This image is a representation of the individual as it is of two people, however this painting could be a precursor of the enlightenment
The painting shows off a torture chamber during the Roman Inquisition, which was responsible for prosecuting individuals accused of committing offenses relating to heresy. After taking care of education, the Roman Catholic Church needed to focus on how to spread the word of
Upon visiting the Huntsville Museum of Art, I was very surprised to find all of the tremendous galleries that were currently up at the museum. In addition, after exploring the entire museum there was one gallery that really intrigued me, and this was the gallery of Antoine Ponchin and his son Jos. Henri Ponchin. What made the Ponchin gallery so interesting to me was both the father and the son were landscape artist. Moreover, both Ponchins travelled to many locations to paint magnificent pictures. Choosing a picture to paint about from this gallery was a challenge for me mainly because both Antoine and Jos.
God is looking upon and reaching to the saint on the cross in the devastating scene. This is a narrative as it is portraying a secular event. Religious paintings are narratives derive from the Holy Bible. People in the painting include a guard, two executioners and other
The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with
Over in the middle of the painting, there is a more pronounced aperture looking over a waterway and rocks. The outline of the aperture makes up the shape of the face, the woman sitting down looking over the other way forms the mouth and nose of the face and the rocks at the distance form the eyes. All these objects clearly form the face of adolescence. Over on the right side there is a smaller aperture looking over the shore and what seems to be a woman on her knees. The figure of
One angle is also bearing the symbols of the crucifixion like the lance Christ was stabbed with and the crown of thorns. The top part of the painting as a very calming and gentle tone to it. Both panels show Jesus but they look like two different people. On the left he 's lifeless, has no clothes on and seems weak. The middle ground between heave and hell is small.
Trying to keep an Empathetic approach to religion, I choose to focus on the Avarice(greed) portion of the painting because that is my theme for this project. In this portion of the painting it looks like grey haired man to the right is pay someone to assisted him and seeing that there looks to be scribes sitting down taking notes, it might be that the grey-haired man is paying off a judge. This is my interpolation of the painting and this what I love about the arts and how art and culture intertwine to help us express ourselves and understand cultures different from our own. The Greed within this portion of the painting can be tied to resent history with in the United States of America with mafia paying off judges and cops to get there members off with a lighter sentence or away with the crime all together. It is amazing that over 500 years ago humans were painting pictures of greed and humans have still not learned to stop being so
Art was and still is a big thing in Italy. During the Italian Renaissance (14th to 16th century), art was considered to be an important role in society and paintings from the Italian Renaissance still exists today. Some artworks are Mona Lisa by Leonardo Da Vinci and The Peasants Wedding by Pieter Bruegel the Elder. These 2 artworks shows that they are from the Italian Renaissance through art characteristics such as S shapes/curves, Chiaroscuro, and how it is Realistic. With these art characteristics, it shows how they are inspired by humanism, individualism, and secularism (HIS).
When I analyze this painting, my eyes are drawn to the building in the bottom left which seems to resemble a church. It has a white steeple and roof line along with light red brick for the walls. The color, style, size, and position of this particular building sets it apart from the rest of the buildings which all seem to blend together along the composition. The building’s edge meets right with the fence line along the field in the bottom left corner of the piece. It prompts viewers to begin their focus on the left of the painting instead of drawing our eyes directly to the center.
In my personal bias of the painting, I interpreted the painting as a spirit going to heaven. The painting consist of a figure of white and a ground of blue. We focus our attention at the white being presented and then following by the
In the painting there is a great detail that is shown. The tassels on the bed and the way the curtain falls gives a textural component to the painting. The artist also chose to use vertical repetitive lines in the tiles, and the tassels are feminine. There is also a slight curve in her body shape and her backbone, and her voluptuous yet curvy silhouette that shows femininity. Her legs overlapping each other, turban on her head and having her
Reflections, shadows, and earthly objects can be portrayed in this painting as well. Although they are both telling stories about
The artist Dieric Bouts painting is called Virgin and Child. This painting dates back to 1455-1460 and is drawn with oil on a wood panel 81/2 x 61/2 . The time period is Netherlands, Haarlem. The Virgin and child are paint about the Virgin Mary and her love for her son. The Virgin and Child coloring is mostly pale skin tone, with royal blues symbolizing royalty and, white symbolizing purity.
Please describe EVERYTHING you see in the work of art IN DEPTH AND IN DETAIL. If there are people in the work of art, please count them. You should also look up on the Internet the identification of the most important people in the painting. The Kiss of Judas is a scene depicting the arrest of Jesus.
