Manroop Dhaliwal Mr. LaSalle Film 09 March 2016 Casablanca Movie Analysis Casablanca takes place around the time of world war II. It revolves around a few characters, Rick Blaine who is of the main characters along with llsa. Other characters such as lisa's husband Victor Laszlo, and Rick's loyal friend Sam Contribute to the movie by changing the mood and tone in some situations. The movie starts off in Rics pub in which after sometime llsa appears she was once Ricks love, but in Paris when they were both going to get out of the country due to the Germans invading it, she did not show up and from then on they never saw each until the time she walks in Rick's pub with her husband, a famous rebel Victor Lazlo. After that, Rick and llsa talk …show more content…
Whereas, it portrayed Rick in more of a sinister air with a dull kind of shadow effect on his face. We can see the lighting changes when Rick sees llsa come into his pub. They both see each other and the background of the scene turns a bit dark except for both of their faces, Ricks emotionless face leaves and the dull lighting on his face that usually is shown around him leaves and both of their characters are surrounded glow with a soft light, especially around their faces. From there we get a hint that they know each and have some sort of romantic connection. Another scene that shows us good example how lighting changes the way we feel about the movie is the part where Rick and llsa are planning to leave the country of paris and Rick is waiting at the train station for llsa to come around. However, he receives a letter saying she cannot and when he opens the letter and starts to the light is mainly focused on the letter, since it's raining the ink on the paper is starting to drip down from the paper and shows us what kind of a dark and sad moment it is for Rick, and the light makes the paper standout in the darkness making us think that it’s a very important piece of the movie. One of the best scenes in the movie is when llsa and Rick are
In the movie Bilbo is trying to get a knife from the troll's belt to cut the rope that was tieing down the cattle he is there to save. He makes many attempts to get a hold of the knife, until the troll reaches behind his back to get a tissue and accidentally grabs Bilbo by the neck. (Jackson) Peter Jackson uses several visual techniques in this scene to display and exemplify his idea of this segment. He uses lighting to show the mood and tone of the scene. For example, it was really dark and the woods were only lit up by the fire light.
Patrick Granfors Mrs. Collins English 9 22 January 2015 Analytical Essay for The Outsiders, by S.E. Hinton In The Outsiders, by S.E. Hilton, we go to a time where gangs remain dominant and run the streets. S.E. Hinton tells us about two enemy gangs. The Socs, one of the many provocative gang groups, kids who live lavish lives and get away with the crimes they commit because they look clean cut and look like good innocent kids on the outside.
Mr. Burns has multiple instances of the lighting affecting the overall mood of the play. As previously mentioned, the first act has a generally somber mood, and the lighting of the first act is very tactically dim. The lights would shift to focus on the speakers but would strategically be low so that our main focus was on the actors and not everything around them. The second act requires a lot from the set so there are a lot more lighting, and it’s a lot brighter all across the board. The third act has more serious tone so the lighting is brighter than the first act but very minimal.
The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.
The intriguing world of Casablanca, displays a wondrous mise-en-scene in fashion that accentuates emotions and feeling through aspects of cinematography. From the movement of the camera, to the intricacy of the shot distances chosen to be included within the frame, the film reveals important elements of the diegesis without uttering a sound. The cinematography of Casablanca gives the audience an insight into the intimacy of Rick and Ilsa's relationship, and seeks to situate the viewer’s attention to the space and time of the film. Throughout the film, Rick’s romantic relationship, or rather previous relationship, with Ilsa appears to be a focal point of the film.
Those that believe Casablanca is not film noir usually perceive Film Noir as a genre. Noir is not a genre; Noir transcends genres and behaves more accurately as a style of cinema. As styles go, there can be variations of them as we see now with Post-Noir and Neo Noir, noir elements in a different time period of film technology which makes these films slightly different than the style of classic film noir. Themes of cynicism, impending doom, loss, jeopardy of life accompanied by visuals dominated by shadows, strong lines, and overall darkness to the image make up film noir’s style. Noir is not absolute, the beauty of this style is its vulnerability to variation, which is why Michael Curtiz’s Classic Casablanca is film noir.
Narrative is generally accepted as possessing two components: the story presented and the process of its telling. A story can be presented in two basic ways, as a linear narrative and as a non-linear narrative. Linear narratives follow a straight line and non-linear narratives usually start at in the middle or in the height of conflict. Casablanca and Memento are two films which contrast in narrative approaches.
The colors and lighting are very unchanging much like the town Endora. The only exception is when there are strong emotions within the film. There is a warm glow of lighting by the sunlight or fire whenever there is a time of love, be it brotherly or in a romantic way. During the melancholy times of the story, the lighting is either dim when it relates to death, but when a character is feels lost in their emotions the director
These different lighting techniques are applied in the movie to help set the tone and mood for the film scene. The
Michael Curtiz’s Casablanca (1942) is a film based in WWII around different nations involvement in the war. Casablanca is a stylistic piece of propaganda based in Casablanca, Morocco, a hotspot for Europeans escaping the war and Nazi government. Within the movie each character represents a nations stand in the war. Because of this each character is compromised in certain ways and has clear flaws. Ilsa Lund, the main female character in the film is renowned for being extremely manipulative and overly emotional because of the way women were seen in this era.
The use of contrast and the play with light and darkness is fascinating. It has a great psychological effect on the audience. The Don Corleone’s office is submerged in darkness and the characters in the scene come in and out of the light, thereby directing the focus onto them. A very large part of the film is shot in low key lighting, to emphasize on the theme of the film which is essentially, the life story of the Mob in
“Avatar,” a rich, suspenseful, marvellous three hour film encompasses an enticing story comprised of many key concepts from within our textbook. Through this film analysis of the film “Avatar,” one can inform themselves about the many key concepts within our textbook and how they correlate with the film; these key concepts discussed within this film analysis and demonstrated throughout the film include: self-disclosure, managing emotions, cultural differences in relationships, family rituals, and interpersonal conflict. Through this film, it was revealed that one can create an interpersonal relationship by following the key concepts of communication found within our textbook, regardless of vast cultural differences. After the homicide of his brother, Jake Sully, a paraplegic war veteran and ex-Marine was appointed the position of fulfilling his brother’s pivotal role in
Tim Burton 's use of this helps show the contrast of the insider and outsider world. When the viewer is watching they get a sense of suspense and start to second guess whether or not they should trust the outsider. In Edward Scissorhands Burton uses a high-key low-key light contrast when Peg is in her car and sees Edward 's house in her side mirror. When the viewers are watching they get a frightened sense and wonder whether or not Edward or whomever is in the house will
Side lighting is light which only illuminates part of the subject. In this image it is John. This shows that there is conflict and an unexpected feeling to the film. This lighting expresses to the viewer that danger is around as well as suspicion. The King’s Speech is a film about a man with a severe stutter and his journey to recovery.
This gives the audience an ominous feeling whenever there is a scene in the industrial area. The lighting in Romeo and Juliet is used to create a more direct tension for specific events. When Mercuito dies the weather immediately picks up and turns into a storm. The lighting is dark and direful and this heightens the tension at this point in the film as well as indicates to the audience how serious the consequences of this death will be. Because the lighting is used to add to the dramatics of the movie is makes it easier for the audience to feel the