In this paper, I will write a brief history of the one of the greatest Italian Renaissance master sculpture of both marble and bronze. Donato di Niccolo’ di Betto Bardi better known as Donatello. I will also give an account of some of the historical events going on during the time of Donatello and evaluate one of his greatest bronze statues called “David” done in the early fifteenth century. Brief History
“The Italian sculptor Donatello (1386-1466) was the greatest Florentine sculptor before Michelangelo and certainly the most influential individual artist of the 15th century in Italy. Nearly every later sculptor and numerous Florentine and Paduan painter were indebted to him.” (Encyclopedia of World Biography, p 55) According to Biography.com, Donato di Niccolo’ di Betto Bardi (Donatello) was born in 1386 in Florence, Italy. He later died in Florence on December 12, 1466. Donatello was the son of a Florentine Wool Comber Guild, which would give him status as the son of an artisan. Donatello would receive education from the home of the Martellis, a family of wealth and influence in Florence. From the Encyclopedia of World Biography (EWB), Donatello brought up in a more common tradition. Unlike his older contemporary Lorenzo Ghiberti. “Donatello was apprenticed to Ghiberti, and in 1403, at the age of 17, Donatello was
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It is a freestanding sculpture with the form of a boy and the depth of field, which is outstandingly defining. It is sculpture in the medium of bronze giving it a life like appearance. It shows vivid details depicting Goliath head and imagery on his helmet. David has his left food resting on Goliath head with the helmet feather climbing up David’s right leg. David’s sandals showing every feature. David has what almost looks like a smile on his face and eyes wide open. I think every aspect of this freestanding sculpture has great amount of detail, which brings David to
During that period, statues were sculpted in action capturing the moment, while forcefully being thrust into viewer’s space. Similar to Michelangelo, Bernini sculpts an almost perfect god-like figure of a human man. Bernini’s David had a different body position that brought emphasis on David’s next action, as if he were in battle. David is crouched low with a twist leaning towards one side ready to launch the deadly rock at Goliath. Bernini’s detail lets you see the determination and perseverance on David’s face with his tightly clinched mouth and fierce gaze at Goliath.
There is also no mention of any siblings or even a wife. Before Gozzoli died he finished two oil paintings. He was the first Italian artist to master work with oil. He died October 4th, 1497 in Pistoia. He was buried in the monastery of San Domenico in Pistoria.
Andrea di Bartolo di Simone was born in Castagno, Italy, near Florence, in around 1419. He is commonly referred to using his pseudonym, Andrea del Castagno. Not much is known about his difficult early years of life due to the lack of records. Although, it is said he had an abusive father. It is known that Andrea moved to Corella during a war between Florence and Milan, but moved back afterward.
The movement within Ente’s piece is natural while also remaining stationary. There is very little actual perceived movement but the figure remains dynamic as if to give an impression of past and future movement. Lily Ente’s David is carved out of single plank walnut and as a result it is located within a single flat plane with the figures and features as relief carvings in the plank.
Donatello is a world renowned sculptor and artist that was born in Florence Italy in 1386 to a member of the Florentine Wool Combers Guild named Niccolo di Betto Bardi. With Donatello stacher as a son of a tradesman, he was able to be schooled at the home of a wealthy and influential Florentine family of bankers and art that are closely tied to the Medici family. Some of Donatello most famous works of statues are the bronze and marble David, Penitent Mary Magdalene, Saint George, and Equestrian Monument of Gattamelata. Donatello had a deep understanding of ornamentation and classic forms, that important knowledge would eventually change 15-century Italian art. Donatello is died on December 13, 1466 of natural causes.
He was born in 1386 and died at the age of 80 in 1466. Donatello's full name is Donato Di Niccolo Bardi. He was mostly a sculptor, building such art as the "St. George Killing the Dragon and the life size statue of St. Louis, using materials including wood, marble, and bronze. He was interested in the ideas of humanism and nature. Donatello's paintings had a lot of vibrant colors and unusual view points and strangely twisted figures.
“Not what man knows, but what man feels, concerns art. All else is science." (Berenson). Sculpture, like other art forms in Italy, was swayed by the spirit of humanism during the Renaissance. In contrast to medieval sculptures, which was based on religious sentiments, Renaissance sculptures took biblical topics, but focused on the human aspect of the characters involved.
