“Reflection of Inner Self” series on my work Ndiyaphila Ninjani Nina?
Conceptualization:
The act of selflessness is often one that we are taught, as women, should come naturally to us. We are taught to be givers and forgivers. We are taught to help the wounded before we help ourselves. In my work “Ndiyaphila, Ninjani Nina?” depicts an enchained woman with a frustrated expression on her face. The title of my work when translated from Xhosa to English means “ I’m doing well, thank you, how are you?” which is a contradiction to what you see in my work as the woman doesn’t look very inviting. She is physically and emotionally in a position where she would not be asking how someone else is doing. This speaks of the selflessness women are constantly
…show more content…
However, after looking at Hutchison’s “The Decision”, I realised that my work was missing a personal link. The “The Decision” work made me think of my own emotional turmoil and confusion. I saw that my work was not only about my tradition but about my identity as a whole. My identity being my past experiences, the things that have hurt me and the things that I hide in my subconscious and do not want to speak about but play a huge role in my life today. In realising this I added a few more things into my work such as symbols and items that make up who I am. This included sage as a spiritual link, a modern European corset to speak of the Western world that I have been brought up in but feel as though I am being forced into as well as a chain of traditional smoking pipes which speak of the ties I have to my tradition both because of my age an and my …show more content…
One way being in a thick black frame that has a veil over it and will be placed high up on a wall. This is to speak of mourning and death. The death of one’s self when lost in other people and the feeling of no longer feeling alive because of being constantly pressured by your own emotions that need to come out but cannot. The second presentation idea is to have a rectangular box surrounding it’s frame, looking like a tunnel of some sort. I want my viewer to look into the tunnel and into my subject’s world. To feel a sense to either help her or to walk away from her because she is in this dark [place and looks rather uninviting. This speaks of what I often go through with my family as they at times want to help me and make me feel better but struggle to because I put up this aggressive wall against them which just ends up pushing them away from me. This hurts me but is a self-inflicted pain as I am pushing them away from me by my actions because I am hurt.
View of Work:
The creation of my work was to bring about social awareness around traditional patriarchy, one’s identity and mental state. I bring out these different things in my work through subject matter, symbolism, colour as well as my expressive style. For my viewer the most evident theme will be the mental and emotional state as my subject matter’s facial expression shows clear feelings of unhappiness and frustration.
1- Talking about inspirations, I need to divide into three different categories: concept, style, and material. The idea for this series of drawings comes from human life cycle and I visualize it based on my personal surreal imagination. The human 's life cycle always start by a zygote, then the zygote becomes an embryo, after born there are two main stages, first is before adulthood when there are many conflicts and variances that shape the personality, another stage is the adulthood when the character is totally formed and all those conflicts become part of the personality. During the whole cycle, changes are needed for the evolution. I decided to show these changes with limbs and their different gestures which express diverse feelings.
She also reflects on her upbringing and her childhood to highlight/renforcer the contrast between her family’s beliefs and hers/how she is. In a personal
Throughout my life I have come from and created a few identities for myself. Perhaps, the most dominant identities that have been apart of my life are being an athlete and being a family orientated man. In this paper I will write about how my identities have shaped my life. First off I believe my biggest identity is being an athlete.
When authors want to make a point that leaves a memory or needs to make you think about something, they typically use imagery. It can inscribe an image to show the severity or serenity of the moment in a way different from the normal statement, in a deeper way that can leave you with a feeling of joy or fill you with sorrow. In Night, Elie Wiesel uses imagery to show that surviving during the Holocaust was difficult and often given up on. In the beginning, Jews were expelled from their homes, leaving the town barron.
When you give the reader a visual representation of a concept, they are able to put themselves in the situation and relate.
Before the start of this class, I overused common imagery such as “shine bright like a diamond” to try to convey my feelings. Writing with clichéd imagery dilutes the reader’s attachment to the story because emotions are absent. In this class, I have learned that I have to reflect on my true feelings and emotions before writing. Hopefully allows my readers to feel what I once felt. My favorite imagery that I have written in this class was the spider web in the essay about my grandfather.
Artwork is a form of self-expression from an artist based on life experience, or on something that the artist feels strongly about (Berenson, 87). The product of art can help others with similar experiences but not able to express the same feeling themselves. From the product of art, people can start drawing excitement, purpose as well as encouragement about the real thing being expressed. Through a piece of art, the artist can communicate a purpose, an emotion or an idea in their work. In this research paper, I compare two pieces of artwork; Madonna and child with the saints by Giovanni Bellini and Madonna and child with the two angels done by Fra Filippo Lippi.
How others see you is influenced by material, social, and physical constraints. This causes a tension between how much control you have in constructing your own identity and how much control or constraint is exercised over you. How we see ourselves and how others see us differ in many ways, but is an important factor of our identity. “A Lesson Before Dying”,
Later, the cultural critic Stuart Hall has opined about the changing nature of identity. He says that there is no fixed identity that can be attributed to an individual for his life period; it evolves through several changes in each phase of life. So it can be understood that formation of identity involves several steps: construction, reconstruction and deconstruction. The politics behind this formation may depend on the nature of identity that an individual tries to hold. Indeed, the cultural critic Kobena Mercer reminds us: “One thing at least is clear - identity only becomes an issue when it is in crisis, when something
This quote draws an emotional experience to many readers. Many young people grow up with fairy tales and the idea of unconditional love, regardless of our flaws. So, this emotional connection can see the tone reflects the speaker 's unconditional love for the woman. The poem 's form, diction, imagery, and tone relay the speaker 's attitude toward the woman. The order of the stanzas and the word choice makes it apparent that the speaker loves the woman.
The Process of Reflection The process of reflection is central to clinical supervision. Launer (2003) describes external and internal factors in supervision whereby clinical practice and sharing skills are external and reflection is an ‘internal conversation.’ Brunero & Stein-Parbury (2008) discussed the effects of clinical supervision in nursing staff and argued that self-reflection generates a sense of self-awareness and knowledge to the individual. Supervisees or students may be asked what happened during a clinical event, how they felt, the implications of their actions and what they would do differently if faced with the same situation.
Her personal experience is socially and theoretically constructed and emotions play an essential role in the process of identity formation. Her identity is not fixed, which is portrayed by inquisitiveness that her own mother and Aunt thought she was possessed, enhanced and made this story an enriching experience. The family is the first agent of socialization, as the story illustrates, even the most basic of human activities are learned and through socialization people
Reflection, what is it? By David Mulcahy. (14375771)
Over the course of this winter quarter, I have learned in my class of Psychology of Wellness how to incorporate mindfulness into my daily life. The definition of mindfulness is considered an art. In the book of the Fully Present, the authors Susan Smalley and Diana Winston transmitted their wisdom on how to learn, practice and cultivate this art. According to the mentioned authors, they defined mindfulness as “the art of observing your physical, emotional, and mental experiences with deliberate, open, and curious attention” (2010, p.78). This definition shared by the authors is simple, but it communicates what are the characteristics that an individual needs to consider when it comes to being mindful.
1.2 Statement of Significance Art can do lots of things that can create powerful and great changes in ourselves. Artist is someone that is so hard to read if we fail to understand them to interpret the underlying meaning behind their painting because it is their getaway to express their emotions and desires to the community. To accomplish this, the artists are communicating with the society by delivering their messages through their artworks.