Although for Nevelson, wood and black don’t have a particular symbolism to her work, but rather serves as the tools of attaining an essence, one can observe some direct references to the differences shared by the feminine and masculine social expectations and associations within her work. New York City did not just gave Louise Nevelson the opportunity to inspire from the Abstract Expressionist that was a “cross-fertilization had been essential to her development as an artist”, but also the architecture of the city as a source of inspiration. (Lisle, 129). Nevelson always mentioned the impact of New York City as a megapolis on her large scale works made in the late 1950’s and early 1960’s. For instance, Nevelson explains how the city’s artistic and urban transformation aided her style to develop into a …show more content…
The architecture of the skyscrapers built in New York City, stimulated her interest in working with vertical and horizontal lines. The urban grid of the city was reappropriated in her work as a skeleton function, through which the whole sculptural piece can stand on a foundation that can be easily elaborated or left alone, depending on Nevelson’s perception of the essence. She regularly looked at the city for ideas, because to her the city, especially New York City, served as a magnificent work of art of the twentieth century. Nevelson goes on to explain her reactions toward the city as follows, “When I look at the city from my point of view, I see New York City as a great big sculpture” I saw the Empire State Building when it was going up… Seeing those high risers, bigger and bigger and bigger… you couldn’t think of little paintings or little pieces” (112). Hence, her large
Gail Bederman, author of “Manliness and Civilization” published in 1995, explains how manliness is associated with race and civilization. She states that historians explain manhood as a normal aspect of human nature and although it may be expressed differently at different times, the meaning of it always remains the same. Bederman indicates her thesis, “ This book will investigate this turn-of-the-century connection between manhood and race. It will argue that, between 1890 and 1917, as white middle-class men actively worked to reinforce male power, their race became a factor which was crucial to their gender. ”(p.
Written by Zora Neale Hurston, Their Eyes Were Watching God, follows a young woman named Janie Crawford and her coming of age story. The novel is introduced with Janie returning back to Eatonville after the passing of her husband Tea Cake. In the opening scene, Janie opens up to her friend Pheoby and tells her how things have been since she had left with Tea cake two years ago. However, Phoebe doesn't understand the story Janie is trying to tell her because she incorporates events from when her grandmother was around thus confusing her friend.
Many portray the 1920s as a time of lighthearted leisure and prosperity. When in fact this period consisted of significant economic , social and cultural conflicts. Technological innovations sparked the economy and life post war was significantly different with the introduction to what we know as the “New women” the new women also sparked many social conflicts. Along with the New women tension between religion and science also sparked many important conflicts during the time we know as the Jazz Age.
The intent and effectiveness of any presidential administration’s policies are often highly scrutinized and disputed. President Ronald Reagan’s policies in regards to urban communities, and most specifically to the urban poor, are no exception to that rule. This paper analyzes both Reagan administrations’ (singular or plural? Is or one administration or 2?) urban policies and the consequences of those policies.
Have you ever wanted to travel to New Orleans, Louisiana? This incredible city offers many tourist attractions like The French Quarter, Carousel Gardens, City Park, and Mardi Gras. New Orleans is one of the most gorgeous and alive cities in the world. If you 're looking for a beautiful, breathtaking city, then this is the place for you. New Orleans, Louisiana offers visitors incredible experiences that they will never forget.
And furthermore, recognize the symbolism documented in the painting for iconographic analysis. In doing so, this will highlight and comment on important characteristics of Omnibus Life in London as it yields new information regarding the emerging shift in social inequality. Through formal analysis, the visual characteristics of the work present an interesting insight into the painting. The first emotion that I experienced with this work was claustrophobia and crowdedness. Part of the feeling spawned from the three-dimensionality of the painting.
Whitney Chadwick writes about the history behind what artists do and why along with the influences on society. She looked at the art pieces that she chose and gave a well listed history on the subjects she chose. She tells the fact, not giving her emotions, but the truths of what it was that happened very plain. It is as if it just is what is and there is not joy or sorrow that it happened. She translates the meanings and has assumptions to why something was inspired and she gives them.
