Analysis of Subject: This piece of art depicts a wonderful young lady wearing a light blue Mexican dress. Behind her, you see an exemplary darker guitar with hued lashes tied around the guitars strings. You can see cards laid out before her, and herself grasping cards perhaps a gambler who’s lost or one of those fortune tellers. The floor is comprised of blocks and along the far left, you see an extensive corroded vase. On the right-hand corner, you can see the divider wearing down with the blocks. She 's perched on a seat looking dull and uninterested with her left cheek laying on the palm of her hand. Her shadow is given occasion to feel qualms about a yellow-dark colored divider. Her long dark hair is going with a red bloom stuck in favor of her ear. …show more content…
The way Percy figured out how to differentiate the hues in the artwork gave an all the more intriguing perspective. He utilizes bended lines to catch the picture of her arms and the way her dress smoothly flows. The wall (Background) gives an awesome depiction of how the craftsman organizes each brushstroke to pick up a symmetrical color of shading. The primary articles you see is simply the guitar and. The creator utilizes no feeling to really tell the watchers what the lady is feeling. The work of art was intended to be loaded with secret and inquiries. As a musician that guitar may symbolize her escape from the mellow mood she’s in as if music is the cure. The warm hues that encompass her set up a casual mind-set that gives the watchers a thought of what the tone is. You can likewise catch chiaroscuro being utilized for the most part in the corners and underneath the ladies. The surface in this canvas can best be portrayed as an optical surface. Percy incorporated this surface to depict the tranquility in her face appearance, hair, mouth and
The appealing factor of this paintings comes from its message and juxtaposition of colours and stroke
the still eyes in the white face, the lustre as of olives where she stands, and the white hands. . . the wan face when she smiles, hating it deeper still when it grows wan and white. .
La voz a ti debida has received criticism from a number of academics for being a misogynistic work of poetry and is described as “androcentric” by Bermúdez. The theme of possession is widespread in the poem, along with the objectification of the amada, both anti-feminist elements of Salinas’s work. In addition to this, the beloved is portrayed as empty and lifeless, only acting as a hindrance to the happiness of the narrator, whether she loves him or does not. The amada’s power is only weakened by her lack of voice, taken from her by Salinas. The theme of possession is prevalent from the onset and throughout La Voz a ti Debida.
The short story, The Yellow Wallpaper, written by Charlotte Perkins Gilman, is a brilliant piece of fictional literature. The tale involves a mentally ill woman who is kept in a hideous, yellow room under the orders of her husband, John, who is a physician. The ill woman is conflicted due to the fact that the horrifying yellow wallpaper in the room is trapping a woman who she must help escape, but the sick woman is aware that she must get better in order to leave the terrifying, yellow room. The setting and personification applied in the short story, The Yellow Wallpaper, allows readers to develop an understanding of the sickness of the main character faces.
“Los Mandados” is a corrido type of song, where Vicente Fernandez starts his story of coming back to his region, and what did he face during that time. While listening, I noticed the performer couldn’t hold his breath for long, which makes me think that he doesn’t have a good breath control, but he have a good vowel placement. In his voice style, I couldn’t hear falsete, so I can tell that he uses his chest voice while singing. I feel this song could identified as a defiant song because of the way he sings and the meaning of lyrics, especially, when he begin to say that, even though the patrol caught him many times, he never gave up and still trying many different routes, until he would make it back to his region. The way the performer tells
Que Vivan Los Tamales analyses the history of Mexico's evolving national identity via food. Mexican cuisine has changed dramatically from the the era of the aztecs, to the period of Spanish colonialism through to the Porfiriato dictatorship. Through these periods we we see food being used in a manner to unify the nation and create a national united identity. Below I will argue how the country attempted to unify its people though cuisine. When the Spanish conquered Mexico, they tried to impose old world techniques and spices onto the Mexicans.
Along with the colors used, Titian uses these people as a way of also evoking emotions within the observers. Within the background, in the center of the painting is a musician leaning on the trunk of a tree while playing an instrument similar looking to the lute. To the right of this musician there is a group of people to the who seem to be dancing together in a circle. These people expressed in the piece are most likely enjoying themselves and having a good time, in which this act alone would tie back into the emotions by being a means to evoke the emotions alongside the colors used by Titian.
Romare Bearden’s painting The Family portrays a scene of a family who are in a negative situation. They are being visited by two unwelcome guest late at night this can be seen from the body language given by the father and mother as it implies that the topic is a negative one. The family is caught in a scene at the moment of the meeting going hostile. The family is painted with a somber tone with solid colors giving leaving the painting with a feeling of anticipation that something is going to happen. The Family gives a bleak view into a moment of a family being threatened which the colors and body language leave a lasting feeling of unease will the symbolism of the objects paint a picture of what happen before this moment.
Melvin Williams Arth 1381 Professor Zalman 13 November 2014 Visual Analysis The painting, The Basket Chair c.1885 by Berth Morisot, and the painting The Orange Trees c. 1878 by Gustave Caillebotte, are both magnificent and interesting pieces that I got the opportunity to see. The paintings are both wonderful pieces and their composition overall is very impressive. Both paintings have different aspects in the way the artist displayed modernism, formal characteristics, class and gender, and the subject matter of the painting itself.
The painting is oil on canvas and contains an extensive amount of contrast. For example, the bright vermillion blanket against the dull eggshell colored door. The disparity between the colors used is prominent. Additionally, the fusion of ornate patterns and simplistic solids is evident. The tablecloth is a geometric mixture of cream and periwinkle.
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
In addition, the poem uses personification to emphasize the woman's beauty by describing her eyes as being "star-like". This emphasizes the almost supernatural quality of her beauty and further highlights the speaker's admiration for her. The poem also paints a vivid picture of the woman's love and devotion to the speaker. This is done through the use of imagery. Her hair is described as a "golden river", which symbolizes the strength and intensity of her love.
There is no name for a mother who has to bury their own child. In Kathe Kollwitz’ artwork, Woman with Dead Child, viewers learn the agony and pain associated with losing a child. This artwork, crafted in 1903, grabs attention by expressing love, passion, and emotion over the simplicity of a human being. Viewers of this piece capture a shock and a heart-breaking feeling when first viewing the artwork. Suffering through love is a terrific way to describe Kollwitz’ artwork created by etching.
She painted this to represent how much she thinks of Diego. He was always on her mind; that’s why he is painted on her forehead (The Art Story). The curvilinear lines extending from her face are supposed to symbolize a web. It’s the web she wishes she could trap Diego in (The Art Story). The costume she is wearing a traditional Mexican dress that Diego loved.
The portrait represents the beauty of the time period. It holds simplistic colors with detailed shading. The artwork is very intriguing to me. I love the detail in the background, there are tiny brushstrokes that makes up the mountains and sky. Also, I find the shading of the mouth and eyes very interesting.