A fresh earthen scent rises up from recently tilled land as a young Chinese man sets down his hoe and wipes a day 's sweat and dirt from his forehead. His home awaits him now, and he quickly travels back to his cozy dwelling made of the same earth upon which he daily labors. Upon entering, he is relieved to discover delicious food already lined up on the table, a new-found luxury for Wang Lung since he married. His wife, O-lan, constantly provides him with necessities for life. In this isolated area of China during the early twentieth century, a woman is expected to stay quiet and well-behaved, as a slave to men. Technology could not be more distant, and the agrarian society still reigns supreme, emphasizing the importance of the land. O-lan’s lower status, plain appearance, and simple mind have much in common with the rugged earth, yet despite these apparent “inadequacies,” they both help Lung survive. The Good Earth demonstrates the similarities between this hard-working woman and the land upon which …show more content…
By providing enough to satisfy all of the Wang family’s needs, O-lan represents these attributes as well. She constructs the foundation of her family with her love and devotion and greatly contributes to their survival. However, when Wang Lung’s greed evolves past the basics that the earth and O-lan provide, he falls astray in his morals and traditions in an attempt to please himself. Eventually, a time comes when O-lan cannot satisfy his desires, even though she provides for all his needs. Just like her, the earth is often taken for granted because it cannot appease the greed of every man. If O-lan considered herself as an embodiment of the land, she definitely would agree with the words of Mahatma Gandhi, a pacifist leader of the Indian independence movement, who stated, “Earth provides enough to satisfy every man’s need, but not every man’s greed.”okay! Well
Chapter six examines the anti-Chinese sentiment with the emerging class antagonism and turmoil between white capitalists and workers. The unwelcomed arrival of Chinese immigrants brought along their own social organizations such as the huiguan, fongs, and tongs. These types of social organizations secured areas of employment and housing for Chinese immigrants in California. This social structure that was unknown to Anglos led them to also categorize Chinese on the same level as Indians by depicting them as lustful heathens whom were out to taint innocent white women. These images were also perpetuated onto Chinese women, thus, also sexualizing them as all prostitutes.
I read the book, Bound, written by Donna Jo Napoli. The book is about a young chinese woman, who is bound to her father’s second wife. This is because he passed away and, back in 17th century china, young woman had very little power or say in situations. Also woman were thought to less value of worth then their livestock. Throughout the day’s of dealing with her step mom she, loves to do poetry and calligraphy.
Living as a Chinese-American, the narrator had to take on American attributes in order to be accepted -- for example, while normal Chinese women spoke with strong and assertive voices, the narrator adopted a whisper in order to appear “American-feminine. ”(1) As a result, however, her shy demeanor caused her to be an unpopular outcast. She saw herself in another Chinese-American girl at her school, as they had certain, negative similarities. “I hated the younger sister, the quiet one.
Maxine Hong Kingston's use of talk stories in The Woman Warrior emphasizes that individuals will find a more fulfilling life if they defy the traditional gender norms place on them by society. While contemplating beauty standards in Chinese society in “No Name Woman” Maxine Kingston thinks, “Sister used to sit on their beds and cry together… as their mothers or their slaves removed the bandages for a few minutes each night and let the blood gush back into their veins” (9). From a young age girls are expected to be binding their feet and are told that it is to look beautiful, but in reality that is not why. When a womans feet are bound they are restrained and silenced. These girls could be free and happy but they are restrained by men through this binding.
“Her actions remind me that, even under unbearable circumstances, one can still believe in justice,” in David Henry Hwang’s foreword, in Ji-Li Jiang’s memoir Red Scarf Girl, commemorated even during the Great Proletarian Cultural Revolution anyone can overcome adversity (9). Ji-Li Jiang was a young teenager at the beginning of the Cultural Revolution, and living through a very political time in China’s history made Ji-Li into the person she is today. Ji-Li’s intelligence, her choices, and family devotion made her into the headstrong and successful person she is today. Even when Ji-li thought she was unintelligent, others saw she was wise. There were many moments when Ji-Li was reminded she was very smart.
It came to dominate my understanding of the discussion on the social and historical scene and to restrict my ability to participate in that discussion.(444) If we go back and use the reference again of the electronic tool we can see the struggle of being at home and communicating with her family and having an influence of capitalistic viewpoints and living the life of a capitalist, then immediately having to communicate in a different language at school and being surrounded by socialistic views and living the life of a socialist. Her thoughts were constantly flip-flopping and this became very frustrating for her. If we bring all these struggles into one main purpose, Min-Zhan Lu’s mother falls into silence two months before her death and Min-Zhan Lu attempts to “fill up that silence with words that I have since come to by reflecting on my earlier experience as a student in China.(437) The struggles that she faced growing up in China as a student and her past experiences have really helped her overcome life obstacles and develop her as a better reader and writer.
