Gender Roles In The Woman Warrior

I read the book, Bound, written by Donna Jo Napoli. The book is about a young chinese woman, who is bound to her father’s second wife. This is because he passed away and, back in 17th century china, young woman had very little power or say in situations. Also woman were thought to less value of worth then their livestock. Throughout the day’s of dealing with her step mom she, loves to do poetry and calligraphy.

The Woman Warrior Survival In 20th Century Maxine Hong-Kingston’s novel/autobiography The Woman Warrior uses fictional female characters that depict her own struggles. Many of these women are empowered and give Kingston confidence that she can succeed in the male dominant world she lives in. The less powerful women give her a chance to learn from their mistakes. Both groups of women enable Kingston to what traits to value and mistakes to avoid when growing up in America. Kingston uses the character Fa Mu Lan as a role model for young Chinese woman like her self.

Pauli Murray’s Proud Shoes tells the story of Murray’s family as they developed through segregation. After the death of her parents, Murray is taken to live with her grandparents, Robert and Cornelia Fitzgerald. Proud Shoes focuses on the life of Robert and Cornelia and how they experienced life differently due to their individual situations. This book discusses how race and gender played key roles in the life of Robert and Cornelia. Through this discussion, readers are able to understand a broader American life based on individual experiences and express topics on gender identity and gender difference.

One of the most predominant themes in “The Woman Warrior” is finding ones voice. Throughout the book, voice is referenced many times and most often as a disability of the women in Kingston’s memoirs. Being voiceless is not always a defect that one is born with but can also be due to societal pressures and expectations. The women that appeared as voiceless in the book were most often the ones that did not have an identity of their own. They simply led their lives following someone with a voice hoping that they would be able to live under the shelter of other’s voices.

Many females coincide with the reputation of weakness, but O-lan shows no sign, even in the midst of childbirth. Similarly, she perseveres numerous times, through a “man’s work” in the field, illustrating her mental and physical strength. While considering China’s deprecation of women, O-lan assuredly frustrates an adamant supporter of such

Within societies, culture plays a huge role in shaping who a person becomes. What values they consent to and what would make them content and satisfied with life, otherwise said, happy. In a patriarchal racist community woman as a double minority suffer twice the burden of proving herself, defining her values, and finding what defines her. Some of these women choose to obey and submit and live life as given to them. Just a few stand up for themselves, speak up, fight toward their freedom and independence against all cultural norms and social constructions including race and patriarchy.

In each woman’s encounter with their personal challenge, this goal is expressed in a form specific to them. Audiences see this interest of reaching equal status conveyed through the work and intentions the women produce. The female characters present a side to themselves that, at times, switch the gender roles their society is accustomed to. At other points, women’s abilities to lead in times of distress or confusion establish themselves as the same types of leaders that society grows to associate with men. Finally, the female character’s voicing of society’s unjust contradictory standards for women furthers paints the idea of a movement towards equality.

Additionally, these stories reveal the great diversity among women. Generally, women are grouped together, as stated by Lorde: “As women we have either been taught to ignore our differences or view them as causes for separation and suspicion rather than forces of change (Lorde, 1979).” Despite the efforts to categorize women’s issues into one mass of problems, White women perceive the world differently than African American women, Hispanic women, Native American women, etc., and vice versa. This conglomeration of “women’s issues” does not address every aspect of being a woman in patriarchal and unjust societies throughout the world.

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1.2 Background Females are an integral part of human civilization. No society or country can ever progress without an active participation of female in its general development. The status of female in society is directly linked with social and cultural traditions, stages of economic development achieved, educational levels, attitude of the society towards women, social and religious taboos, women's own awareness and political attainments. Through the centuries, the image and the role of female have been observed and studied in various ways, and the acquired knowledge has been recorded in literature, works of art, religious texts, mythology and codes of social behaviour.

In her literary criticism, “Empowerment Through Mythological Imaginings in “Woman Warrior”,” Sue Ann Johnston comments on Kingston’s use of myths in the memoir, and believes that myths are Kingston’s most effective means of conveying messages to readers. Although these myths are effective, Johnston overlooks Kingston’s incorporation of these myths back into her own life. As demonstrated in “White Tigers,” Maxine Hong Kingston reveals that a woman warrior requires strength, dedication, independence, and confidence through her mother’s talk-stories and personal struggles during her life. At the opening of “White Tigers,” Kingston vividly describes the importance of storytelling to girls in the Chinese community.

Gail Wallace completed a research experiment with several African-American women about their experiences of oppression. A theme that occurred throughout the women’s interviews was how they did not associate themselves with the victim role (286). The commonality between those women, can reflect Esi and Opokuya in their given circumstances because with the effort being put into trying to balance their lives, they do not complain about how tough the circumstances are. Modernity is challenging for Esi and Opokuya because their “husbands are impervious to their feminist thinking” and have no sympathy towards their daily challenges (Curry 180). Ginette Curry includes an interview with Ama Ata Aidoo regarding Changes, about the desire to have a life,

The Woman Warrior is a “memoir of a girlhood among ghosts” in which Maxine Hong Kingston recounts her experiences as a second generation immigrant. She tells the story of her childhood by intertwining Chinese talk-story and personal experience, filling in the gaps in her memory with assumptions. The Woman Warrior dismantles the archetype of the typical mother-daughter relationship by suggesting that diaspora redefines archetypes by combining conflicting societal norms.

This novel is also autobiographical. Throughout history, women have been locked in a struggle to free themselves from the borderline that separates and differentiate themselves from men. In many circles, it is agreed that the battleground for this struggle and fight exists in literature. In a