The Most Dangerous Game Literary Devices Analysis

The fictional world is full of chaos, as people tend to prefer unstable theories to countless philosophies. Specifically, there is a literary shift from linearity and order to randomness and fragmentation. Consequently, Postmodernist writers understand that their works are subject to interpretation; however, they believe that the flexibility of understanding in texts is the basis for the development of innovative ideas in society. Moreover, Kurt Dinan writes in a nonlinear, flexible fashion by writing with a component of Mystery. Subsequently, the reader can make different predictions on what will occur throughout Don’t Get Caught, and the ability to predict and analyze uniquely is one of the principal ideals of Postmodernist literature.

The imagery that Connell creates in The Most Dangerous Game captivates the audience into a tale that makes one’s heart stop even for a split second. The feelings of suspense are nearly tangible to the reader when the silence of the writing surrounds them. Additionally, the two contradicting moods are easily flowed through together and yet discreetly set apart due to Connell’s use of imagery in various scenes. Despite all the other literary devices used within The Most Dangerous Game, imagery has to be the element that really allows the emotions of the literary piece to connect to its

Additionally, it is also an example of personification because the night can’t crawl. Next, the second example is “He strained his eyes in the direction from which the reports had come, but it was like trying to see through a blanket.” This simile is comparing seeing through a blanket to trying to see where the noise came from. The author likely used this simile to better explain to the reader that the scene was very dark.

The Book Thief was one of my favorite books that I have read so far, the author, Markus Zusak used imagery and used foreshadowing to prepare the reader for more important events. The author switches from the first person and third person point of view and how it gave you different perspectives. In the book, there's a sad tone and some humor in the book as well. The author uses flashbacks to inform the reader of previous events.

Overall, In Beauty Bright is an enticing, interesting collection of poetry that was difficult for me at first. However, once read thoroughly the book tells intriguing stories through its descriptive powers that are incorporated not only in Stern’s words, but in his format of poems. Due to all of the details in the poem it can make the reader feel as though they are in the picture that Stern paints for

The style of which the story is being written is both descriptive and quite colorful, for example, “Um-hmm!... Ain’t you got nobody home to tell you to wash your face?”(Hughes pg.1) Hughes also introduces some specific languages and styles of literary devices such as repetition, hyperboles, and interjection. He also uses an exaggeration when trying to make a point, for example, “She said, ‘You a lie!’” ( Hughes pg.1 ).

Stories often possess foreshadowing. Authorsemploy foreshadowing either by briefly mentioning an important issue earlier in the story or by evoking certain emotions that make readers predict what will happen later on. Foreshadowing enables readers to notice the mood of the story, whether it is a fun story or a tragic one. By writing a story, an author becomes capable of delivering their thoughts to readers, and foreshadowing is one of the best tools that authors can use to implant dramatic effects in the story. However, it is not always easy to find what the foreshadowing are, and what their effects are.

Additionally, Poe applies connotative diction to his short story to make it more effective. Undoubtedly, Poe includes connotative words that suggest danger in his story. For instance, he states, “‘True—true,” I replied; “and, indeed, I had no intention of alarming you unnecessarily; but you should use all proper caution”’(Poe, 61). Poe’s use of the words “alarming” and “caution” show connotative diction and cause the mood to feel a bit dangerous and threatening. The author also adds eerie and dark words to add to the connotative diction of the story.

In the short story, “The Most Dangerous Game” by Richard Connell, suspense is created through the use of foreshadowing, different points of view, and cliffhangers. Without suspense, the book would be boring and uninteresting to read. The author uses these three main techniques to keep the reader engaged. First off, Connell uses foreshadowing to create suspense by using appalling words to map out the near future, and by using dialogue. The author uses dreadful words like “dark” and “cannibal” to foreshadow the daunting future.

Suspense is usually what creates a story. It allows the reader’s mind to wander. It drags them in wanting to read more. In the short story, “The Lottery” by Shirley Jackson, suspense is what makes the story so intriguing. Although, it allows one to wonder what actually could have happened and all of the subtle horrors that are hidden within the story.

Without literary devices, the stories you read would be dull and uneventful. This is why Richard Connell effectively uses similes and imagery in “The Most Dangerous Game” to help give it life. In this story, Connell used similes to give the reader a feeling of how things looked or felt. On page 19 the author wrote “...but it was like trying to see through a blanket” (Connell).

Richard Connell’s uses similes in “The Most Dangerous Game” to build suspense and make the reader think deeply into the meaning of the text. Connell’s use of similes creates a very suspenseful tone throughout the story. In doing so, he forces the reader to think deeper into the meaning of not only the passage, but the story as a whole.

Literary Analysis Collection 1 In the 3 stories, “Liberty”, “The Sniper”, and “The Most Dangerous Game” there is conflict over the three stories. It all has a setting, conflict, and charters. Each charter has a conflict in each setting. But they have their similarities and differences.

In his short story, “The Most Dangerous Game,” Richard Connell makes it clear that man can be divided into 2 categories: the hunters and the hunted. His characters Rainsford, Whitney, and General Zaroff all have their own beliefs about hunting. Rainsford believes that animals cannot feel anything. Whitney believes that animals can feel fear. General Zaroff believes that God made some people to be hunters and others to be hunted.

Literary Terms: The Most Dangerous Game “Literature adds to reality, it does not simply describe it.” {CS Lewis} In the story, “The Most Dangerous Game”, by Richard Connel, a dangerous situation arrives. The description of this event makes the imaginary feel realistic. Rainsford, in the beginning of the story, is saved by General Zarhoff, but eventually is now in a game where Zarhoff is trying to kill him. Connel uses literary terms like characterization, mood, and imagery to show Rainsford never gives up even through big trials, which shows his character.