It wasn’t until an assignment in this Humanities course required an analysis of sculpture that I actually viewed sculpture contemplatively. I chose Michelangelo’s sculpture of David not only because it is a renowned carving from the Renaissance period, but because of the heroism that is represented in the various elements chiseled in the marble. David’s muscular physique, curved stance, enlarged right hand, and furrowed brow are indicative of faith, determination, and bravery. In the bible story, “David and Goliath”, David was a young boy who volunteered to fight the giant warrior Goliath. He used his sling shot, a stone, and his faith in God to defeat the mighty giant and become a hero to the Israelites which Michelangelo adeptly captured.
When another artist remakes the work of a former one it always gives a sense of admiration and gives another point of view on the topic. The two sculptures of David are both breath taking. However, Bernini and Michelangelo achieve this feeling in diverse ways. Bernini’s David gives the sense of a Baroque styled sculpture. Meaning that it expresses a grandiose image that portrays masculinity.
Giovanni da Verrazzano was born in 1485 in Greve in Chianti, Italy. He was italian. He then died in 1528 in Guadeloupe because of cannibalism. He was introduced to explore at any early age.
‘Seated Boxer’ shows a symbol of the artistic freedom in the Hellenistic period while Donatello’s ‘David’ shows the realism during the Italian Renaissance of the 15th century. The both statues were made out of bronze. David’s’ figure expresses a softer and less muscular shape compared to ‘Seated Boxer’ body is larger and very muscular to define athletic’s strength that is so mythical and not so real (Allen, 2014). ‘David’s’ body defines few differences of realistic expressions. Firstly, he wears his military helmet and military boots while standing in a relaxed way that likely looks a little bit feminine.
This shows the change David has made with his views and choices. In the beginning of the book, David wished for extra arms as a harmless joke only to realize that making that joke costed him and got beat by his father. David then kept quiet as he didn’t want to express his own feelings due to trauma he has suffered. By the end of the book, David runs away with his friends in protest to his father’s rules and to express who he truly is. From the beginning of the book to the end, David has shown examples of him changing who he is as a person for the better.
Finally, Michelangelo has introduced many different techniques that are still used in today’s society. Michelangelo’s artwork affects the modern-day society by playing a role in modern day art, daily life and even fashion. Michelangelo’s full name is Michelangelo di Lodovico Buonarroti Simoni and is Italian. He was born on March 6,1475 in Caprese, Italy and died on February 18, 1564 in Rome, Papal States. When to Florence Grammar School to study grammar under the master Francesco da Urbino, but had no interest in it or the family business of finance.
The Historical factor that makes Rome the center of Italian art during the High renaissance were the mythological Heroes, legends and lore’s that were often the theme of their paintings and sculptures. The Roman keen attention to detail, concerning the human anatomy, is replicated in Italian art during the High Renaissance. In contrast, the themes that were used prior depicted Icons and events from Bible stories like annunciation of the Virgin Mary, the baptism of Jesus Christ, and the temptation of Adam and Eve in the Garden of Eden. During the time of the renaissance, it was the heroes, gods and goddesses, and events that were portrayed in Italian paintings and sculptures such as the birth of The Roman goddess Venus and the accompaniment of cupid flying about with his bow and arrow.
¬¬As Michelangelo’s David is made in years 1501-04, and is detailed from the penetrating veins, furrowed brows and the muscles, we can know that this sculpture was made during the High Renaissance, as in this period it is known to be during fifteen hundreds, and that in this period they make their art more detailed than in ancient Greek and Rome to make it look more realistic. On the other hand as Bernini’s David is made during 1623-24, extra details in both face and drapery, and the movement depicted, we can know that this sculpture was made during baroque art period, as in this period they used exaggerated motion and details to produce drama, tension, and grandeur in art, and is known to be during sixteen hundreds. In conclusion, as Bernini’s David is made during the Baroque period, where it used to be more detailed and highlights motion, as we noticed in the sculpture; unlike Michelangelo’s David which is made during the renaissance period, where it used to be detailed but not much and didn’t depict movements. From those differences that are between both sculptures and there periods we can determine that Bernini’s David is more expressive than Michelangelo’s