Gender Stereotypes In The Movie Chicago

Men and Women have always played different roles, going back to the creation of the world. The roles couldn’t be any more different. In “The Night of The Living Dead”, those portrayals was on display. George A. Romero’s film hinted at subtle references to the roles of Men and Women and exemplify the stereotypes America held during that time. While the men were the protectors and enforcers, the women on the other hand, were the quite opposite. Romero’s film portrays the cast, women and men alike, in their stereotypical behaviors.

During the 1950s in Chicago blacks were in poverty. The city was filled with discrimination, racism and segregation. The Younger family was a black family living in a one bedroom apartment in Chicago at the time. They had big dreams but lack of money. In the play, A raisin in the sun, Lorraine Hansberry created the central idea of “feeling trapped” in the character Mama through the setting, symbolism, and figurative language.

The female characters in One Flew Over The Cuckoo’s Nest can be split into extremely different categories. Throughout the movie, the men encounter different types of roles played by women. The way each type of role is treated by the men are noticeably different.These roles are still played by women till this day. Women either are depicted as powerful and emasculating, or a men's toy.However, social media negatively influences the role women should play in men's eyes.

The movie Philadelphia follows the story of Andrew Beckett, a young lawyer suffering from the disease HIV. Fearing it would compromise his career; Beckett hides his homosexuality and HIV status but is later found out, when his colleagues notice the illness’s telltale lesions. Fired shortly afterwards, Beckett decides to sue for discrimination, teaming up with Joe Miller, the only lawyer willing to help. Through a rigorous court case, the two end up winning and set a precedent setting case for homosexuality in the work place

Get Out is a horror film released earlier this year in February. The film centers on Chris Washington, a black man, and his white girlfriend, Rose Armitage. Rose invites Chris to a weekend trip to meet her parents. When meeting Chris, Rose’s parents are overly accommodating towards Chris and constantly speak about how much they love President Obama and other African-American people. Chris attributes this as awkward attempts to deal with their interracial relationship. However, after a series of events, Chris learns that the Armitage family has been performing illegal acts in order to obtain a “superior genetic race”. In order to accomplish this, they kidnap black men, hypnotize them, and perform illegal surgeries to place white people into

“A Raisin in the Sun,” written by Lorraine Hansberry in 1959, was the first play ever produced on Broadway by an African-American woman and was considered ground-breaking for it’s time. Titled after Langston Hughes’ poem “Harlem,” sometimes known as “A Dream Deferred,” the play and the subsequent film adaptations are honest examinations of race, family, poverty, discrimination, oppression and even abortion in urban Chicago after WWII. The original play was met with critical praise, including a review by Brooks Atkinson of the New York Times where he wrote, “For A Raisin in the Sun is a play about human beings who want, on the one hand, to preserve their family pride and, on the other hand, to break out of the poverty that seems to be their fate. Not having any axe to grind, Miss Hansberry has a wide range of topics to write about-some of them hilarious, some of them painful in the extreme.” The original screen adaptation released in 1961 was highly acclaimed in its own right, and was chosen in 2005 for preservation in the United States of America National Film Registry by the Library of Congress for its cultural and historical significance. While both stage and screen portrayals were highly acclaimed there are some similarities as well as some marked differences in each interpretation.

Frank Capra’s black and white movie “It Happened One Night” was released in 1934, starring Clark Gable as Peter Warne and Claudette Colbert as Ellen Andrews. The story of the film is based on Samuel Hopkins Adams’ short story ‘Night Bus’ and has a running time of 1:45:05 while the storytime is 3 days and 3 nights. The Film represents many topics and themes relevant for the 1930s’ such as social mobility, class, gender, and the pursuit of happiness. This analysis will focus on questions of gender and notions of femininity existing during the Great Depression in US Culture, which are reproduced through the film itself. To support my thesis, I will analyze the most important key scenes

The women of America have been fighting for rights and equality since the beginning. They have written books, published articles, made speeches, held marches, and lead lives outside what was the norm for their times. In Fried Green Tomatoes the female leads between the two narratives are no different. In their own ways they lead lives that, while different from each other’s, all stood for how they felt a woman should be able to live. Though these characters are fictional they represent very real women of both the past and present.

