal favorite examples of these types of moments is the scene with Dr. Frederick Frankenstein and Inga on the cart. Here we see Inga unknowingly and innocently seduce the good doctor. This was hilarious because she was so nonchalant and giddy about it and life doesn’t happen like this way.
The musical opens with the song “No-one Mourns the Wicked” which announces the death of the Wicked Witch of the West, and the population’s joy at her
Frankenstein In most fiction stories, there are always two characters that do or do not represent different sides of the same character. Frankenstein is a short gothic horror story written by Mary Shelley. Shelley writes about a scientist who created a being from dead body parts. Victor Frankenstein as the protagonist of the story created a monstrous character that was a reflection of himself.
Frankenstein and his monster begin with opposite lives: Frankenstein has everything and the monster has nothing. However, in creating the monster, Frankenstein’s life and feelings begin to parallel that of the monster’s life. Frankenstein is incredibly intelligent with a fascination for science, but ultimately his thirst for knowledge leads to his undoing. Similarly the monster is determined to understand the society around him. But once he does, he understands that he will never be able to find companionship, which leads him to pain and anger.
In the book, the main character is named Victor Frankenstein, but in the movie he is called Henry Frankenstein and his friend is shown as Victor Moritz. If someone read book as a first, and saw the movie later, he may feel a little bit confused. This change, could take place by the fact that director wanted to soften the image of the main character, which was portrayed as an insane, desire to compare himself with the god man, the name Victor in itself sounds rather scary and very seriously, and the name Henry sounds friendly and nice for the
In the year 2016, discrimination has become a big part of our society. With issues such as racism, sexism, and discrimination against the LGBT community, our society needs to learn how to accept people for how they are. There are consequences for people who are narrow-minded may undergo. A big repercussion of this would be not meeting an amazing person just because of how they look or because of what they believe in. Books play a huge role in how people are influenced, and how people determine their own unique beliefs.