Victor had two loving parents that gave him everything he ever needed or wanted to fulfill his physiological and emotional needs. Since Victor did not do this for his monster, the monster would kill all of Victor’s family and friends that he loved which would bring destruction to Victor’s life. For the rest of his days, Victor would go on a search for his monster to destroy it or die trying. Unlike Victor, the monster was never loved because of the way he looked. He was left alone, even by his creator, and lived a miserable life always escaping people that would “attacked [him], until, grievously bruised by stones and many other kinds of missile weapons” (Shelley). This caused a lot of anger for the monster, and he would then release this anger onto Victor to make him pay for abandonment. In the end Victor’s death was “caused by his creature” or really by “his own vengeful pursuit of it” (Lowe-Evans). The monsters death was through “self-immolation” because of the murders he committed to get back at Victor (Lowe- Evans). Both man and monster life was ended in cruel
Life can be rough, and both Victor and the monster figure this out in specific ways. Victor begins by being a dedicated and persistent young lad who just wanted to get his name out there, but his obsession sent him into a spiraling descent into madness; however, the monster figures this out by getting abused, tormented, and treated like a megalomaniac even though all he did was be nice and helpful to everyone he came across. To make things worse, these changes impacted both characters in very bad ways personally. The transformations significantly impacted the way they lived and thought, even bringing on suicidal thinking. If the story would have been any bit different in terms of having a positive change, then the story probably would not have been as entertaining to the audience as it is currently, and in addition, Victor and the monster would have had better lives. The reader can learn through these changes that decisions have effects that will last forever in one’s
After realizing what Victor had done, he ran away not taking responsibility for what he had made. “The porter opened the gates of the court, which had that night been my asylum, and I issued into the streets, pacing them with quick steps, as if I sought to avoid the wretch whom I feared every turning of the street would present to my view. I did not dare return to the apartment which I inhabited, but felt impelled to hurry on, although drenched by the rain which poured from a black and comfortless sky” (161) Victor saw what huge mistake he made and ignored his problem(s) rather than taking accountability that he has created a monster hideous to the human eye. He didn't even return to the apartment. He just fled hoping that abandoning his creation would solve the problem.“ I stepped fearfully in: the apartment was empty, and my bedroom was also freed from its hideous guest. I could hardly believe that so great a good fortune could have befallen me, but when I became assured that my enemy had indeed fled, I clapped my hands for joy and ran down to Clerval.” (64) He was relieved to return to where the monster had once been to find that it was gone. Which meant that he thought it would vanish as if it never happened. However, that was not the case, he was not able to run away from his problems. “From you only could I hope for succour, although towards you I felt no sentiment but that of hatred. Unfeeling, heartless creator! You had endowed me with perceptions and passions and then cast me abroad an object for the scorn and horror of mankind. But on you only had I any claim for pity and redress, and from you I determined to seek that justice which I vainly attempted to gain from any other being that wore the human form. (123) The monster even confessed while talking to his creator that his negligence is the cause for his malevolent behavior. On
“Nothing is so painful to the human mind as a great and sudden change.” (Mary Shelley Quotes). Mary Shelley publishes Frankenstein in 1818. The novel includes many interesting events. By her choice of words readers are hooked to think Victor is the antagonist. Victor creates the Creature, but there are many situations throughout the novel where the Monster displays as the victim. He seeks love from different people, but everyone treats him bad. His anger towards his father drives him to kill Victor’s family. The Monster later feels devastated for the murders he commits. All the monster wants is love. The Monster is the victim because his creator abandons him, his appearance affects his relationship with the people he meets, and his desire to feel loved.
The book Frankenstein by Mary Shelley is about a young scientist named Victor Frankenstein who struggles to balance his ego which results to his downfall. Victor Frankenstein started as a normal kid from a noble and well off family. He gets interested in studying natural philosophy, alchemy and chemistry. Consequently, Victor creates a monster that later ruins his life and the lives of those around him in the story mostly due to his poor variety of decisions. These facts proves that Victor’s downfall is most likely caused by his failure of balancing his ego by allowing his Id and superego get to him.
Like stated before, the monster learned what it is to be human by observing the family in the cabin. He had the desire, and was passionate, to be human and to have those relations associated with humanity. The monster is essentially a newborn baby with a fully developed brain. As he watches the family, he is watching with an innocent mind; he hasn’t been corrupted by the standards of society. The monster explains to Victor that the “trait of kindness moved [him] sensibly,” and that he thought “it might be in [his] power to restore happiness to [the] deserving people” (97, 100). This shows the humanity in the monster and his tendency to be amiable. He was also able to learn from his mistakes. For example, the creature realized that he needed to stop stealing the family’s supplies after he noticed how much they needed them. Victor, however, didn’t learn from his mistake of creating the monster, and created another. The monster also refers to the family in the cabin as “[his] friends” when they didn’t know of his existence (103). He despised the monster he believed he is; he stated that “when [he] heard the details of vice and bloodshed, [his] wonder ceased, and [he] turned away with disgust and loathing” (104). Therefore, he realized his flaws, which Victor failed to
What does director Tim Burton’s Edward Scissorhands and Mary Shelley’s Frankenstein (1994), directed by Kenneth Branagh, have in common— a mutual underlying story; but their differences are what makes their tales all the more special. Edward Scissorhands is a retelling of Frankenstein, but with a slight twist. In Edward’s case instead of lacking companionship like Frankenstein’s monster, he lacks hands; and is received rather well by the surrounding community. Ironically, in both tales the characters share the same desire to be love; this ignites the question – why do humans want to be love? Are we only important as we are loved? Fortunately, Tim Burton touched basis on that intricate part of the underlying story. Although Edward Scissorhands is not a science fiction narrative in the way Frankenstein traditionally regarded it still shares the same theme and narrative elements.