In Living for the City, Donna Murch argues that the Black Panther Party started with a study group in Oakland, California. She explains how a small city with a recent history of African American settlement produced such compelling and influential forms of Black Power politics. During the time of historical and political struggle in California 's system of public college, black southern traveling workers formed the BPP. In “Jim Crow’s Counterculture”, Lawson argues that the Great Migration and World War II changed the blues music from the thinking and behavior of younger people who want to be different from the rest of society to one that celebrated the work attitude and the war effort as ways to claim “American citizenship”.
More than six hundred years later the same issues of inequality and misogyny are still present in our society. The movement to fight against anti-feminism is not new. Thus, it only proves that the discrimination of women is more than centuries old. Written in 1405, The City Of Ladies is an allegorical story in response to the attack of men against women. Christine De Pizan highlights how a women are capable of good and moral character despite to the contrary of what male philosopher claimed to believe.
In Judith Ortiz Cofer’s “The Changeling”, the hardships of gender stereotypes are exposed. The contrast between a young girl’s imagination and the reality of her gender role is clear by her attempt to appease her parents. She is neither manly enough to gain the attention of her father nor womanly enough to attain the respect of her mother. Her dilemma of not being able to fit in is emphasized by Cofer’s use of imagery and repetition.
Landau aims to discuss how American society used Pollock, Brando and Dean as a counter culture to their already growing bureaucratic and deeply homogenised society, praising them as “rebel heroes” who spoke through action rather than words, redefining the meaning of an “American Hero” and also leading to Abstract Expressionism becoming an artistic manifestation to an emerging subculture called the “Beat Generation”. Landau is
Epoka University Faculty of Architecture and Engineering Department of Architecture ARCH IV ARCH418 PhD. Ernest Shtepani Shasivar Rada ID:02021120 Delirious New York Retroactive Manifesto for Manhattan Rem Koolhaas Our role is not to retreat back to the catacombs, but to became more human in skyscraper Manhattan is the theatre for the terminal stage of western civilization... A mountain range of evidence without manifesto.
The years leading up to Judy Chicago’s first series The Rejection Quintet in 1974 saw a great amount of effort in finding her true identity as a female artist during a time which men made up the majority of the art scene. During the 1971 Rap Weekend in Fresno, Chicago, together with Miriam Schapiro, showcased works that used the central format of abstracted flowers or folds of the vagina. Chicago later reflected on the showcase stating that she could not express her own feelings as she met other women who were just as oppressed as she was through the struggles of being a female artist. The first piece of The Rejection Quintet, How Does It Feel to Be Rejected?, marks the acceptance of the struggles Chicago went through and her symbolic transition into what became her most iconic installation The Dinner Party. This paper will discuss the significance of Chicago’s, How Does It Feel to Be Rejected?, as it proved to be the first small step for her towards revealing the “central-core” for which she labels as her feminine imagery.
Author of Postmodern Suburban Spaces, Joseph George describes suburbia as “ rows and rows of single-family houses with the same floor plan … populated by families of identical white people, showing off their identical material goods”. In addition to this suburban image, Simone de Beauvoir describes the day to day of a married couple in suburban society in his book The Second Sex; “[Members] have lost their independence without escaping loneliness; they are statically united … can give each other nothing, exchange nothing, wheather in the realm of ideas or erotic plain. A thousand evenings of vague small talk, blank silence, yawning over the news paper, retiring at bedtime!” (Beauvoir, 471). By tying these examples of suburban life, we can begin to outline the bohemian artists perspective living in a conformist community governed by homogenized consumer lifestyle, thus proving the presence of a cookie cutter reality.
In each of these case studies she investigates several urban projects. For example, in the New York chapter, she analyzes three development projects of Battery Park and Yankee Stadium mostly by considering the contribution of these projects to affordable housing and provision of inclusive public space. She then concludes that New York is diverse, but its policy and planning has led to inequity and a lack of democracy. This problem city is contrasted in her book by framing Amsterdam,as a Utopia where where her criteria of a just city are all met. When reading these chapters it can be inferred that Fainstein believes if a city has a egalitarian political culture, adequate welfare for all, and inhabitants can live in harmony and tolerance that the city will be just and successful.