Introduction To this day, Filipino-made films are cherished by many because of its diversity and the wholesomeness of the story. Often than not, mainstream films are considered to have big budgets, commercially-made and distributed by the biggest production company that the country has. Producers rely extensively on the well-known cast for the revenue of the film and do not make an effort in conceptualizing quality stories. Decades have passed and Philippine mainstream films still focuses more on influential and bigger names in the industry that they think would equate to good films. (Lim, 2016)
Background of the Study According to a journal article on Nora Aunor and the Philippine Star System, it is observed that standard film-historical focus on producers and directors, also the vital structuring during the 1960s to mid-1970s of Philippine independent cinema would be the local movie stars that initiate a star system. In the filmography during the 60s, the most active production studios were associated with the era’s biggest stars such as Fernando Poe Jr., Joseph Estrada, Dolphy, Amalia Fuentes, Susan Roces, Chiquito, Gloria Sevilla, Eddie Rodriguez, and a lot more. It is concluded that in order to examine the politics of difference, as seen from contemporary Filipino movie stars, were according to their respective personas. An example of this could be Richard Gomez’s masculinity, Robin Padilla’s rebelliousness, Aga Mulach’s wholesomeness, Rosanna Roces’s unruliness, Judy
The exotification of Dolores del Rio is evident in an article published by a Photoplay issue in 1934, as she is described as possessing “golden skin, smooth as mellowed ivory and her dark, flashing eyes bespoke the lue of those maidenly ‘senoritas’ who peep at life from behind cloistered shutters… When the young man comes to call on a senorita in Mexico… he brings his guitar” (38). Through the exotification of Dolores del Rio, Hollywood found great success in the United States and in Latin America, one of the most profitable film markets in the cinematic industry. As a white-passing Latinx woman, del Rio was “more easily able to move in and out of ethnic roles” (33). Because Dolores del Rio was a Latinx woman that held “upper-class roles” and a Eurocentric standard of beauty while nonetheless, identifying with her Mexican heritage, she not only appealed to the white American public, but to Latin American audiences as well (Hershfield
No Movies “also deconstructed the Hollywood’s idealization of feminine beauty as white” (307). With the art piece LA Mode, Valdez also pointed the lack of Chicanx individuals in the Hollywood industry. Each of Valdez’s art pieces served as resistance towards the standard norms. She went against the normal gender and racial norms. Through her work she called out Hollywood’s segregation and urged for the display of Chicanx art in museums.
This was the start of a sparked interest in comic books, radio, tourism and film. And by the mid-twentieth century, during the time of World War II, United States Hollywood leant a lot of its talent and equipment to Mexico and that was about the time Mexican history really started to build up and become a formidable force to reckon with. Mexicans began to invest heavily in television and movie’s during this time and witnessed an economic boom in the visual arts movement; especially in the areas of tourism, journalism and electronic media (Sacket). As domestic manufacturing and consumption grew Mexican’s start to identify with this time period as the Golden Age of Mexican National Cinema. Through this golden age marked a sense of patriotism and unity through their culture.
The Bronze Screen introduced both positive and negative portrayals of Latinas and Latinos in film. While there are plenty of positive Latino roles in films, Latinos and Latinas should be included in more positive roles because the negative roles Latinos have in films cause negative stereotypes. Positive and negative representations of Latinos in films has always fluctuated throughout history, however the more negative ones seem to always overpower the good ones. The film, “The Bronze Screen”, gave many examples of the negative roles Latinos played in films throughout film history. Early films included Latino actors, however they did not always have a lead role or even a positive one.
The film industry in Hollywood was no more immune from the Great Depression’s hit than any other industry. The film industry, founded on several economic and social institutions, hid the real world difficulties behind the on-screen glitz and glamour. These efforts to disguise the country’s hardships were essentially what kept American’s coming back to view motion pictures time and time again. At movie theatres, individuals were able to escape from their worries for a few hours. No other “medium has contributed more greatly than the film to the maintenance of the national morale during a period featured by revolution, riot and political turmoil in other countries”.
