ipl-logo

In A Roman Osteria Analysis

709 Words3 Pages

In a Roman Osteria Carl Bloch, In a Roman Osteria, 1866, Oil on Canvas, 177.5 (w) x 148.5 (h)cm (without frame), Rome.

Introduction Carl Bloch’s In a Roman Osteria was completed in 1866 with Oil on Canvas. It is currently found in Rome. I decided to write about this artwork considering it is a little comical to me and very interesting considering there are a couple things that can be going on.

Elements of Art In a Roman Osteria is polychromatic in color considering it is multicolored and includes many colors. The only horizontal lines that seem to appear on the picture include the little outline of the table that you can see which appears to look like a sideways “L” and the white/light tan fabric on the woman’s head. The few examples of curved lines include the clothing that all three of them are wearing to show detail and the tan walls behind them. The line quality in the man’s shirt behind his left arm shows that he is bending his elbow holding something. Another example of line quality would include the woman’s right arm showing that she is bending her elbow as well. Carl Bloch uses value in the painting considering he darkens the outside of the picture and the individuals behind them to show some emphasis on the three individuals sitting at the table. The shapes included in this picture would consist of the “normal” shape of a human and the shape of the cat behind the woman at the table; although, it does …show more content…

The Focal Point of the painting would be the three people at the table but mainly the woman and man sitting across from each other. There is no unity or variety that appears in the artwork. The artwork is in proportion. There is no movement in the picture considering the people are sitting down at the table. There is no rhythm or pattern in the artwork that is involved.

Analysis of Subject

Show More
Related

The Breakaway Thomas Roberts Analysis

1760 Words | 8 Pages

The appealing factor of this paintings comes from its message and juxtaposition of colours and stroke

Read More

Marcus Aurelius And Justinian Art Essay

1677 Words | 7 Pages

Even though the ivory relief has a religious overtone, both are clearly done in the Old and New Rome classical esthetic. “Cast in glittering bronze, like the Equestrian Statue of Marcus Aurelius set up nearly 500 years earlier, it attests to the continuity between the art Old and New Rome, where pompous imperial images were commonly displayed at the apex of free standing columns” (Kleiner 258). Both art pieces are a classic example of power, prestige and clemency during their time of

Read More

The Roman Ruins: Painting Analysis

735 Words | 3 Pages

Henri Ponchin had a similar painting style, but I finally concluded to write about a painting from Antoine Ponchin titled The Roman Ruins.

Read More

Last Judgment Tympanum Analysis

1148 Words | 5 Pages

Highly decorative scenes of the damned in agony, the saved ascending to heaven and a simple, yet historic note that reads “Gislebertus hoc fecit” which translates to “Gislebertus made this” (Stokstad and Cothern, 2013), makes the Last Judgment Tympanum at Autun, an important piece of artwork during the Romanesque period. While the connection to Roman sculpture is clearly visible, harkening the intricate, multi scene figures in examples like the Sarcophagus of Junius Bassus (Stokstad and Cothern, 2013), deeper scrutiny shows a connection to previous cultures and innately expounded upon one another. Resurrection of Roman art, in conjunction with the spread of Christianity, led to religious pilgrimages, where religious relics and elaborate artwork

Read More

Noah Sacrificing Deluge Analysis

660 Words | 3 Pages

The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with

Read More

Salvador Dali's Old Age, Adolescence Infancy (The Three Ages?

1379 Words | 6 Pages

Over in the middle of the painting, there is a more pronounced aperture looking over a waterway and rocks. The outline of the aperture makes up the shape of the face, the woman sitting down looking over the other way forms the mouth and nose of the face and the rocks at the distance form the eyes. All these objects clearly form the face of adolescence. Over on the right side there is a smaller aperture looking over the shore and what seems to be a woman on her knees. The figure of

Read More

Marc Chagall Research Paper

1089 Words | 5 Pages

There is no source of natural light in the picture, and the direction of the artificial light is indiscernible. When a viewer first looks at the painting, they see the cow and man observing each other. Then, a viewer will notice the finer details of the smaller cow being milked, the man with a scythe in the town, and the sapling being held by gentle hands. The colors in the foreground are whites and greens, while in the background there are darker tones of green and black. The lines are curved and overlapping, suggesting wrinkles and folds in the cow and the

Read More

Exemplarity In Roman Literature

1631 Words | 7 Pages

The concept of exemplarity was used extensively throughout Roman literature as a tool to give guidance and enforce authority. By providing an ethical framework of societal precedents, exempla served to govern all facets of Roman public life. The system of exemplarity had an inherent power in Roman society, allowing it to be exploited for personal gain by rulers such as Augustus. Through his monumental literary biography, Res Gestae Divi Augusti, Augustus manipulated exemplarity in order to translate his coercive power into benevolent authority over the people of Rome.

Read More

Freedom From Want Norman Rockwell Analysis

1817 Words | 8 Pages

The stylistic characteristic of this painting is realistic and exquisite in details. Undeniably, the composition of the painting is unique in a way that Rockwell painted the table at the central space, occupying more than half of the image. Around the table, a mutigenerational family sit closely with one another, seemingly have close kinship. The two prominent figures in the painting are the mother and father, standing at the head of the dinner table. The mother has a discreet expression, presenting a huge and succulent turkey in its place.

Read More

Mending Socks By Archibald John Motley Jr.

151 Words | 1 Pages

The painting is oil on canvas and contains an extensive amount of contrast. For example, the bright vermillion blanket against the dull eggshell colored door. The disparity between the colors used is prominent. Additionally, the fusion of ornate patterns and simplistic solids is evident. The tablecloth is a geometric mixture of cream and periwinkle.

Read More

Visual Analysis Of Gustave Moriset Chair And The Orange Trees

1200 Words | 5 Pages

Melvin Williams Arth 1381 Professor Zalman 13 November 2014 Visual Analysis The painting, The Basket Chair c.1885 by Berth Morisot, and the painting The Orange Trees c. 1878 by Gustave Caillebotte, are both magnificent and interesting pieces that I got the opportunity to see. The paintings are both wonderful pieces and their composition overall is very impressive. Both paintings have different aspects in the way the artist displayed modernism, formal characteristics, class and gender, and the subject matter of the painting itself.

Read More

In The Loge Mary Cassatt Analysis

555 Words | 3 Pages

Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.

Read More

Noah's Ark Painting Analysis

1143 Words | 5 Pages

Finally, a man’s portraits in the bottom right of the painting. This painting is supposed to represent the bible story, Noah’s Ark. There are four prominent art and design elements that were utilized in this painting: lines, shapes, light and value, and color. The first element is directional lines. Directional lines are used to guide the viewers eye to the main piece of the painting. In this case, the lines starting from the top right of the painting are directional.

Read More

Formal Analysis: At Eternity's Gate

554 Words | 3 Pages

This also found on some parts of the chair. Theses conflicting uses of lines give the audience a sense of chaos and confusion in the world around the man. Van Gogh, predominantly known for his color usage also

Read More

Descriptive Essay On The Louvre

903 Words | 4 Pages

The portrait represents the beauty of the time period. It holds simplistic colors with detailed shading. The artwork is very intriguing to me. I love the detail in the background, there are tiny brushstrokes that makes up the mountains and sky. Also, I find the shading of the mouth and eyes very interesting.

Read More

More about In A Roman Osteria Analysis

Related Topics

Open Document