Meeting The Three Graces Analysis

. created by an artist.” The women in Klimt’s paintings are not people, they are merely objects, [BETTER DESCRIPTION]. Patsch then states “many of Klimt’s nudes….display both the wish for unrepressed sexual expression and at the same time the regressive male image of woman as merely sexual creature of nature….” Klimt is still a male in the nineteenth century; he does not understand the perspective of women. To Klimt, women are there to be passive and are only used as symbolism for birth and fertility. This is even more present in Klimt’s drawings, which portray women in more of a sexual nature than

It is unclear whether this kiss should be interpreted as friendly or romantic. Some literary historians, such as Michael Morgan Holmes, have theorized about suggestions of female homoeroticism in “The Description of Cooke-ham” and other works by Lanyer and claim art was the only outlet at the time for women who felt homosexual attraction to express there desires (Holmes 168). However, Lisa Schnell has hypothesized that intimate recounts of encounters, such as those in this poem, are largely exaggerated, and possibly even made up (Schnell 81). Regardless of whether the scene was romantic or platonic, or whether it ever actually took place, it conveys the message of Lanyer’s sense of grief at losing her

In “A Woman’s Beauty: Put-Down or Power Source” by Susan Sontag, the question of the importance of beauty to both women and men. She starts by giving the history of the meaning of beauty to both of the sexes. It make sense that beauty was a virtue in ancient Greece, because of how the saw humans at that time. They could make certain people kings or queens based on their looks. She talks about how Christianity was the first stepping stone to seeing beauty as associated with only women.

It seems like he thinks that Durer’s drawings were failures because he drew them too accurate. The perfect nude is a combination of favored parts of hundreds of women. Supposedly, a proper nude is somewhere in between a mythical and realistic woman. Either it lacks enough beauty or it is too fake and cannot be real, therefore neither can be considered a successful nude. Nudes should be “ideal beauty” which differs not only from man to man, but from time to time.

Trying to impress others by hiding your true self is a trait that thousands of people acquire. A natural want to seem better than others often causes people to fake their behavior and suppress their true colors. It is our colors that define us, but many use other palettes to change the way they appear to the public. In The Great Gatsby, F. Scott Fitzgerald uses color imagery to illuminate traits and intentions of specific characters. White, silver, and gold are attributed to Daisy to exemplify her front of innocence and effort to hide her immoral nature, while yellow, grey, and brown are ascribed to Myrtle to illustrate her veneer of wealth that tries to cover her poor, despairing lifestyle.

The “Siren Song” was written by Margaret Atwood and was part of her 1974 collection, You Are Happy. Her poem is based off Homer’s The Odyssey, where the hero Odysseus is able to resist the sirens, but his men were attracted by the melodic voice of the sirens. Atwood adapts this myth by creating her poem from the perspective of one of the sirens, which is in first-person voice. The way Atwood structured her poem is concise because it represents the three sirens in Greek mythology. Atwood’s use of word choice is very clever and particular because it makes the reader feel sorry for the siren and makes the reader want to help save her.

Crime of Innocence William Butler Yeats’ poem, “Leda and the Swan” is a dark tale that originated from the Greek myth in which Zeus takes the form of a swan to seduce the beautiful woman, Leda. The swan is traditionally symbolized as beauty and grace in Greek culture (pure spirit). Yeats uses the representation of a swan as an illusion to set the tone of the poem, where the readers would expect the swan as a protagonist. Contrarily, the swan revealed to be the antagonist. The speaker uses abstract words that appeared less destructive than the actuality happening as well as a double meaning in his writing.

Shakespeare again presents the theme of this sonnet in an unconventional way. Shakespeare is describing the girl he loves, however, it surprisingly sounds insulting. Shakespeare compares her to many images of beauty like the sun, coral, roses, and even a goddess and expresses how she doesn 't compare to any of their beauty. He finishes however by saying, “And yet, by heaven, I think my love as rare as any she belied with false compare.” (lines 13-14) I love the ending of this poem. Shakespeare is saying even though she not as good as all the things he compared her too, she is still rare to him.

Although their situations with these factors were more drastic due to their abilities, the gods still reacted and behaved similarly to humans. In the novel, Mythology , it is shown that the behaviors of the Greek gods that were influenced by the desire of love were extremely similar to those of a human. When Cupid falls in love with a mortal girl named Psyche, in an attempt to assure that no one else would marry her, the text states, “He put some drops of water of Psyche’s lips, a charm to prevent anyone else from falling in love with her, “ (33). This shows that the god, Cupid, takes drastic

The main difference is there emotion towards mother hood. Plath has a ambient emotion like she shows love when she says “Fat gold watch” while she also shows sadness and struggles when she says are safety” she is also honest about it which is clearly shown when it says “I’m no longer your mother “she is surrealism while Duffy is showing pure feeling through her poem like when she wrote a extended metaphor relating to light which symbolizes innocence beauty happiness for example it stated as a candle until it ended as a full moon The use of the tool enjambment is differently use though out the poems . in Duffy’s poem applies enjambment to show a new stage of development in her daughter’s life where as in Plath’s poem a applies enjambment to show the to the ending ending of the poem when the sun rises up, the structure in Moring song is also written in short term while Duffy is in long-term. Plath and Duffy both describe there appearance but differently , Plath uses aural imagery which also suggest how far she feels form her baby she feels as if it wasn’t her baby and stresses out as a new mother as she says “Victorian nightgown” and “cloud that distills a mirror” while Duffy enjoys being a mother

When people think of natural hair they think of nappy, crunchy, and dry brittle hair. The people who thought that are wrong. Natural hair is beautiful curls and coils that define African American women. Natural hair is better than relaxed hair because it has a beautiful texture, multiple hair styles can be applied, and natural hair grows much faster. Natural hair has a beautiful texture that makes African American women diversed.

Provide significant details about the author (120-1): Homer was probably from the Western Asia Minor, he might have been a rhapsody who performed for an audience. Style5 conventions (121) - Stock epithet- a way an author describes someone or something with a phrase or word Philosophies (Women)- He made most of his goddesses in his epics more powerful than the gods often. This might mean that he might have had more respect for women, therefore he made them more mighty in his epics. Criticism- Not much is known about Homer, so skeptics often doubted his work. Some think that Homer might not have fully wrote his stories or relayed them correctly.

And so the creation of an ideal woman was made of the same ideal parts forming "beautiful monsters." A representative idea is Parmigiano 's which focuses on the elongation of the body featuring many, curvaceous bends of the torso, and long, slender neck related to the shape of a vase. This vase "swells out from sturdy neck making it appear more slender, and this resembles the ideal, fleshy hipped woman, who needs no belt to set off her slender midriff." Her breasts are also supposed to “swell outwards and upwards” with no sign of bone of hard chest underneath and, the most beautiful leg is long and slender. As seen in Europa, she has none of these qualities.

Behind the drapery there are soft, concave lines that are almost not even lines. These define the shape of the woman’s navel and guide our eyes to the shape of her legs. The shape below the drapery is soft and supple giving the piece a sensual feel. In my opinion, this is emanates femininty and really sets the tone for the entire piece. The lines in this piece that are the most prevalent actually divide the piece into two planes.