Crunchy Granola Suite’s music is by G. Harrell ("Fosse - the Musical."). This specific piece of work is recognized by many dance critics to be one of the strongest pieces in the revue. The exciting piece, danced by twelve dancers is described as a showstopper. Two company members sing Crunchy Granola Suite: Brad Anderson and Eugene Fleming. These two members have been seen in previous numbers dancing, which is yet another example of the versatility Fosse expected from his dancers. This specific piece is a part of part one, which ironically is the second section of Fosse. It begins with one single dancer on the stage. This dancer sets the entire mood simply by stylistically moving her arm, slowly. After she begins to move from her opening position, other dancers slowly come on either one by one, or in small groups. Each dancer has an eight count or two to showcase their given choreography. The mood is extremely dream sequence-like. Everything is moving really fluidly. The dancers movement quality is delicate and for the most part at a slower tempo. The movement is not the normal “Fosse style”. It consists of more tricks than normal such as high leg extensions, numerous amounts of turns, and partnering lifts (Fosse). Roughly three minutes into the …show more content…
It is an upbeat fun-loving piece that overall is meant to make people smile, which it does indeed accomplish. This piece is one of the only pieces from Dancin’ in which the entire cast of dancers is singing the entire time. Not only is there singing and dancing, but also there are numerous rhythmic sections, which involve a lot of brain muscles. Harry Warren wrote the music and the Lyrics are by Johnny Mercer ("Fosse - the Musical."). The piece begins with seemingly simple but extremely stylized movements with the cast in complete unison. This is the first and last time that the cast is in unison throughout this piece
The dance movements such as turning, jumping across large distances, muscle contraction and relaxation, and expressive hand movements all indicated the passion he has for dance. The Moreover, the way he staged the theater was proficient and beautiful that caught the eyes of audiences. The animal quality of movements in Blue Suite drew an instant success in Ailey’s
Every year Austin Peay State University decides to produce two musicals and two straight plays for their theatre season. This year one of the musicals selected was Anything Goes by Cole Porter. Anything Goes concentrates on the story of Hope Harcourt and her family trying to sail from New York to England. With the production being a musical a lot more work was put towards additional skills like voice techniques and choreography, rather than in a straight play where the task is to just memorize your lines and create a connection with your character. The overall performance is based on how well the extra work such as, voice techniques and choreography complement the acting and set pieces.
In a market full of worship music, Rend Collective continually step out on a limb with their folk style take on classic and original songs. In their latest album ___, we are again given a plethora of songs, styled for corporate worship or a feel-good soundtrack to your day. Opening with “Celebrate,” we are given clear direction on where the album is headed, as the Irish band pull together a guitar driven tune that is literally styled for celebration. Filled with clapping, brass, and an energy we all crave on Monday mornings, it is a refreshing and well-executed opener. “Free As A Bird” continued in this tone, and we are taken to the highlands with the banjo.
It invites the listener in to participate with hand claps and finger snaps. Its friendly groove catches the audience tapping along on whatever is in front of them and often start stomping their feet. Several may even find themselves getting the urge to stand up and dance. We can relate with the singer belting out, "Cecilia, you 're breaking my heart" (Simon, 1969) and leaves us agreeing that she certainly is, but we are going to keep on dancing nonetheless. This song has the perfect balance of bass and acoustics that give it a well-rounded sound.
The piece included a slow tempo. I am not quite sure, but I believe I heard Merry-Go-Round played by one of the trumpet players. The ending to the piece had a continuous pattern of crescendos and pauses. Consequently, the audience became confused because they didn’t know when it was over. I thought it was a humorous way to “include” the audience.
In Rehearsal Before the Ballet, Degas uses a split complementary color scheme with monotonous orange-yellows, blue-violets, and greens to express only the figures and their movements. Degas is more interested in painting the actions of the dancing girls by pushing the paint around and layering blotches of color with swift brush movements against the canvas. For example, the only distinction of one of the dancer’s arms is a swoosh of blue-violet paint as she leaps into the air. The movement and texture of color flatten the painting because the figures are pushed up to the surface of the picture plane. Degas does give a sense of depth with the size of the figures decreasing the further they overlap each other; however, the representation of space is denied.