When telling Victor everything he experienced the creature says, “Inflamed by pain, I vowed eternal hatred and vengeance to all mankind” (138); meaning that all these events he experienced mold him to be wicked and spiteful. Without human interaction, he becomes an actual monster, when he at first only craved company and longed a friend yet all he received was mistreatment and insults. When he saw Victor’s younger brother he thought “I could seize him, and educate him as a companion and friend…” (138), but sadly the boy was prejudice against his looks and insulted him, and shortly reveled he was a Frankenstein and the monster killed him out of spite. This shows the importance of social connections and just having someone to talk to and lean on. In a way, it is societies responsibility to care for the misfortune and treat them with not only respect but with kindness. However, in the story Victor had the biggest responsibility out of everyone to care for the creature he created. If he was not going to care for it nor have it cared for he should’ve destroyed it. Even his creation after suffering the rejection of a family he came to love exclaims,
Although the question of “who is to blame” Is up in the air, it’s quite obvious that the monster was directly to blame for the murders. But, when you think about the fact that he was merely created and not born, so he wasn’t able to differentiate right from wrong, or how to control his feelings. His anger was stemmed from his hate of his creator Victor. The wrongs that Victor did unto the creature is what caused the creature’s anger to overtake whatever bit of logical thinking and ability to reason and in a way, throw it out it out the window. So, physically speaking, the creature was to blame. Although, the person to blame behind the deaths in Frankenstein would be the person who decided to make the monster in the first place. If you create
It is another liability that he brought onto himself. First, Victor, being a scientist, should have been aware of the precautions of creating a new life. He did not think of the aftermath that the monster might create. For example, it is stated, “The death of William, the execution of Justine, the murder of Clerval, and lastly of my wife… my father… he died in my arms” (87). Additionally, everyone that Victor ever cared about or loved died because of the creature murdering them. It is Victor’s liability because each one of the deaths could have been prevented if Victor did not abandon the creature. Everything the creature did after Victor left is because the creature did not have the proper guidance. Therefore, Victor is liable for his tragedies because he did not think of the consequences of his actions and showed his disdain towards
Throughout the story, the monster struggles with the repercussions brought about by his creator which leave him in turmoil. He does eventually overcome these obstacles, although it is undoubtedly too late. The monster was deserted without an advocate to speak for him, as his appearance would not allow him the opportunity to be heard. Despite the monsters revolting appearance he still manages to display many human characteristics such as compassion, love, and intelligence. Victor is both guilty of negligence and the murders, as he did not guide his creation is the ways a creator
He uses the little that he knows to fuel his hatred towards humans and his creator. This shows the exponential growth of the problems that Victor has created as a result of his desire for knowledge. Not only did he create the destructive monster, but now the monster is using a hunger for knowledge, the very thing that created it, to do even more damage. This root cause is linked to everything that is causing Victor’s suffering. The monster also compares his relationship to Victor to that of God and Adam, wishing that he had the same supplication to his creator that Adam did, “I remembered Adam’s supplication to his creator. But where was mine? He had abandoned me, and in the bitterness of my heart I cursed him” (Shelley 116). This shows how abandoned the monster feels, and how he could leverage that along with other things he learns against Victor and the other humans.
Have you ever been held responsible for the tragedies caused to others? For most the answer is no, however, for some, their actions have led to the misfortune of guiltless lives. In the novel, Frankenstein by Mary Shelley, because of the absence of attention and teaching, the reanimated creation Frankenstein is unstable; Victor Frankenstein is who to blame. Two events that he should be accountable for are not training his creation to know right from wrong and abounding the monster which led to the murder of innocent people.
Mary Shelley shows the endless amount of revenge and that it is driven by pure hatred and rage. The monster was not created to be vengeful, he was kind hearted but when he was poorly treated by Victor and then by the Delacey family, he turned cold. In her novel Frankenstein, Mary Shelley displays the immorality and destructive effects that revenge can have through Frankenstein and his pursuit of the creature.
There is no other creature in existence that is as communal and gregarious as human beings, due to this, whenever one feels deserted or segregated by the rest of society, they tend to become cold and bitter. In Frankenstein, or, The Modern Day Prometheus, Mary Shelley portrays the monster, as well as its creator, as outcasts from society. Although, Victor has a family, and a wife while the creature does not, Victor feels he is emotionally detached from the rest of his loved ones. Due to his emotional confinement, Victor feels that he cannot trust even his wife with the knowledge of the horrible creature in which he has created. This sense of being an