Tension (Noun): Tension is a mental or emotional strain caused by something or someone that typically induces anxiety, stress, or pressure. Oftentimes, throughout one’s life, one finds that when one is in a specific situation, tension occurs internally, and sometimes even externally between two people. Similarly, in Diana Lopez’s novel, Confetti Girl and Jennifer Cervantes’ novel, Tortilla Sun, the narrators have different points of view than that of their parents, causing tension. For example, in Diana Lopez’s Confetti Girl, the narrator does not like English at all, but because her Father does, she finds that at home, her Father is always asking her about her English class and how she is doing in the class; since her Father is so involved in the subject that he seems to disregard the narrator’s view on it, an internal tension forms within the narrator between her and her Father. …show more content…
Lastly, in both texts, the narrators have completely different views than their parents, and because of these disagreements, the narrator feels completely neglected by their parents, further fortifying any tension that had been there initially. Therefore, in Diana Lopez’s novel, Confetti Girl and Jennifer Cervantes’ novel, Tortilla Sun, the narrators have different points of view than that of their parents, causing tension when the narrator disagrees with her Father in not liking English, when Izzy claims that going to New Mexico is more of an opportunity for her Mother than for her, while her mother believes different, and when the two narrators both feel neglected by their parents because they have such different views than
Laura Esquivel, author of Like Water for Chocolate, subverts many of her important characters' traditional gender roles, while other characters embrace them and continue the destructive cycle. In particular, Rosaura and Pedro alike accept their role through manipulation and fear from Mama Elena and her outdated traditions. Pedro is the romantic interest of Tita, sister of Rosaura, in the story. Traditionally the youngest daughter, Tita, is never allowed to marry and assume the caretaker role of their mother until death. Pedro wants more than anything to marry Tita, but he does not resist Mama Elena’s objection, and rather takes Titas sister's hand in marriage to remain closer to her.
In the Dominican Republic, General Rafael Trujillo 's dictatorship is being judged within the eyes of the four Maribal sisters. In the story "In the Time of the butterflies" by Julia Alvarez the four sisters that are all strikingly different, are contemplating on whether to follow along with the anti- Trujillo movement. Minerva being the most dominant one out of all the sisters, is first to follow through against Trujillo. Alvarez involves feminism, rhetorical and literary devises, and portrayed various themes in her novel. Along with showing the strong relationship, and the differences between the four sisters, they showed us readers the true meaning of family.
Olga was the perfect daughter who did not go to college, followed all rules, and put family above anything. While Julia is her complete opposite; troubled, outspoken, and independent, with many dreams of attending college and becoming a writer. Throughout the book, Julia struggles with accepting the role of being a perfect Mexican daughter, handling adolescence and her parents’ high expectations; after all her sister was the one who was the perfect one. However soon she discovers not everything is as black and white as it once seemed and starts to discover the truth behind being the perfect Mexican-American daughter. I am not Your Perfect Mexican Daughter by Erika Sanchez is accurate with its truthful portrayal of the immigrant experience for Mexicans and the unfortunate history they have held when it comes to deportation, it provides a fair understanding of what the Mexican culture truly is and the values they uphold, while also providing a useful depiction of what it means to deal with mental health moreover giving more insight of the life of a teenage girl who is coping with grief and
This suggests that her dad is a single parent and he doesn't understand change. In contrast, in Tortilla’s Sun in paragraph 18 it states that the daughter has to move to New Mexico for the summer while the mom finishes school. In paragraph 46 she gets upset and storms to her room and she gets her dads baseball and this means that she misses him and needs him. In the story the Confetti Girl the main point
One of the area of conflict that rose in the book involves the usage of the English language in relation of the family’s native language, Spanish. As a Mexican-American raised in the States the exhibition of the English language, whether the use of the tongue is fluent or not, cause a strain in the Mexican culture as the culture takes in consideration of their romance and richness of history in their native tongue (Rothman 204). Language represent the supporting backbone of a person as the progress in life as the ability to communicate without misunderstands, however a person can cause the loss connection to the past romance of the culture and art of cultivation that brings the language to lifes from their inabilities to comprehend the ability/asset to its fullest potential (Rothman 204). To fully understand the true meaning behind a spoken chain of words can be understood by the method of trying to first comprehend the cultivation of the word and the definition behind them. Cisneros embeds the use of Spanish in fragments depicting a sense of reality within a fictional novel, Caramelo, as well with the use of interchangeable dialogues with spanish phrase to express the illustration of Celaya’s family and the culture in which is translate in of importance of pride.
