1. INTRODUCTION
1.1 Background
The Baroque was the period of artistic style and exaggerated motion. This Era was all about exuberance, drama and grandeur in all forms of art. The style began around 1600 in Rome, Italy and spread to most of Europe (Fargis1998, p.262). In spite of being originated in the 17th century Baroque fashion has made a very strong comeback in the fashion realm. The Baroque period was all about exuberance drama and grandeur According to Cogsworth, ‘If it 's not Baroque, don 't fix it!’ (The Beauty and the Beast, 1991). The fashion industry seems to be inspired by the baroque fashion and this can be clearly seen in either the silhouettes of the garments or the bold and glorious prints. Fall/winter runway collection 2012of designers like Dolce and Gabbana and Balmain are a celebration of Italian spirituality and grandeur (Davidson, 2012). Luxe materials, brocade, exaggerated silhouettes, lace. Etc.
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This research will help in understanding more about the intricate details of baroque fashion and how it is inspiring the contemporary designers.
1.3 SCOPE AND
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• The upper class used Linen for undergarments.
• The upper class used velvet, brocade and silk for outer garments.
• The lower class used wool for outer garments.
• The upper class wore pastel and bright colors. They preferred floral patterns and stripes.
• The lower class wore light, dingy shades because they could not afford dyes that would give a pure color.
• The middle class wore dark and black colors as a symbol of wealth.
• Fashion for men was more elaborate than women.
• Middle class were morally conservative and wanted to dress like royalty.
• Lower class dressed according to their occupation. (Barton,M n.d)
3.2.1 WOMEN’S
There were also various classes of common people. There were farmers, who were very efficient. There were merchants, who would travel and trade. These people had a fair amount of freedom to be independent and wear stylish clothes. There were artisans of different kinds.
In lower classes their identities were defined by their social status or job role e.g. Coal Miner, Farmer, Seamstress. There was very little in the way of hobbies or interests to characterise an individual. It was only the very affluent, the upper classes and the higher paid working classes such as doctors, bankers, and lawyers who were able to distinguish themselves as consumers by the indulgent lifestyles they lived. The upper class would buy items not just for usefulness but also as a way to display their rank and status amongst society with things like porcelain, silver, tea and fine clothes. This particular way of spending is theorized by social scientists as being conspicuous consumption (book) but was exclusive to the upper class.
The upper class is on the top of the social class and are the “wealthiest”. Certain stereotypes of upper class have been their appearance of being well dressed with expensive clothing. They are seen to have expensive lifestyles expensive vacations. Their behavior
Tailored clothes were also designed with much more aesthetic detail such as pictures being “embroidered by hand” (Source 2. 5) which meant clothes took hours upon hours to finish. These fancy clothes were a symbol of wealth because only the rich could afford to have these clothes custom made for them. Lower or middle class people often had their own family members making clothes for them because they could not afford to have a tailor. Most clothes made by lower to middle class people were only made of “one or two pieces of cloth” (Source 2. 4) in order to conserve cloth for other clothing. As time when on tailoring changed from making fancy designs to making clothes that fit the body well and looked good.
Throughout the history of humanity, various products made by man have evolved through the changing technological ways of society. However, not many people think of textiles as a product that has undergone many stages of advancements, not only in production of the product, but the designs of it as well. Even during the Elizabethan Era, textiles were seen as a vital product in the marketplace for not only economic reasons, but for cultural purposes. Every new era of a culture brings new ideas and historical events that affect all artistic products, especially textiles. Since the Elizabethan Era, textiles have been shaped by history, culture, and new fashion trends which cease to rapidly change in even today’s present day society.
These Baroque elements are so engrained in the system of patronage that even outside the Baroque era when an artist is commissioned through the patronage system their work can’t help but take on these and other baroque elements. Starting with an artist like Bernini who under the patronage system created some of the most revered sculptures of the baroque era. Born in Naples, Italy Bernini got a lot of his patronage form Italians. One of his more notable patronages includes the sculpture of “The Ecstasy of St. Teresa” which was commission by the Cornaro family for their personal chapel. The sculpture represents a deeply religious act and was used in part to show off the wealth of the Conaro family.
The Upper Class was insulated from the lower classes in terms of issues and
Some people wonder what people use to wear during the Medieval days. It could be very nice or very poor. The life of the people would be what kind of things they would wear. In the Medieval days some people had higher classes and most people were in the lower classes.
People in the lower class were commoners, slaves, foreigners, and many other groups of people. In Modern
As more women started to work, clothing became more masculine and practical as well as accessible. During this time the very popular corset was no longer used to slim women’s bodies and make them appear as a fashionable silhouette. As a result of this, designers had much more freedom to design fashionable, comfortable and innovative styles for women. Women during this time began to wear lighter, shorter and more colorful dresses which were low in price because of the economy. Fur trimmed coats began to rise in popularity as coats covered in fur were worn less.
1-2). The lower one’s social class was, the poorer he and his family became. Thus, economic conditions and social classes of people had
Balmain will be in 80s and Baroque style is most closely combined, from Decarnin Christophe to Rousteing Olivier. Brand series of autumn and winter 2010 theme simply called "Barlow (Baroque 'n 'roll) rock music", this is the most classic and gorgeous season when he works as creative director of Christophe Decarnin, inspired by the Louis sixteen times printing and embroidery, color more cohesion and jumping Yong rong. In the outline of the outline and the outline of the line, abnormal gorgeous. Don 't forget, even if it is Dolce & Gabbana, the famous harem Pajama Party (Spring 2009) is a baroque theme lie. In addition, whenever you think is famous for its ornate style of the brand, Zac Posen, Oscar de la, Renta Marchesa, Alexander McQueen has been through the Baroque light to display its own
The Baroque period on the other hand, spanning 150 years from the beginning of the 1600s to 1750, was divided into three parts: The Early Baroque period, The Middle Baroque period and The Late Baroque period. While these two eras start right after each other, there are a lot of differences between them, this shows how much music can evolve through time. There are many similarities and differences in characteristics between the two periods. They’re both very similar in texture, in that they’re both polyphonic. Although sometimes homophonic textures are also used in both eras.
I was moved with the visits and it has stimulated my imagination and creativity. In this process, it has helped me to gain an understanding of the history of fashion and use these ideasin my own artwork; my particular favourite in the museum wasfashion history of the 19th Century Couture and Commerce, I have read journals based around thiscalled Couture and Commerce: The Transatlantic Fashion Trade in the 1950s by Alexandra Palmer. Even though this is a rare subject in fashion, I understand that Couture and Commerce focuses on the design, sale and the practical use of this by women between 1870-1910. This has helped me to develop an understanding of the Couture and Commerce which I have developed keen knowledge
The skirt was cut in an A-shape and were fuller at the bottom than at the top. Dresses’ hemlines and sleeves were decorated with tucks, pleats, ruffles or ribbons. Large circumference hats were now in style as well as large sloping shoulders. Vibrant colours became popular such as Turkey Red and Chrome Yellow. Ladies occasionally wore a bustle that supported the drapery at the back of the dress and belts complimented their well -defined waists.