Grandmama adored having the title of the so called “merchant”. In spite of the title, Grandmama made no profit for she only presented her merchandise as gifts to those close to her or kept them as personal treasures. Grandmama commenced the metier of crafting wind chimes after a poorly made wind chime that was gifted to her, broke. That wind chime had been gifted to her by a now lost friend and was the only physical representation of their friendship. To Sek-Lung’s young mind, the wind chimes that were created with Grandmama demonstrated the impact that a role, even from a prior stage in life, can have and how it affects your identity.
In the nineteenth century, woman had no power over men in society. They were limited in their freedom, as their lives were controlled by their husbands. Some women did not mind this lifestyle, and remained obedient, while some rebelled and demanded their rights. “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “The Birthmark” by Nathaniel Hawthorne, are short stories that exposes the lifestyle women lived in the nineteenth century. The protagonists from both stories, Jane and Georgiana, similarly lived a male dominated lifestyle.
In the World on the Turtle´s Back the Iroquois wanted to emphasize how there was a Sky World, with people that had extravagant beliefs that explained how good and evil balanced everything in their life. This peculiar place had different gods, like Iroquois. They believed in weird thing for example they believed that a Great tree was the center of their universe. The Great Tree wasn’t a habitual tree, it was huge and had been in that place forever. In this Sky World, there was this woman that seemed to break the rules and desire things that are off limit.
A Pair of Tickets In “A Pair of Tickets,” Amy Tan described the journey of Jing-Mei Woo, a middle-aged, Chinese-American woman, to China where she experienced a compelling change in herself. The author herself is Chinese-American, which enabled her to use insightful experiences in the story that were similar to her own experiences to better illustrate the emotions that Jing-Mei felt. Reminiscing about her own trip to China, Tan wrote: “As soon as my feet touched China, I become Chinese” (Tan 146). As Jing-Mei made the long travel to her motherland, she experienced a series of events, met her long-lost relatives, reflected on her own memories, and listened to stories about her mother’s past, deepening the connection that she had with her mother
Throughout the story, various examples and themes of women relying on men and their wealth for comfort can be observed. The two most conspicuous
In Duong Thu Huong’s Paradise of the Blind, Hang has been placed on a path of self-sacrifice and duty by her family. Her life unfolds in stages- childhood, young adulthood, and her eventual role as an exported worker in Russia. With each of these shifts in her life comes a shift in setting and a shift in her emotional state. Hang’s changing emotional state depicts her “coming of age” and her growth as a character. Setting is important to creation of shift in the novel, and is often described in detail.
In the essay “The No Name Woman” by Maxine Hong Kingston, the story of living in a traditionally male-dominated Chinese society with a very dysfunctional family structure is told. The villages would look upon the men as useful, and women as useless to their society. Kingston, the main character, learns this first hand from how her aunt was treated. Kingston’s aunt, The No Name Woman, is victimized by a male-dominated society by being shunned for an illegitimate child. As a woman, the odds were automatically against you in their society.
Olan and the The Virtuous Woman are the embodiment of loyal and good-hearted women. The Virtuous Woman is rare, giving, and somewhat of a business woman, however, Olan is not a rare jewel, does not give to the poor, and is not involved in a business. Although, Olan is in fact a woman with a troubled history because she grew up as a slave, nevertheless she remains virtuous and provides greatly for her husband and family. In addition to this, Olan and The Virtuous Woman remain similar because they are faithful and diligent wives. With this in mind, The Good Earth ultimately provides the reader with a vivid image of what a selfless, devoted, and reliable woman looks like that compares but also contrasts to The Virtuous Woman.
Olan and the The Virtuous Woman are the embodiment of loyal and good-hearted women. The Virtuous Woman is rare, giving, and somewhat of a business woman, however, Olan is not a rare jewel, does not give to the poor, and is not involved in a business. Although, Olan is in fact a woman with a troubled history because she grew up as a slave, nevertheless she remains virtuous and provides greatly for her husband and family. In addition to this, Olan and The Virtuous Woman remain similar because they are faithful and diligent wives. With this in mind, The Good Earth ultimately provides the reader with a vivid image of what a selfless, devoted, and reliable woman looks like that compares but also contrasts to The Virtuous Woman.