1) According to the film, the standard metaphor for a corporation is that of an apple within a barrel where most apples are good and just a few bad. Several CEO’s offered alternative metaphors, such as pieces of a jigsaw puzzle, a sports team, family unity, a telephone system, or an eagle. Less flattering metaphors are that of a devouring monster, a whale, or the Frankenstein monster. Are any of these metaphors more appropriate than others? I think the eagle, jigsaw puzzle sports team and the whale metaphors are more appropriate than the apple, family unity, telephone system, devouring monster and the Frankenstein monster metaphors are because they talk about the positive and the deviances of the metaphor not just the deviance the metaphor …show more content…
This is at any cost no matter what illegal, monstrous behaviors they engage in while at work, or how charming they are in their everyday lives outside of work they as humans have morals which they should carry with them to their jobs creating a corporation based on excellent morals verses one that has all the defining characteristics of a psychopath. The government is also responsible for the actions of psychopathic corporation because they do not mandate punishments severe enough causing the corporations to follow the rules and regulations allowing for little to no punishment for cases of corporate …show more content…
In addition, the utilitarian organization is formal organizations, which are large secondary groups that achieve specific tasks and goals by following explicit rules and procedures. 9) Which theory of deviance (not perspective but specific theory) best applies to the issue of corporate deviance? Explain the theory and why you believe it applies. Karl Marx 's ideas, on social-conflict theory are laws and other norms operate to protect the interests of powerful members of any society. The social-conflict theory further explains this pattern in three ways. First, all norms-especially laws of any society-generally reflect the interests of the rich and powerful. People who threaten the wealthy are likely to be labeled deviant, whether it is by taking people 's property or advocating a more political radical society. Karl Marx 's social conflict approach, argues the law and all social institutions support the interests of the rich. However, Richard Quinney states, "Capitalist justice is by the capitalist class, for the capitalist class, and against the working class" (Pearson Higher Ed pg
Za’Quondria Snead Miss Sibbach English IV 11 December, 2015 Lord Frankenstein or God In the book Frankenstein, Victor Frankenstein, like God himself decides that he can and will create life. Young Victor differs from other children, with his incessant hunger the power of knowledge, so he began teaching himself. As he aged, his curiosity expanded leading him to explore and experiment with more out of the box thinking.
The metaphors main goal is to take an existing thought in the audiences mind and affiliate it with a message or concept (usually persuasive) that the author has in mind, therefore using the metaphor as a sort of medium of vehicle to propel the targeted concept for the audience to a meaningful resting point were an agreement of the idea can be reached. Metaphors allow the author of persuasive discourse to use fewer words when conveying persuasive thoughts. The aspect of language economy comes to mind here, simply put the fewer complex words needed, the likelihood of agreeableness with the use of metaphors is obtainable. The society of North America is filled with metaphors the people associate with in order to not only justify actions, but to also convey messages that are hard to explain with multiple words. People use elaborate metaphors for multiple means which can be effective with the economy aspect of language usage.
Shelley uses distinctive vocabulary to describe the imagery, theme and tone of the story through Victor’s actions and emotions toward the monster. The words used gives us the knowledge of what message Shelley was trying to convey. Even though victor was very ecstatic about creating a man it turned out to be bad and his carelessness lead to the monster getting power and the ability to harm. Being able to clearly understand Shelley shows how effective the words Victor is saying can paint a picture for us to see without physically being there.
The two walked together, quietly, until the Dark Lord made his way alone back to Urth’ Goroth. The creature’s words echoed in his mind and felt like a huge weight upon his soul, but he struggled against his despair. How well he knew the truth of the words; how well he knew the reality that would come. He thought of the lands to the west, an expanse of verdant pastures, dense spruce and pine forest, cold rivers of blue waters cutting through granite peaks. He thought of the races that inhabited the lands as horrifyingly weak, inferior misfits — miserable failures of flesh and bone.
However , sadly, like infants, the Creature must finish development to understand the world and his place in it. In the Symbolic stage, he discovers his authoritative figurehead¬¬— Frankenstein. Upon learning to read, The Creature, takes the papers he finds in his creator’s dress pocket. The papers explain to him his origin and that he is “a monster so hideous that even you [Frankenstein] turned from me in disgust” (Shelley 88).