In this week's journal I will be discussing; The Opening of the Black Panther movie and how the movie is more women ordination and the overall power that women held in these positions, and what ways black women excellence is shown in the movie.The main character may be the king T'challa who is the king of wakanda, but the women were the true focus on the film, and are extraordinary. These women are extraordinary based around the fact that.

“Ex boyfriends are just like off limits to friends. I mean that’s just like the rule of feminism” (15:15). This famous saying said by Gretchen Wieners from Mean girls is widely known and most of the time ridiculed by people. Mean Girls is a movie that portrays the stereotypical American high school life. The movie has a main focus on the girls of high school, rather then on the boys. It centers on females and how they act at that certain age. The four mean girls, Regina George, Gretchen Wieners, Karen Smith and Cady Heron represent the stereotypes of the popular girls of high school. The role of gender plays an important role in the movie. The movie discusses the aspects of how a “typical” teenage girl should be, in order for her to fit in.

“The Little Rascals” film is a comedy that was released on August 5th ,1994 by Universal Pictures and produced by Amblin Entertainment. The Little Rascals is a more modified version of the “Our Gang” short film that was written by Hal Roach. It consisted of a number of well known actors such as: Raven-Symone, Mary-Kate and Ashley Olsen, and Whoopi Goldberg. Although the movies can be seen as a comedy for children and adults, it also has some subliminal messages. Being a young woman in America it is quite hard for me to accept the depiction of the women’s role that is being used throughout the film. Stereotypes and a false representation of characterization are both used throughout the film about the role that women play in society.

In Sociology, stereotypes are described as "pictures in our heads" that we do not acquire through personal experience. I believe that stereotypes are a mental tool that enforces racial segregation and self-hate. As well justification for dehumanizing minorities. Such as Black women are "Mammy", "Welfare Mothers", "Uneducated", " Inferior", and "Poor". White women are "Pure", "Desirable", "Affluent" and "Superior". These stereotypes are labels that evoke images of oppression, segregation and exploitation of minorities in America. Meanwhile reinforcing the dominance in a social hierarchy.

The Help is set in Jackson, Mississippi during the 1960s. Skeeter, a southern society girl, interviews the black women who have spent their lives being servants for wealthy white Southern families. There are various scenes throughout the film that show social stratification, racial inequalities, gender inequalities, and class inequalities.

1. From Jason Johansen 's Notes on Chicano Cinema, scholars of Chicana/o cinema used to identify the criteria of Chicana/o cinema as "films BY Chicanos, films FOR Chicanos, and films ABOUT Chicanos" (Johansen 303). The Salt of the Earth film (1954) attempts to expand this definition because it achieves more than being for and about Chicanos, it can also be for other minorities fighting injustices and inequalities similar to Chicanos. The film is still for Chicanos because it illustrates an actual account of Mexican American mining workers in Zinc Town of New Mexico during World War II, where the union workers won due to their unity, inspiring others to stand with each other in the Chicano movement. The movie also challenges the criteria because it is a film directed by a non-Chicano, Herbert Biberman, but that inadequacy was compensated since most of the actors were local Mexican-American union associates who had experience and direct involvement in the historical fight for their rights. I chose this film because it showed how hard the union workers and families worked in fighting racial injustices, and because it inspired myself to move forward with strong ideologies and pride.

Throughout history the portrayal of gender roles have been maintained by a specific standard, specifically where the man is the main figure, and the woman is the submissive figure that is being acted upon. However, lately, specifically the last ten or so years, many movies have shifted this ideology. These movies in modern times show increasingly more women in positions of power, as well as in marriages where there is an equal amount of power between both the husband and wife. There are also more movies showcasing non-traditional relationships, such as, domestic partnerships and LGBTQ+ relationships. One movie in particular that showcases a shift in the status quo, in terms of the masculinity and femininity expected from individuals especially that of a relationships, is Tyler Perry’s Why Did I Get Married? Before delving into why this movie goes against the status quo an a multitude of levels, I must first give some background to the movie.