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The Great Alone Film Review The Great Alone, directed by Greg Kohs, is a documentary about all time dog sled racer Lance Mackey. Throughout this film, it shares Lances story of how he came to love the sport of dog sled racing while also focusing on his relationships with his parents and dogs. What he ultimately discovered is that even through the hard times, you can still push through and become successful. His hard work and determination is inspiring. It’s taught me that even though life can be challenging, it makes us a stronger and better person. Having been interested about dog racing myself, I personally loved the film. Ever since I’ve seen the film Balto, I’ve always found it amazing how a team of dogs can run for so many miles. I found the quality of this documentary to be phenomenal. It offered comedy, drama, action and much more. All around it was a great film for everyone to enjoy. There were two main small
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He got into trouble with alcohol and drugs until finally, he met his wife. He finally had a relationship he could count on. From there, he began to think about racing the Iditarod. That dream came to a stop when he was diagnosed with throat cancer in 2001. Doctors told him it didn’t look good and he felt like his dreams were shattered. He thought he would never get the chance to make his father proud. Luckily, the surgery went successful and all the cancer was gone. A few years later, he rescued a team of outcasts or shelter dogs and began to train them. Everyone joked about Lance’s team. They were all rejects who weren’t made for races like the Iditarod. In 2007, however, he showed them wrong. He won the Iditarod. He felt like he was on top of the world. From then on, Lance won the Iditarod back to back for 4 years. He became a legend and his dad has never been more proud of him since. Lance and his parents have a better relationship because of his hardship and
He suffered throughout his life due to blindness and injuries such as his chest collapsing on the right side and breaking his leg, which was the most painful injury of his lifetime. Although he was dealt a rather rough life, he kept on going to do what he loved, which was race horses. Taking a look inside the rodeo world, numerous rodeo contestants leave the arena with injuries, quite similar to the racing world. A majority of the athletes that participate in rodeo rely on winning checks for their living, not unlike jockeys. So if they get hurt, which might cause them to possibly have to miss out performances, which means they don’t get their paycheck.
He “resolved” it with drinking but sobered up when he found God. After that, he dedicated the rest of his life to God and helping others. Louie, the one who fought in the war, was starved, and beaten, was the one who outlived everyone, dieing in 2014 at the age of 97. His life was truly a miracle.
This was the roughest time of his life, but he made it through and stayed strong. He was, after all, Unbroken, by what he had gone through. Louis would sit in a completely dark tiny little room for weeks on end, being starved and tortured. He would think of his family, his woman, and of course, running. Louis is one of the strongest people I have read about.
Numerous screenwriters and directors have often dealt in their films with the theme of borders, whether literal and officially recognised, like military ranks or state frontiers, or abstract and metaphorical, like those of morality, justice, race, and gender, along with several others. As a consequence, as John Gibbs points out, one could assemble these movies, especially those taking place on the confines between Mexico and United States, under the label of ‘border films’ (2002: 27); thus contextualising them in a very specific tradition, which includes pictures such as Touch of Evil (Orson Welles 1958) or The Three Burials of Melquiades Estrada (Tommy Lee Jones 2005). Accordingly, another notable movie belonging to the ‘border film tradition’ is Lone Star: an acclaimed 1996 hybrid of western and mystery film conventions, directed and written by independent filmmaker John Sayles. The picture recounts the story of a murder investigation, which leads the main character, Sheriff Sam
Bowker could not recover from it, he would slowly drive the seven mile loop around a pond that was in his hometown every day (O’Brien, 131). He could not get Sally Kramer, his high school crush, and his father out of his head (O’Brien, 134-135). Bowker kept saying, “I almost won the silver star” aloud, imagining he was saying this to his father (O’Brien, 135). He could not keep a job and he still drove his fathers car around town (O’Brien, 149). Bowker hung himself at the YMCA one day, two hours after he was playing basketball (O’Brien, 154).
This is when his willpower and endurance kicked in. He became set on surviving. He persists through being stripped bare of his family, clothes, and belongings. He runs faster than he ever has before to prove his health. He mostly pushes through to get his father to do the same.
Because he was unable to run, again it put him into a deep depression that was only cured after he became a Christian. A while after he became a Christian he was able run again and would eventually go to Japan to carry the Olympic torch. He did more than just run though; he did skateboarding, rock climbing and other adventurous things. He also created camp to help with troubled boys, because he felt like he needed to keep boys from going down the wrong path. He felt that way because if he hadn’t straightened out he wouldn’t have been able to have all those great life experiences.
One must find the influence and the aid of others to overcome challenges. The movie and book “Wonder” directed Stephen Chobosky by composed by R.J Palacio is a story about a boy named August Pullman who has a face deformity called Treacher Collins Syndrome. This causes his face to be irregular and look different compared to others. Auggie is starting his first day of school after being home school by his mother. As Auggie walked in the school, people were walking away and avoiding being near him.
The 1995 film adaptation of Sense and Sensibility, directed by Ang Lee and originally written by Jane Austen, has timeless elements in its composition. Starring Emma Thompson, also the screenwriter, and Kate Winslet as Elinor and Marianne Dashwood, the movie tells of two heroines and their struggle between balancing idealism and reality. As young, female adolescents of the 1800s, they are responsible for finding husbands that can support them financially; and following their father’s death and loss of money, this becomes even more emphasized. But, they come to struggle when having to choose between what their hearts crave, and what their minds know is best. Elinor’s ideal partner is the initially dull Edward Ferrars, who is discovered to be secretly engaged
Using evidence from the story I can clearly state that Chris McCandless from “Into the Wild” was full of braveness and courage, as well as arrogance and stubbornness. The last time his parent saw him alive he was muscular, clean shaven, and fresh off a college diploma. When he died he was skin and bone and had a very shaggy beard. He had so much to live for and threw it all away to follow his dreams.
I recommend the movie because it is full of humor, but is still very intriguing. The plot is unpredictable; the movie shows a story full of emotion, fighting, and
Topic 1: Film genres Through the 1995 film “Clueless”, written and directed by Amy Heckerling, the idea that film genres are located in industry and texts and audiences is clearly shown. “Clueless” is an American typical romantic comedy. This film can be seen as a hybrid genre as it include different characteristics of two film genres. In this movie, elements of humour and romance are both illustrated by its generic formulas and story content. The film talked about the heroine Cher goes through her perplexed teenage and finally realizes she is interested in Josh, her stepbrother.
INTRODUCTION “We conclude that in the field of public education the doctrine of ‘separate but equal’ has no place.” -Chief Justice Earl Warren Separate But Equal, directed by George Stevens Jr, is an American made-for-television movie that is based on the landmark Brown v. Board of Directors case of the U.S. Supreme court which established that segregation of primary schools based on race, as dictated by the ‘Separate but Equal’ doctrine, was unconstitutional based on the reinterpretation of the 14th amendment and thus, put an end to state-sponsored segregation in the US. Aims and Objectives:
O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.
Throughout life we are told to express our individuality and swim against the stream of the general population to put emphasis on the characteristics that make us, in short, individuals. Cherishing what makes an individual special and different is what establishes roots in creativity and self expression, however there is a forced false sense of comradery in today’s society that takes the form of involvement with the masses; peer pressure forces many people to fall into the mold of an average character. The Academy award winning film, “The Incredibles” displays the themes of expressing one’s true self and special qualities, and in contrast repression by society to fit a basic mold. These themes are elaborated on through the development of the main characters and expressed further through the supporting roles and their dialogue and endeavors.