Introduction: International museums are slowly being extinct and underestimated in our present time. The reason is that there are new destinations and activities that interest people more than walking around museums. People now see museums as being useless, boring and a complete waste of time, however museums are being developed and classed as one of the top destinations for tourism. Origin Story of the Louvre: • The Louvre was authorized by King Phillipe-Auguste in 1190. The Louvre was actually designed to be a fortress to protect the French from Viking raiders, which were considered as being a real issue and fear at their times. The Louvre successfully served its purpose into protecting the French from Viking raiders. • It was reconstructed …show more content…
1. The Louvre During the Medieval Period: • In the year 1190, King Philippe Auguste built an immense fortress, which in our current-day is the location of the great Louvre. The fortress was deliberately constructed in the location it is due to the fact that it is around four big moats and towers, which are used for defensive purposes. The lower levels of this fortress are partially visible, where they can be visited today. • From the years 1356-1358, Paris now extended further, past the original defensive wall built around the 12th century. In addition, a new wall was built to act as a defensive barrier, for any future wars, in particular any war against England. On the other hand, the Louvre’s purpose to act as a defensive site, no longer exists. • During the 1364, The Louvre’s purpose of defense and protection from any enemy, has been reversed into a lavish and fancy royal palace. This was reconverted by King Charles V. The medieval appearance and atmosphere of the place occupied a spiral staircase and a garden known as the “Pleasure Garden”, in addition to the interiors being decorated with tapestries and great …show more content…
The Louvre During the Renaissance Period: • During the 1546, Francois I resume his transformation of the great palace, using Renaissance architecture and designs, demolishing the medieval style and introducing Renaissance-style structures in place. “The Hall of The Caryatids” ,“The Pavilion du Roi” and the kings private quarters were all built, constructed and decorated under the orders of King Henri IV. • The French Queen Catherine de’Medici, which was Henri II’s widow set out orders for the construction of the Tuileries Palace around the Mid 16th-century. This was because by historical accounts the Louvre was described as being a ‘chaotic’ and ‘smelly place’. • From 1595-1610, Henri IV builds a Westside Gallery, known as the “Galeries du Bord de l’Eau. The purpose of building it was to create a direct pathway from the Louvre’s royal quarters to the Tuileries Palace, which were close to each other. In addition to the construction of an area known as “Galeries des Rois”, The Kings’ Gallery. 3. The Louvre During the “Classical” Period: • During the 1624-1672, The Louvre encountered vast series of renovations, which were all under Louis XII and Louis XIV.This resulted in the palace we see today. There were a lot of additions which included the “Pavilion de l’Horloge", the clock
Versailles- This was originally a hunting lodge. Versailles developed in the 17th century, and built by Louis XIII, and later inherited by Louis XIV. This also was the place where the French Revolution took place at the palace. 6.
They reinforced and expanded the Great Wall of China (video) continuously throughout their dynasty’s reign. Much of the Great Wall as we know it today was built during the Ming dynasty.
I decided to focus on the Unicorn Tapestries for my Renaissance art project. The Unicorn Tapestries are a series of seven tapestries originally known as The Hunt of the Unicorn, and are tentatively dated between 1495 and 1505 which, according to the book timeline, is during the High Renaissance in Italy and the continuing Renaissance in the rest of Europe. Very little is known about the origin of these tapestries, and they are believed to have originated in the Southern Netherlands in Brussels. They are in phenomenal condition and the colors are still brilliant. Only one of the tapestries is missing a piece—The Mysterious Capture of the Unicorn a.k.a.
Versailles and Forbidden City represent the difference of traditional cultures and art between the East and the West. Versailles has a elegant U-shaped main building in the center and a royal court with diverse plants. Inspired by the architecture of baroque Italian villas, but executed in the French classical style, the garden front and wings were encased in white cut ashlar stone that called enveloppe. The inner palace for royal family living is decorated with minors and luxurious lights. Sculptures and paintings are displayed in every corner.
He also had extravagance sculptures showing how high and special he was. Finally, he ordered the building of the Versailles Palace. Louis XIV brought in the finest architectures and transformed the
Filippo Brunelleschi was born in Florence, Italy in the year 1377. His early life is relatively unknown. He became a goldsmith, sculptor, engineer, artist and architect. He was one of the leading architects in the Renaissance Era and has been referred to as the “First Renaissance Architect.” Brunelleschi is accredited for the invention of linear perspective.
The Isabella Stewart Gardner Museum showcases Mrs. Gardner 's collection to the public in greater Boston area. Each room functions as a pilgrimage, as one travels through various countries and time periods ending at the chapel and subsequently the Gothic room. In this paper, I will examine the Gothic room 's theme in relation to the placement of its objects. I will also evaluate the room 's strengths and challenges in serving the public, and how the practices employed in this room fit into the context of accessibility for the entire museum.