Imagine being invited to your sibling’s wedding, only to find out that they are marrying your significant other. The novel, Like Water for Chocolate, written by Laura Esquivel, takes place on a ranch in Mexico in which Esquivel explains the hardships that the youngest daughter, Tita, has to go through due to the De La Garza’s family tradition and Tita’s relationship with her mother. Since she is the youngest of three, the tradition is that she is not able to marry, and her main focus should be to take care of her mother until she dies. Tita had already been in love though with Pedro Muzquiz, but now he is married to her sister, Rosaura, to try to get closer to Tita. Therefore, Mama Elena knows to keep the two apart and threatens Tita if she ever does anything she is not supposed to.
As kids grow older, they tend to have different views about things than their parents do. And they become more rebellious. In the stories Confetti Girl Diana Lopez and Tortilla Sun by Jennifer cervantes, the daughters don't see eye to eye with their parent. Izzy, the girl in Tortilla Sun doesn't want her mother to leave for Costa Rica and her to be alone with her Nana. And the girl in Confetti Girl doesn't enjoy literature as much as her father does and feels like her father cares about books more than her.
In her writing, Tan often describes her experiences as the child of Chinese immigrants, growing up in northern California and living in American culture. Tan explains how she has learned to embrace the many Englishes her mother speaks and how her background has also caused her to have different Englishes. While others classify her mother's English as "broken" she finds no fault in it. In Tan's view, just because something is broken does not necessarily mean that it is in need of fixing. In her essay, author Amy Tan addresses the connections between languages and cultures in describing the different Englishes her mother uses.
Imagine you and your family living under a gruesome dictator and having no freedom . Julia alvarez “ a genetics of justice “ is a novel about a young girl and her family living under a dictator with a totalitarian government in the dominican government. In this novel you learn about her journey and how she becomes to be the women she is today . “No flies fly into a closed mouth “is a quote used by her mother through the text. In the novel it also talks about the dictator and is unusual daily life .
Both authors go in detail about their ethnic backgrounds and blend their language for us to better understand throughout their story. Gloria Anzaldua describes herself as a Mexican-American Chicana
Selena Quintanilla’s father once said, “We have to be more Mexican than the Mexicans and more American than the Americans.” In today’s society, many have encountered the challenge of not being able to be who they really are because they fear not being accepted by others, more specifically their culture. But, what happens when an individual is part of two worlds that have just as many rules? Gloria E. Anzaldúa was a Mexican-American writer and poet who made a major contribution to the fields of cultural, feminist, and queer theory. Anzaldúa identifies as a Chicana and speaks different variations of Spanish, some of which she exhibits in her works.
Disagreements brought among two can greatly cause an uncertain effect on those surrounded by them, as well as each other. Innocent minded children are targeted to be easily influenced. That is until that child starts becoming experienced and learns to lead his own path perpetually discovering his autonomy. Gabriel and Maria, a dissimilar couple introduced from Rudolfo Anaya’s “Bless Me, Ultima”, presents a conflicting environment on those having to deal with their differing ideal beliefs. Maria, a Luna, daughter of a farmer, peaceful and quiet like the moon.
Julia Alvarez: The Voice of the Mirabal Sisters Numerous accounts of families affected by oppressive dictatorships exist all around the world. Julia Alvarez, an author whose father was involved in a resistance group to such a regime, is a prime example of one of those stories. After leaving her childhood home of the Dominican Republic, Alvarez struggled to adapt her lifestyle to match that of an average American. During this time period, Alvarez recalled her experience under an authoritarian government and combined it with her impressive storytelling skills to create a fictional documentation of another family just like her’s.
This caused her to alienate herself since her mother asked her to keep a part of herself hidden from the world by binding her and making sure no one found out she menstruated ealy (Anzaldúa 1983, 221). This will later isolate her further but ultimately lead her to reflect on the racism that surrounds her. In addition, Anzaldúa’s identity also suffer because she denied her heritage and the traditions that with it. She mentions that she felt ashamed of her mother and her loud tendencies, it is an archetype that most Hispanic mothers are loud by nature, and the fact that her lunches, or “lonches”, consisted
Cofer utilizes moral and, enthusiastic interest to communicate as the need should arise to others that the generalizations of Hispanic ladies can have negative impacts. Cofer utilizes moral interest to depict her Hispanic childhood. Growing up as a young lady Cofer was instructed to dress a specific path on account of her Hispanic culture and now and again it was confounded, "... Puerto Rican moms likewise urged their little girls to act and look like woman...". Young ladies were raised to act and look more developed than they really were.