English Descriptive Coursework Year 11 Moonlight Sonata – The Last Drop of Sunlight The last drop of sunlight. As serene as shouting and soothing as squealing. Barely a blink before streetlights and windows and signs ignite themselves, shaking off evil as if automatic. The people of Leesburg switch just as easy: from the responsible businessman who has a mischief with the bartender, to the innocent teenager walking beside her boyfriend laughing, trying not to trip over her own vomit. Reminiscence of the rain dries on the sidewalk and the moldy street when the subtle sound of six-inch stilettos clank on the cobbles. The woman gliding along slows her pace and takes a moment to smell the aroma the rain left behind. Her entire body shivers pleasantly …show more content…
7 ends, the only space waiting to be purged is the bathroom floor. Kneeling down with a bottle of German detergent in one hand and a piece of cloth in the other, the woman scrubs the entire floor with a concentrated wide-eyed look. The very last spot of dirt lies expectantly on the step of the tub; she sprays detergent into the cloth and resumes scrubbing. The gooey green paste remains intact, but now the cloth is entirely stained with the blot’s dye. The aggressive tune of the bows sliding against the violins assimilates the movement of her aggressive fists against the floor, until the violins squeak when the tile cracks and slices her left hand. The song ceases. Charlotte stands up and kicks the detergent to the wall on her way to the sink. She opens the tap and roughly washes the blood off her palm, then removes the sweat, leaving a red stain on her forehead. Her head straightens, catching her reflection in the mirror. Is it correct? Humid, wet hair all over her slightly wrinkled face, eyeliner running from her hazel eyes to her swollen cheeks and to her smudged red lipstick; unrecognizable from the woman walking down the street. The orchestra from Moonlight Sonata starts playing. The substantial heavy notes, vibrating out of the piano, wrap her neck making the veins in her face throb sharply, turning her purple and making her dizzy. The words choking in her throat are replaced by small, secretive and tight gasps of air. With every fiber of her body, she forces herself to stand, but the piano keys shove, push and lash her back, down to the ground where the water starts to accumulate. She slides the white gold key from her sleeve in the attempt to open the wooden ivory door, when the entire floor starts clanging with the falling of dozens of white gold keys, each one heavier than the last one. The migraine caused by the noise makes her entire body become numb and fall. Cold, vacant gasps make the water tremble incessantly as it rises inside the
These towns, each with its unique characteristics and inhabitants, serve as a microcosm of society. They reflect the diversity and complexity of human nature, with people who are flawed, kind, helpful, and accepting. Through their interactions with the people in these small towns, Emily and Sloan experience the power of human connection and kindness. They learn that true identity transcends labels and appearances, and it is the genuine connections and relationships that bring out the best in
Isabel Wilkerson, noteworthy author of The Warmth of Other Suns, displays literary prowess and insightful knowledge of the plight of African Americans in both her debut novel and myriad journalism and reporting entries. On multiple occasions, Wilkerson’s abilities in journalism garnered attention from universities and award committees, earning her the Pulitzer Prize for Feature Writing and the George Polk award for coverage and research on the Great Migration, as well as allowing her to lead seminars and hold positions of high esteem at universities such as Harvard, Emory, and Princeton. In addition to being the first African American woman to win the Pulitzer Prize for individual reporting, Wilkerson and her parents lived and participated in the Great Migration themselves. Hence, it will come as no surprise to hear that her claims within The Warmth of Other Suns present themselves as spectacularly accurate. Wilkerson proposes that the Great Migration altered the cultural, economic, and social history of America dramatically,
His hometown was changing negatively, and no one from the wealthier states, where the political elites lived, did not realize. The next example of how the personal narrative is used in this article to prove the author’s main argument, is also how the author sees his town lose its innocence. The author gives an example of how two bikes in his neighborhood were stolen, and that after that theft increased and trust in the city decreased. The author says: “I learned that our neighbourhood had “gone downhill”
The Wastelands is segregated with species from hundreds of Realm Worlds and rival nations. These uniform militias employ their home world technologies to fortify their kingdoms from feuding enemies. Ruled under a totalitarian dictatorship they often launch campaigns against neighboring kingdoms resorting to guerrilla warfare tactics. Once the kingdom is toppled the captors are systematically enslaved consequently expanding their future reign. Several are capable of traveling to their worlds through the use of Realm Portals.