Thousands of paintings and sculptures were made in these periods of time. In this essay, I will imagine myself being a curator of an art gallery that has a Greek room, a Roman room, an Early Christian room, a Gothic room, a Renaissance room, and a Baroque room. I will select two pieces for each room and discuss why I would put those paintings and sculptures in each room at the gallery. I will explain two pieces that I would place in the Greek room at the gallery. The first piece is a painting called "Amphora".
Annually, millions of people travel to northern France to view the grand and pompous Baroque style of the Palace of Versailles’s Hall of Mirrors. Built in 1698 during the reign of Louis XIV, the Palace of Versailles stood for over 100 years as “the primary residence of the kings of France and the seat of the government,” and in 1979, the Palace of Versailles and its gardens were decreed a World Heritage site by the UNESCO. An examination of the Palace’s Hall of Mirrors will reveal a dramatic use of light, symmetry, large-scale frescoes, a shell for painting, sculpture, and stucco, and an opulent use of rich color and accessories common to a French Baroque-style interior. Louis XII (r. 1610 - 1643) used the initial residence as a hunting lodge and retreat for his family, and in 1624, he commissioned Jacques Lemercier to build a chateau on the site, which remains as “the exterior façade overlooking the Marble Court.” From 1661 to 1710, Louis XIV oversaw the residential transformation of the majestic complex surrounded by gardens.
Introduction Romanesque architecture started around 1000 to 1200 AD around the middle ages, extending from the decline of the Roman Empire until the begging of gothic architecture. It is one of the most influenced styles of architecture but also one of the most hard to characterize. Unlike other styles it developed independently in diverse locations such as Italy, Spain, England and France. Its characteristics come from the ancient roman architecture that developed into bigger prettier and more complex constructions. However, there are different views in where it spread first as well as where it got more influence from.
TITLE Vaux-le-Vicomte – Where Magical Beauty Meets The Turbulent History LEAD PARAGRAPH Uniqueness of the château Vaux-le-Vicomte lies in the fact that its style and beauty had inspired the creation of the much more famous Versailles, the favourite residence of Louis XIV, the Sun King. Unlike Versailles, however, Vaux-le-Vicomte’s turbulent history reveals a great deal of treachery and misfortune brought to its owners and, especially, its creator. In its case, the statement that “great beauty comes only with the great price” couldn’t be truer. PARAGRAPHS Vaux-le-Vicomte’s history in a few words The creator of this magnificent chateau was Nicolas Fouquet, Louis XIV’s Superintendent of Finances, who was a great patron of art.
Much like the Olympians from ancient mythology, Renaissance artists are regarded as gods. They revolutionized the art world, reviving themes and styles derived from the Ancient Greeks and Romans. The style they created completely contrasted with that of its predecessor, International Gothic. But how did this “Rebirth” come about? There are many answers to this question, but much of it lies in patriotism and civic values, especially in sculpture.
Art during the renaissance During the Renaissance, there was a lot of artworks and creations. The art varied from paintings to sculptures. some of the famous artists during this time were Leonardo da Vinci, Michelangelo, Raphael, and Donatello. These artists have created amazing works and have more than likely inspired many artists around the world today. These artists have created a huge impact on the importance of art along with giving more of a historic background.
From this relatively minor action the control and power of Louis XIV is immediately brought to a forefront by Félibien, as it is written that is was on the word of the king alone that the entire event commenced. The narration of the period between the grand opening and the first spectacle describes elements of the sheer opulence of Louis XIV, which serve as the first exemplification of the power he wishes to portray – the section contains the first mention of water fountains, a feature which serves as a symbol of perhaps the ultimate triumph of Louis, as the feat of simply supplying enough water to sustain such numerable displays is not only an exhibition of the power of the king’s will, but also serves as an exhibition of Louis’ power over nature. In both Félibien’s account and the engravings of Le Pautre the exuberance of the scene of the collation is brought to life, a scene which is set in an arena which physically embodies the triumph of Louis over nature as the physical structure of the space is formed from the twisting and moulding of branches and flowers into a star-shaped enclosure. The choice of Louis to create this star-shaped space is the first acknowledgement of his
It houses more than 35,000 works of art at any time. Most of the artwork spans from 6th century B.C. to 19th century A.D. The museums most famous piece is Leonardo da Vinci’s “Mona Lisa”. The Code of Hammurabi, the Greek sculpture “Nike of Samothrace” and “Venus de Milo” are also notable masterpieces.