In this essay, I will focus on analysing two components of Asia popular culture: the first one is Globalization and Nationalism and the second is Cultural Imperialism. Also, I will reflect my understandings of both aspects and support my own points with some examples in Asia context as well as my everyday life experiences.
So, what is popular culture? Since culture refers to “the beliefs, way of life, art, and customs that are shared and accepted by people in a particular society” (Huang 2009, p.123), popular culture can be understood as a combination of various social activities in which the public involve actively. (Delaney 2007). To my knowledge, I simplify popular culture as cultural products in various forms such as music, art or fashion,
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One of globalization’s major outcomes that we cannot neglect is cultural hybridization, which is the mixture of various cultures from Asian, American, African to European (Pieterse 1995, p.). Nowadays, the hybridity of cultures are frequently adapted into popular culture production of films and music. Thus, we are now bombarded with a huge wave of globalized knowledge and mixed culture overcame the boundaries of time and space, which created a sense that the world is one place and we are blending together. espite the major advantages, globalization may resulted in a loss of identity within nations (Featherston 1995, p.89). Therefore the nation states now have to face double pressure from both the globalization process and cuture reservation. If the national state cannot handle the situation wisely, its power can be weakened and its culture are in danger of losing national characteristic (Kinnvall & Josson 2002, p.257).
Nowadays if I turn on the TV, I can easily see a flood of foreign music, movie or commercials from national programs to cable TV channels. It is so difficult to find an authentic Vienamese programs without the mixture of global trends. If we continously being fed with an international “invasion”, or apply adapted culture immoderately, one day we might get confused when distinguish
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Previous theories about cultural imperialism focused on how powerful country, especially the West, control the global media with one-flow information to other countries in order to effect their values, beliefs, ideologies and lifestyles (Tomlinson 2001, p.35). Consequently, cultural imperialism pushed us toward a “homogenized, Westernized global culture” which is empowered by the informational capitalism and the mass media (Ang 2007, p.8). Then around the 1990s, an economic liberalization enabled strong global flow of culture exchange for worldwide nations. As a result, the West’s domination is decentralized as the power of media is now strongly developed in many countries such as Brazil, Mexico, Japan or Korea. (Duong n.d, p.7). As I am discussing about popular culture in Asia, therefore I will show a case of South Korea and how it affects my understanding of cultural imperialism. The expansion of the Korean Wave to neighbor countries including Vietnam for the past decades was such a phenomenon. This transformed Korea from an ordinary consumer of one-way information flow by the West, to one of the most influential and powerful nations among
Globalization is a many-faceted process which has benefits and repercussions in many areas. It has led to great developments through exchanges of ideas and technologies and has also caused deep conflicts within and among nations in different ways. While often conflicts arise economically, politically, or in the realm of intellectual rights, these are easier to understand and resolve than the varied and nuanced conflicts that arise between Globalization and Culture. Due to a long history of such conflicts, sometimes groups or governments take it upon themselves to initiate preventative measures in order to reduce the risk of damage or loss of cultural identity. One specific example of this preventative action began almost 100 years ago as Canada started issuing a tax on foreign produced magazines in the
I decided to switch my artifact for the research paper from John Erick Dowdle’s No Escape (2015) to Francis Ford Coppola’s Apocalypse Now (1979) because I think this film is more suitable for what I want to research, which is how and why the media actively shapes Americans’ perception of historical events. I am also especially interested in the role Orientalism plays in this process. Unlike No Escape, Apocalypse Now has a lot more historical significance because it came out a few years after the Vietnam War (1955-1975) and is considered one of the most famous films about the Vietnam War. In addition to that, there is more room for debate about the significance of the film and its portrayal of Southeastern Asians.
As a result, extroverts are more sensitive to rewards. When performing certain tasks, extroverts are better at handling multiple tasks whereas introverts sometimes becoming overwhelemd with large amounts of information - nevertheless, introverts are more likely to work harder on a problem they don 't understand unlike extroverts who give up quicker. This is because introverts and extroverts face a task differently. Introverts understand that rewards aren 't everything - instead, you have to look outside the immediate rewards and look for your flow - something you care about.
