Charleston writer DuBose Heyward is famous for his literary illustrations of Charleston, South Carolina. His poem “Dusk” is no exception. “Dusk” creates an iconic image of Charleston, captivating the emotion and aesthetic of one of the oldest cities in the South. Heyward describes how many people describe the physical beauty of Charleston and admire its gardens, flowers, and weather. He believes that these people do not truly know her beauty like he does because he knows her “tenderness, her courage, and her pity” (4), taking his experiences of Charleston farther than the physical realm. He states that he could never attribute her beauty to “her laughter, and her happy drifting hours” (10) because he has felt an emotional connection to …show more content…
While this may seem cliche, and his poetry is “largely dismissed as fragmentary and conventional” (Monroe), Heyward’s decision to personify the city helps the reader understand the level of complexity behind how the city has molded his life, building onto his thesis— the city is not just a place, but a force, a force capable of affecting him in ways that cannot be expressed in “wood and stone” (7). Although he explores aspects of Charleston that tourists do not address, he does not address the racial issues he studies so thoroughly in his famous novel, Porgy. Heyward’s decision to do neglect this darker side of Charleston may seem uncharacteristic of his “sensitivity to the rhythm’s of African-American life” (Monroe) but his reasoning becomes clearer when one considers his message. Choosing to include the injustice would create too much of a negative image of Charleston, not only distracting from the message of the poem, but also contradicting his thesis. Heyward writes the poem to describe how he experiences Charleston’s greatness in a different way and is able to look past “her dim old faded ways,” (9), which could be a possible reference to the systemic racism during Heyward’s
In order to encourage readers to make connections to his report, Hanchett leads the reader to focus on his responses of questions that he brings up for his own curiosity. Have African Americans and whites always lived in a separate neighborhood? Why the workers started to live apart from their owners? What factors determined the patterns of Charlotte’s growth? These are the questions that Hanchett brings up and he would answer throughout the book in a detail manner.
I. Introductory Paragraph and Thesis Statement Phillis Wheatley has changed the world of the literature and poetry for the better with her groundbreaking advancements for women and African Americans alike, despite the many challenges she faced. By being a voice for those who can not speak for themselves, Phillis Wheatley has given life to a new era of literature for all to create and enjoy. Without Wheatley’s ingenious writing based off of her grueling and sorrowful life, many poets and writers of today’s culture may not exist. Despite all of the odds stacked against her, Phillis Wheatley prevailed and made a difference in the world that would shape the world of writing and poetry for the better. II.
Truly successful authors have the ability to convey their view of a place without actually saying it, to portray a landscape in a certain light simply by describing it. In the provided excerpt taken from the opening paragraphs of “Shame,” Dick Gregory does just this. Through his use of stylistic elements such as selection of detail, old-fashioned language, repetition of words and simple sentences, Gregory reveals the shame within being poor setting the stage for a periodic ending. Beginning in the first paragraph of the passage, Gregory selects the two most simple sentences introducing the shame saying, “ I never learned hate at home, or shame. I had to go to school for that” (1).
Some see the ugliness in the most beautiful things but others see the beauty in the most hideous of things. The poem William Street by Kenneth Slessor demonstrates this thesis statement as he talks about how he sees the beauty in the street that is renowned for its ugliness and the unsightly surroundings it is engulfed with. This poem's literary techniques and imagery gives the readers an insight into the environment and the surroundings that are seen vividly even though they are described through the use of foreshadowing. Each stanza gives the readers a different understanding on what is going on during the poem.
In the nonfiction novel, “Midnight in the Garden of Good and Evil,” American author, John Berendt, gives his account of a 1981 murder case that took place in Savannah, Georgia. Even though during the 1980s, United States as a whole is heading towards prosperity as the Cold War ends in 1981, he repeatedly touches back on the undercurrent southern racism. Berendt draws a vivid picture of Southern Gothic weirdness to convey, using real life occurrences and characters, the idea of what kind of people exist in the community to readers of all places. The writer uses rhetorical devices such as description, foreshadowing, and dysphemism to successfully depict the occurrences in suspenseful yet humorous tone.