This piece consisted of two different movements. The second part of it was a lot more allegro, upbeat, and energized. It symbolized the eternal love that no one, not even a powerful king, could take away. The whole orchestra had more active roles and a polyphonic texture. Together they made a beautiful
And the Breaksk8 had also danced to the Cupid Shuffle. They performed at America’s Best Dance Crew. The Breaksk8 are dancers who dance on skates. Also the Cupid Shuffle was in the movie “Jumping the Broom”. A fun facts about Cupid is that he was the driving force behind CuRobiks.
The anger Granny and Addie releases towards Richard makes him feel as if he cannot do anything right. Instead of fixing problems, they use the Bible and their religion as a weapon against Richard’s well being. He doesn’t seem to seem to understand how can they be devoted to something that promotes love, fellowship, and happiness but achieve to display the complete opposite. This song would be played during the event when Addie argues with Richard after causing Granny to
The 33-minute ballet resembles a Pagan ritual from ancient Russia about a sacrificial virgin dancing herself to death for the arrival of spring. Vaslav
“Artworks have ‘aboutness’ and demand interpretation” (Barrett 71). This statement creates a foundation for writing, specifically about dance, as each dance piece is always about something, no matter how simple it appears to be. As I began to write about dance I knew not only to provide a description of the piece, but utilize the description as evidence as I develop a possible meaning. Additionally he explains, “There can be different, competing, and contradictory interpretations of the same artwork” (Barrett 73). When I would begin to develop an explanation from the description I provided, I had to remind myself that my interpretation was only one view of the dance and I should not try to provide one comprehensive interpretation for the
The stage lighting is subtle and just enough to spotlight the dancer who stands tall with her arms extended to the sky and hands clasped together. A long, white sheet-like scarf drapes the dancer’s hands. As the music begins the solo dancer starts to sway then slowly she starts walking back and forth across the stage only ever taking one or two steps in each direction. With each step crossing one foot in front of the other. Her arms are still outstretched but now they are open; the audience can see the dancer’s face.
In The Sound of Music, Rodgers and Hammerstein created fourteen pieces tailored to the various scenes: The Hills Are Alive - The Sound of Music, Overture, Morning Hymn, Maria, I Have Confidence, Sixteen Going on Seventeen, My Favorite Things, The Lonely Goatherd, Do-Re-Mi, Something Good, Processional, Edelweiss, So Long Farwell, and Climb Every Mountain. While I won’t deal with each of these individually, as it could take years to properly analyze each piece of music in the movie, my point of focus will be directed towards the opening piece, “The Hills Are Alive – The Sound of Music”. The movie’s opening visual, which happens to be one of the most iconic scenes, sets a positive and carefree mood showing Maria Von Trapp (Julie Andrews) innocently dancing on top of a majestic mountaintop with breathtaking views behind her, and the sun glowing on her face. The song, which happens to be named after the film, compliments this image well, as it too, sounds innocent, positive and playful. The piece has a high pitch and a strong melody, setting an upbeat and positive mood, creating excitement and intrigue to continue watching.
The first movement of the Swan Lake Suite, Scene, which began with the violins playing with an oboe solo on top. The oboe was playing various crescendos and decrescendos at a mezzo piano dynamic and the tempo was moderate. This ends with the high woodwinds playing a string of the melody, passing it to the low brass with the strings very quietly in the background and then what seemed to be a diminuendo. The second movement of the Swan Lake
Without the dramatic gestures and vitality of the dancers, the overall story of the piece would not have been portrayed as well. Fokine masters the production’s storyline by developing emotion into inanimate objects. The puppets’ ability to convey such an intense amount of feelings such as happiness, love, and jealousy motivates their actions in their dancing. Petrushka’s failed pursuit of the Ballerina clearly agonizes him and his ability to ever be with her. Thus, his way of dancing showcases his jealousy and defeat.