The American people prefer to live together, but they also love individualism. This paper looks at how Robert Ray explores enduring people’s thoughts about society and how to balance community and the individual. Ray’s model was designed to use as a guide in Hollywood movies. Ray combined academic study from history to look at scholarship, and psychology as well; he didn’t end there, but he equally explained how written works have repeatedly been used in worldviews about the community behavior in trying to avoid breaking the law or to weaken the American film industry. Ray’s “The Thematic Paradigm” considered persistence in approach which has been used in the worldviews and tradition as the two reasons why the American people have not avoided
While many Asian, Hispanic, and Black people tried hard to make their dream of acting become true, racial stereotypes always are the barriers that inhibit their future in the movie industry. Thus, directors are the only ones who can make that change. Some directors said that they just do their job which follows the audience interest. However, according to the documentary film "Yellow Face”, producers did a survey on a lot of American audiences about casting Asian actors to the movie that based on other cultures. The majority prefers using Asian cast because they can perform the original culture realistically.
Without the decision to move the film making associations to Hollywood, the movie industry might not be where it is today. A great population of people migrated to Los Angeles in search for bigger and better production opportunities. In 1910, a movie director,
Forms of entertainment prevalent today, including movies and musicals, are the same forms of entertainment Americans in the early decades of the twentieth century. It wasn’t uncommon for those in the 1920s to use extra income to visit a movie theater, or those in the 1930s to gather to watch a performance in their town to provide a sense of relief from daily hardship. Across these years, there were ample reasons, both good and bad, to absorb multiple forms of entertainment, but it all served a similar purpose: to provide a good time for the audience. Due to both disposable incomes and the need for an “escape” during this period, Hollywood saw a large increase in prevalence, which caused a larger variety of media to be created. In movies released
In a different view, the movie industry affected the 1920’s all through the modern times by providing viewers amazing entertainment. All in all, ranging from studios, to movie stars, to the luxurious lifestyles of the stars, Hollywood is one unique place that will never be
Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
To what extent do Hollywood films reflect social and cultural behavior of America? Outline: History of Hollywood film industry: 1917—1960: the development of Hollywood film industry and characterized most styles to this day: biography, fiction, action, horror, animated, comedy, etc. After the World War One, the America experienced a cultural boom which resulting different forms of culture appears. In order to make films appeal to the audience, various cultural elements were introduced into the production of films.
There is no doubt that Hollywood has many influences on society especially on young age. The term “Hollywood” refers to the film industry where located to the west and northwest of downtown Los Angeles, California (“Where is Hollywood,” n.d.). Not only in Los Angeles that television shows and movies of Hollywood are popular but also all around the country and worldwide. The audiences of Hollywood’s products are in various age starting from little kids to elders. Hollywood has incredible ability to spread believes, cultures, morals and even political influence on society.
Hands and Feet! Many people particularly in Western countries use fork, spoon and knife when eating while in Eastern countries such as China, Japan, and Korea use chopsticks. In the Philippines, aside from using the spoon and fork people also use their bare hands while putting up their foot on the chair. This gesture of Filipinos is an example of nonverbal communication specifically kinesics.
The Philippines has always had a rich musical history. It takes its roots from the indigenous tribes of the Philippines, who used it as a way to pass on epics and stories about gods and heroes, a way to celebrate good harvests, festivals, weddings and births, a way to mourn the dead, to court women, and a way to praise the gods. This music was then enriched by the Philippines’ western colonizers. The Spaniards imparted the zarzuela (called sarswela in the Philippines) and the rondalla, adding more Spanish touches to Filipino folk songs. The Americans, on the other hand, influenced the Philippine music scene by introducing pop and rock, eventually leading to the creation of “Pinoy pop”, which included a wide variety of forms like dance tunes, ballads, rock n’ roll, disco, jazz, and rap.