In describing the land as extensively beautiful and “out there”, Truman Capote is setting an environment of an isolated small town, where not much ever happens. This sets a contradictory theme for the rest of the book, as a small community of neighbors and friends turn on each other after a series of murders take place. In describing the town of Holcomb, Kansas, Capote uses strong imagery to set the tone for the small town as “calm before the storm.” Furthermore, Capote compares the unique grain fields to that of ancient Greek temples, indicating that the story contained in this novel has a larger significance as an inside look of timeless human themes such as murder and hatred and how these have existed for all of humanity.
Eatonville is a place of repression, what with how Janie worked in the shop, and how gossip ran rampant through the town if deliberation occurred. Eatonville is not a negative and antagonistic place, but simply a place of high standards, which did not suit the independent nature of Janie Crawford. Opposing this place, the rural location known as “The Muck” has almost entirely different motifs. The Everglades was home to farmers and common workmen, not the high-class citizens of Eatonville. People were also free to come as they were, and be treated equally.
“While I admired her understanding and fancy I loved to tend on her, as I should on a favorite animal; and I never saw so much grace both of a person and mind united to so little pretension.” He was in love with her since he saw her and the beauty, both physically and mentally, she
He could imagine his deception of this town “nestled in a paper landscape,” (Collins 534). This image of the speaker shows the first sign of his delusional ideas of the people in his town. Collins create a connection between the speaker’s teacher teaching life and retired life in lines five and six of the poem. These connections are “ chalk dust flurrying down in winter, nights dark as a blackboard,” which compares images that the readers can picture.
Being a black woman raised in a white world, Ann Petry was familiar with the contrast in lives of African Americans and whites (McKenzie 615). The Street, centered in 1940’s Harlem, details these differences. While Petry consistently portrays Harlem as dark and dirty, she portrays the all-white neighborhoods of Connecticut as light and clean. This contrast of dark vs light is used in the expected way to symbolize despair vs success.
Racial tensions during the 1920s, in which “Incident” was written, were especially high, with a dramatic increase in membership of the KKK and Klan “manipulation of state and local politics” (3), an uptick in hate crimes, race rioting resulting in imprisonment or death for hundreds of black Americans, and the poor treatment of black soldiers coming home from WWI all contributing to one of the most racially charged time periods in American history. Despite racism being a daily and lifelong experience for the vast majority of African Americans during this time, Cullen depicts racism as solely singular throughout the duration of the poem, extending its singularity even to the title itself—“Incident.” So then, given the prevalence of racism at the time, why did Cullen make the decision to limit the experience to one isolated
For I ne’er saw true beauty till this night.” (I. v. 57-58) he proclaims out loud. Letting his heart take over his head, he subconsciously makes his way to her, where their lips press together like hands in prey yearning for a better future. However, the hope is to no
In the novel, ‘To kill a mockingbird, Harper Lee demonstrates the small, imaginary town, the Maycomb County, as a place where racism and social inequality happens in the background of 1930s America. Not only the segregation between whites and blacks, but also the poor lived in a harsh state of living. As Scout, the young narrator, tells the story, Lee introduces and highlights the effects of racism and social inequality on the citizens of Maycomb County by using various characters such as Boo Radley, Tom Robinson, and Mayella Ewell. Firstly, Harper Lee portrays Boo Radley as a victim of social inequality through adjectives and metaphor in the phrase, “There was a long jagged scar that ran across his face; what teeth he had were yellow and rotten;” ‘Long jagged scar that ran across his face’ tells us that Boo Radley has stereotype about his appearance, which forces to imagine Boo as a scary and threatening person. The phrase, ‘yellow and rotten’ make the readers think as if Boo Radley is poor and low in a social hierarchy, as he cannot afford to brush his teeth.
In his essay “Here,” Philip Larkin uses many literary devices to convey the speaker’s attitude toward the places he describes. Larkin utilizes imagery and strong diction to depict these feelings of both a large city and the isolated beach surrounding it. In the beginning of the passage, the speaker describes a large town that he passes through while on a train. The people in the town intrigue him, but he is not impressed by the inner-city life.
A Small Place authored by Jamaica Kincaid is consistent with these words. Her work showed great passion illustrated through rude language to demonstrate her experiences. She, one of many people, experienced struggle and pain throughout her childhood. Now she shares the story of Antigua, her home. By viewing through the Postcolonial, Marxist, and New Criticism lenses, the reader is able to perceive Jamaica Kincaid’s perspective on the changes.