Lorena agreed to the job. She moved to Savannah, Georgia; she was excited about the prospect of working with the family as well as living in the sleepy, southern town. She doesn’t know what her future holds, but it can only be exciting and
The setting takes place in rural Maryland during the 1929 Great Depression. The main character we here from in the short story is Lizabeth. She takes us through life during that time and how she became a woman during childhood. Lizabeth being the narrator explains to the audience how bland the area looks, she does this by saying “Surely there must have there must have been lush green lawns and paved streets under leafy shade trees somewhere in town; but memory is an abstract painting – it does not present things as they are, but rather as they feel”. She gives the audience a glimpse of what her area really looks like and from the sound of it, it’s glassless, dull, and dry.
Trauma in Dawn and Men in the Sun. The theme of trauma is addressed differently b y the authors of Men In The Sun and Dawn , though there have a few similarities , Gahssan Kanafani in Men In The Sun gives the readers a detailed description of not only the social realities , but the political and human ones as well that characterize the basic lives of the Palestinian people during a critical point in their history when the structure of their existence, as well as the traditional order have been significantly altered by the regional as well as international events .The author describes trauma by showing the struggles and hardships that are undergone by Abu Qais , Marwan and Assa who are all in the quest for a better life . Similarly, in Dawn, Elsie describes the wait of two men for a murder that is scheduled to take place in Dawn.
The once starry night now resembled a cluster of tiny white smudges engulfed by a grim lifeless mass. Just as my eyes were fully shut, I heard a distant yell, followed by a woman 's piercing shriek. My last thought, “What is happening to me.” “We need to evacuate the building.” “Wake the girl, we have to move, NOW.”
This intensifies the feeling of seclusion and the mood of the story much like in “The Fall of a City.” Nowlan begins the story with describing the rain as “great, pulsating sheets of water” and the sound of it as a “muted banjo twanging on the roof.” With
The two of them travel everywhere in a glossy, red convertible they bought together during the summer. The red convertible shows the unique connection they have together. As time passes, their relationship quality becomes damaged because of a series of factors, including a war Henry was sent off to. In a person’s life, certain aspects can be a trigger for life altering changes. Henry and Lyman’s relationship experiences dramatic changes from buying a convertible and taking it on road trips, to Henry becoming a unfamiliar face to his family.
After the ceremony, the newly wedded husband departs for a business trip leaving the main character with a set of key and explicitly saying never to use a certain key. She is now brought to a mental crossroad, even after the admonishing of her husband, her obsession to what the key could lead to consuming her. “ Keys keys keys... what is that key?” She can no longer resist the temptation and ventures down into the chamber.
As Edna is walking into the sea, Kate Chopin expands on the setting and states, “The water was chill, but she walked on. The water was deep, but she lifted her white body and reached out with a long sweeping stroke” (176). The emphasis is placed on the water, explaining how it affected Edna. Kate Chopin utilizes anaphora to accentuate the choices Edna makes and how it defines the meaning of becoming aware and conscious of one’s self wellbeing over others. Furthermore, Kate Chopin continues with, “She went on and on.
In her piece the idea of tranquility and anger were eminent through out. Whether they encompassed you whole or only possessed slight significance were based of the over-lapping, shadows, and light. Overall, this piece has uniqueness that separates itself from solely a literal
Mrs. Mallard goes to her room, and looks out into the patchy blue sky. Chopin uses the patchy blue sky to create an image of darkness clearing out of Mrs. Mallard’s life. When reading the story, a sense of relief comes to mind as Mrs. Mallard thinks of her life ahead without Mr. Mallard. This is when Mrs. Mallard’s character finally starts thinking for herself. She no longer has Mr. Mallard to hold her back.
The cool, upland air, flooding through the everlasting branches of the lively tree, as it casts a vague shadow onto the grasses ' fine green. Fresh sunlight penetrates through the branches of the tree, illuminating perfect spheres of water upon its green wands. My numb and almost transparent feet are blanketed by the sweetness of the scene, as the sunlight paints my lips red, my hair ebony, and my eyes honey-like. The noon sunlight acts as a HD camera, telling no lies, in the world in which shadows of truth are the harshest, revealing every flaw in the sight, like a toddler carrying his very first camera, taking pictures of whatever he sees. My head looks down at the sight of my cold and lifeless feet, before making its way up to the reaching arms of an infatuating tree, glowing brightly virescent at the edges of the trunk, inviting a soothing, tingling sensation to my soul.