Dreanna Hypes Lit comp per 7 Mary Shelley’s novel Frankenstein, tells the horrific story of Victor Frankenstein, a scientist devoured by ambition, seeks to revive life to the deceased. Thus, a horrific monster is created. Terrified of its unsightly stature, Dr Frankenstein flees his creation, neglecting it severely a result, the monster. Lonely and depressed, seeks revenge on his creator, killing several members of his family and his closest friend. Throughout shelley uses imagery and toner to amplify the horror
A writer named Nikita Gill once said “When you see a monster next, always remember this. Do not fear the thing before you. Fear the thing that created it instead.” This quote can be related to the novel Frankenstein where instead of the actual creature being perceived as the monster, the person who created it deserves to be called one. Using the archetypal lens, Victor can be seen as the real monster in Mary Shelley’s Frankenstein from his cruel characteristics, continuous patterns of monstrosity, as well as symbols and themes involving nature.
he natural imagery in "Frankenstein" is comparable to the best in the Romantic literature. Mary Shelley paints Nature and its divine grandeur with some rare strokes of a masterful hand. She deliberately juxtaposes the exalted vision of Mother Nature with the horrendous spectacle of a man-made monster and his ghastly deeds. This steep contrast sets reader thinking about the wisdom of departing away from the set norms of Nature. Mary's message to mankind is loud and clear; do not mess with Nature for your own good.
Coalescing views from anthropology, psychology, history, and comparative religion, mythological criticism explores how the imagination uses myths, symbols to different cultures and epochs. A central concept in mythological is an archetype that analyses symbols and characters to find a deeper construal. This type of literary reprehension was introduced by Carl Jung, who believed that all individuals share an “uncollective unconscious” which denotes a mundane thought between all humans that lies below a person's insensate mind. In Frankenstein, Mary Shelley employs the utilization of archetypes and efficaciously demonstrates mythological reproval through the utilization of ecumenical symbols and mundane themes. The Frankenstein myth is especially
In this passage, Frankenstein’s monster is witnessing the reuniting of Felix, one of the members of the family that he is watching, and Safie, the Turkish woman that Felix is in love with. The Monster also experiences love, for Felix as well as the other members of the family, but does the Monster feel attracted to him? He does mention that he feels that Felix at one point is “as beautiful as the stranger”. The Monster recognizes beauty in both genders. This may give more insight into Mary Shelley’s personal life that may have spilled into her writing.
In the story Frankenstein by Mary Shelley, the author utilizes rhetorical questions, similes and imagery to create meaning in the text. First, Shelley uses rhetorical questions to show Elizabeth’s emotions, “... when falsehood can look so like the truth, who can assure themselves of certain happiness?” (Shelley, 105). Elizabeth is frustrated with thoughts of whether or not ignorance is bliss.
With more broadcasting of evil each day, the question; “what makes a monster” is often asked. Monstrosity is the state or fact of being monstrous. Monstrous by definition can mean having a frightening opinion, extremely large, or a person who is outrageously evil. Many artists and journalist have tried to tackle the question, though two authors in particular stand out. In Frankenstein Mary Shelley uses the hideous looks of the monster along with the average looks of Victor to show her readers that monstrosity comes from within.
Significant Symbols in The Lord of The Flies The Lord of The Flies is a novel that is overflowing with significant symbols such as the pig head, the conch shell, Piggy’s glasses, and darkness. The use of symbolism portrays a deeper meaning to the literature. By observing and evaluating the symbols used in the story, the reader is introduced to a new aspect of the story and the characters. In The Lord of the Flies, specifically, the pig head symbolizes evil, the conch shell symbolizes structure to society, Piggy’s glasses symbolize an intellectual view of the world, and darkness symbolizes fear of the unknown. One of the most important symbols of the story is the head of the pig known as The Lord of The Flies.
Is it cruel to expect a person to go on with life whose fate is sealed by the monster inside them? Technological progresses have been developing over time with new inventions and new ideas. Moral responsibility is knowing right from wrong and taking the responsibility of those actions. In Frankenstein, by Mary Shelley, monstrosity is a main theme and issue in the novel. Monstrosity is something that is unpleasant to look at.
CORPORATE LAW ASSIGNMENT: CRITICAL EVALUATION OF CRIMINAL LIABILITY OF CORPORATIONS PRANJALI MADNANI LL.M. (2014-2015) SEM I ROLL NO. 64 CRITICAL EVALUATION OF CRIMINAL LIABILITY OF CORPORATIONS INTRODUCTION "Corporate bodies are more corrupt and profligate than individuals because they have more power to do mischief and are less amenable to disgrace or punishment. They feel neither shame, remorse, gratitude, nor goodwill." -William Hazlitt (1778–1830), British essayist and journalist