The role of music in Wicked
Introduction
There are various key aspects of a megamusical, and one of them would be the use of music. Music has become a key element of megamusicals, where the presence of song is what differentiates it from a typical play. Reviews by both critics and audience members often use music as one of the criteria for establishing the value of a megamusical. The importance of music in a megamusical cannot be undermined, and it is evident that music holds multiple roles apart from entertainment purposes.
In The Megamusical by Jessica Sternfield , she states “a megamusical has little or no spoken dialogue, but is typically sung throughout”. Other than spoken dialogue, the rest of the dialogue can be found within the
…show more content…
The first time this is sung, Elphaba longs to be together with Fiyero, but he only has eyes for Glinda. However, during the reprise, Fiyero had run away from Glinda in order to be with Elphaba. Elphaba sang ‘I’m Not That Girl’ the first time, and the reprise was sung by Glinda.This shows how Elphaba’s former feelings of longing and helplessness were now felt by Glinda, creating a parallel between the two characters and emphasizing on the reversal of feelings and power the characters have. This also provides the cause to the future event of Nessarose’s death, as Glinda acts on her bitterness towards the …show more content…
Two characters hate each other) in the play, and wrote the songs based on those. Therefore, it can be seen that the songs were written for the purpose of being plot devices for Wicked. The story was built upon the different scenarios, and subsequently the songs written. These songs are used to portray a specific situation and context at that point in the musical, and it would be difficult to use those songs in any other context. It may also be hard to make sense of the song, should it be taken out of its context in the musical and standing by itself. This music then would be considered “integrated” music, as it would contribute to the plot and overarching storyline of the
The wicked explain to Amy she is the only one who can kill Dorothy. Along the way the magic, the characters, and the pressure change Amy. In “Dorothy Must Die” Danielle Paige illustrates symbolism by raising the stakes and building an on edge and sensitive mood. Danielle Paige uses “The Beast” as a symbol to raise the stakes for not only the characters
In the stage musical, it is sung by all the characters, except Elizabeth. The scene from the film with the little girl is not in the musical. In the film, the Monster is lured not by a French horn but a violin, and awakens in the laboratory directly after the brain transfer; in the musical, the Villagers hang Frederick before the Monster wakes and saves him, and the ensuing finale has been greatly expanded. The character of Elizabeth has also been altered to be sexy from the top which kind of spoils the fun of her later transformation.
Here’s the deal: I ended up taking AP Music Theory over Organic Chemistry my senior year of high school. Did people tell me that was wrong to do because I want a career involving chemistry? Yes. Do I regret it? Absolutely not.
UK rock 1960s: The Beatles from Merseybeat onwards. The essay will describe the key musical and stylistic features of the Rock genre during the 1960s with the ‘Merseybeat’ genre as the foundation of 60s rock. The essay will set out why the Beatles and the social phenomenon of the “British invasion” are crucial to development of the emergence and reception of Anglo-American Rock music during the 1960s.
The music of that scene is a high pitch and rapid rhythm that brings audiences horrified and worried feelings. Also, when the Prince found his real love, Cinderella, the music is peaceful and harmonious. Audiences can feel the happiness that shared from the lovely couple. I believe there are various elements to form an excellent musical, such as story, music, actors, and so
The Braindead Megaphone written by George Saunders analyzes the many negative effects that nowaday news media has on society. He begins by illustrating a scene in which a man disrupts a party and drowns out all voices with a megaphone. Now this imagery is a metaphor in which the megaphone represents the news media such as newspaper, television, radio, and of course the internet. As Saunders narration continues the people at the party soon begin to respond to whatever the man with the megaphone says and even starts to mimic things he does and say. In fact it does not matter what he says as long as the megaphone is in his hand.
A comparison of the Beijing Opera and the Italian Opera reveals a significant contrast in almost all fundamental areas of music between the two examples. Because of cultural influences, the two performances share little commonalities, as the timbre, medium, elements of pitch, rhythm, dynamics, form and phonic structure are definitely not similar. For instance, the musical and physical performance dynamics of the Beijing opera music are forceful, the timbre is loud, tinny and harsh, the rhythm is lively and vigorous, while the Italian Opera music has a gentle dynamic, steady and rolling rhythm and an emotionally deep timbre. One commonality that is noted for both examples, is the powerful delivery of the entertainment.
The Matrix is a sci-fi action film, it reflected the world in a bad relation between human and robotic. The main character Neo save the world, and fight with robot. The Matrix is a personal heroism Hollywood movie, it showed the unique characteristics of the music and a good interpretation of the film. The film soundtrack penetrated the suspense style incisively and vividly, especially network technology, the variety of electronic music, advanced film characters’ style which all are quite fit, sometimes people cannot figure the true or false, the actual situation and network is often closely interwoven. The fierce industrial metal music makes people to be feared, under the rule of the brutal machinery world, while those filled with death of
The musical also gives the audience more to think about with its different viewpoint of “The Wicked Witch” and how she isn’t so wicked which can be taken into the context of our everyday lives with the people around us. In conclusion, The Wizard of Oz and Wicked are both very well known broadway musicals. The Wizard of Oz and Wicked each have their own story, but have the same underlying concept of the fantasy world of Oz and the tale of the Wicked Witches who live in it. There are many similarities and comparisons throughout these musicals many characteristics such as characters, theme, and plot which make these two broadway musicals so
Music is also used in the film to define and enhance certain concepts. Para 1: Symbolism / rite of passage Rundown of boys-individual journey Rite of passage is the idea of an event or ceremony that marks an important stage in someone’s life. In the case of the film
The musical opens with the song “No-one Mourns the Wicked” which announces the death of the Wicked Witch of the West, and the population’s joy at her
Wicked is a musical with music and lyrics by Stephen Schwartz based on a book by Winnie Holzman. The musical is told from the perspective of the witches of the Land of Oz. Wicked celebrated its tenth anniversary on Broadway on 30 October 2013. It is the 9th longest-Broadway show, surpassing Beauty and the Beast. A typical performance runs for approximately two hours and thirty minutes.
The use of stylistic techniques such as sound, both diegetic and nondiegetic and the way characters act in The Wizard of Oz, showcases the conventions of a musical fantasy. In the scene where Dorothy sang her solo of “Somewhere over the Rainbow” ” is interwoven in the narrative of the film to illustrate and her underlying intention to flee away from home without her having to put it across in words to the audience. The tune of the song is tweaked and reproduced with variances and used throughout the film to highlight pivotal moments in the film, lending familiarity to us, channelling the same kind of hopefulness that Dorothy is feeling. The rhythm of the song also complements the musical film which accentuates the development of the narrative (Study Guide).
Modern Era The Modern Era is the time period in musical development that began around the turn of the 20th century in which great changes in compositional techniques and styles took place. This era challenged and reinterpreted old styles of music, making it a time of great innovation. Although homophonic textures were used, they were used with less importance and the most dominant texture of the Modern era was contrapuntal texture.
Introduction Roger’s and Hammerstein’s The Sound of Music is arguably one of the most well known films that many can admit to watching at least once in their lifetime. People all around the world have found this musical inspiring, as it documents growth and hope amidst the horrors of World War II. This incredibly well written film is based on the story of the Von Trapp family who escaped Austria when the Nazis invaded it during the war. Part of what made this movie so interesting on so many different accounts was the music that accompanied the vivid and exciting scenes. Without music, many could agree that our world would be a sad, quiet, dull and depressing place.