In his book “Politics and mass culture” John Street states: “Popular culture’s ability to produce and articulate feelings can become the basis of an identity, and that identity can be the source of political thought and action.” (Street, J. Politics and mass culture, Temple University Press, 1997). He mentions that in the sphere of international relationships pop culture always played, plays and will play a crucial role. America perfectly knows how to “buy” the loyalty of others with the help of mass or pop culture. The perfect example to compare this phenomena with would be the strategy of ancient Byzantium, where the foreign ambassadors, who arrived to the country, were first given an excursion in the Emperor’s palace.
Popular culture is a culture based on what society deems to be sought-after, trendy or popular. This extends to everything, including; fashion, food, music, sport and entertainment. World War 2 allowed close affiliation between America and ourselves to take place. Originally, Australia’s culture was completely influenced by Britain. For the first time Australia experienced foreign leverage from a different country.
However, globalization often causes barriers subjects of interest in anthropology. Summary: Race has often played a large role in globalization. The globalization process is highly screens the economies, social, and political potential of betterment. The author wants to tackle some of the new strategies of governments with newly innovated social aspects.
Gene Luen Yang offers a humanistic perspective on western imperialism in China during the late nineteenth century to early twentieth century in his graphic novel Boxers, a tragic narrative about Chinese grassroots resistance against foreign occupation in which an armed revolution ultimately fails. The novel focuses on religious identity, and cultural connections in the face of invasion. Boxers highlights the negative effects of imperialism through clashes between different religions, ideologies and power structures. Therefore, the criticism of western imperialism presented in Boxers could support a world systems theory approach to international relations because it shows to exploitation through westernization and the squandering of cultural
Popular Culture I Öğr. Gör. Gülbin Kıranoğlu The Capitalist and Patriarchal Elements in the Products of Popular Culture Betül Kılıç 110111077
In this way, power is both used to establish the arena in which popular culture develops, and shifting pop culture conveys the dichotomous dynamic between conflicting powers of colonialism and resistance through
• Only a few companies representing the interests of a minority elite control the public airwaves. • Healthy market based competition is absent leading to slower innovation and increased prices. Thus we can simply say that all this have given rise to cultural imperialism. Cultural
How do Zygmunt Bauman and Stuart Hall engage with the problem of identity as a problem of modernity? How does Bauman extend the discussion of the identity question in the context of globalization? ANSHUMAN AGARWAL 201301110 Identity and modernity go hand in hand. To talk about one without involving other can not complete the discussion.
This process of recuperation happens in two ways: by converting subcultural signs into mass-produced objects (the commodity form) and by labelling and re-defining deviant behavior by dominant groups (the ideological form). The commodity form benefits from the relationship between the spectacular subcultures and the industries, which is based on ambiguity and the difficulty to distinguish between commercial exploitation and originality, since consumption is an indispensable part of spectacular subcultures and they feed on production and publicity. However, this commercialization and mass production of cultural symbols takes their meaning away from the subculture and makes it available for everyone.
Pop culture, short for popular culture, is the entirety of ideas, perspectives, attitudes, images, and other phenomena that are within the mainstream of a given culture (Wilson, 2014). It refers to products that are generally recognized and enjoyed by the majority of the people ((Wilson, 2014). Pop culture is manifested around the world through movies, music, television shows, newspapers, satellite broadcasts, food and clothing, sports, news (as in people/places in news), politics, and technology (West, 2016). Internet and social media also play a huge role in pop culture. Pop culture is almost often, if not always, interesting and appealing to most people.
Thus, mass media are centrally involved in the production of modern culture. Moreover, advertisement can bring a big group of audiences (Jawitz W., 1996) in order to attract the biggest possible audiences for the television shows, newspaper and so on; the media have to do every way to entertain the audiences the most. The audiences are absorbed the advertising by the media. Hence, when the media are trying to advertise something; it likes a trend; people in similar group will have the same culture which means they are forced to buy the
People are immersed in popular culture during most of our waking hours. It is on radio, television, and our computers when we access the Internet, in newspapers, on streets and highways in the form of advertisements and billboards, in movie theaters, at music concerts and sports events, in supermarkets and shopping malls, and at religious festivals and celebrations (Tatum,